r/electronicmusic

And this scene is not exaggerated. You could go into a shop, and a guy who worked there and who loved the same sort of music would tell you about what was new this week.

He could afford to live in a flat in London on his pay from working 20 hours a week in a music store because the world was still sane.

You'd probably run into him at 3AM on Sunday morning at some after party because you'd both been out on the rip, and it was a community of sorts. He'd pass you a spliff and you'd talk bollocks for a while.

But I miss those physical places. To be able to go into a store and listen to a record before you decide whether or not to buy it. The past is a different country.

I’ve been getting pretty heavy into electronic music specifically dark electronic, Can anyone give me some recs based on the artists I like? My favorites are Priest, Body of light, and Drab majesty!

I feel this song is rather unique (his music is kind of experimental). I tried to find similar stuff and Machine girl's Porpoised Phantasies album feels closer to that style. Closer music genre is the seapunk (Azaelia Bank's song Count Contessa fits) that faded into obscurity fast. Do you have any recommendations?

I like the ethereal vibe with snappy beats of the song.

As I've stated before on here I draw upon many sonic influences when crafting but don't think too much about genre categorization. Lmk what you think...

ELECTRONIC MUSIC
│
├── POP ELECTRONIC
│ ├── Synthpop
│ ├── Electropop
│ ├── Dance-Pop
│ ├── Hyperpop
│ └── Nu-Disco
│
├── HOUSE
│ ├── Chicago House
│ ├── Deep House
│ ├── Soulful House
│ ├── Progressive House
│ ├── Tech House
│ ├── Electro House
│ ├── Bass House
│ ├── Future House
│ ├── Tropical House
│ ├── Organic House
│ ├── Melodic House
│ ├── Acid House
│ ├── Minimal House
│ ├── G-House
│ └── Microhouse
│
├── TECHNO
│ ├── Detroit Techno
│ ├── Minimal Techno
│ ├── Dub Techno
│ ├── Peak Time Techno
│ ├── Hard Techno
│ ├── Industrial Techno
│ ├── Schranz
│ ├── Acid Techno
│ ├── Hypnotic Techno
│ └── Melodic Techno
│
├── TRANCE
│ ├── Uplifting Trance
│ ├── Progressive Trance
│ ├── Vocal Trance
│ ├── Tech Trance
│ ├── Psytrance
│ │ ├── Full-On
│ │ ├── Dark Psy
│ │ ├── Forest Psy
│ │ ├── Hi-Tech Psy
│ │ └── Goa Trance
│ └── Hard Trance
│
├── DRUM & BASS
│ ├── Liquid DnB
│ ├── Dancefloor
│ ├── Neurofunk
│ ├── Jump Up
│ ├── Techstep
│ ├── Darkstep
│ ├── Atmospheric
│ ├── Intelligent DnB
│ └── Drumfunk
│
├── JUNGLE
│ ├── Ragga Jungle
│ ├── Atmospheric Jungle
│ └── Jungle Terror
│
├── DUBSTEP
│ ├── UK Dubstep
│ ├── Brostep
│ ├── Melodic Dubstep
│ ├── Riddim
│ ├── Tearout
│ ├── Deathstep
│ ├── Color Bass
│ ├── Future Riddim
│ ├── Briddim
│ └── Experimental Bass
│
├── TRAP
│ ├── Festival Trap
│ ├── Hybrid Trap
│ ├── Future Trap
│ ├── Wave
│ ├── Hardwave
│ └── Phonk Trap
│
├── BREAKBEAT
│ ├── Big Beat
│ ├── Nu Skool Breaks
│ ├── Florida Breaks
│ └── Electro Breaks
│
├── GARAGE
│ ├── UK Garage
│ ├── 2-Step
│ ├── Speed Garage
│ ├── Future Garage
│ └── Bassline
│
├── DOWNTEMPO
│ ├── Chillout
│ ├── Lounge
│ ├── Trip Hop
│ ├── Lo-Fi
│ ├── Ambient House
│ ├── Balearic
│ └── Psybient
│
├── IDM / EXPERIMENTAL
│ ├── IDM
│ ├── Glitch
│ ├── Glitch Hop
│ ├── Wonky
│ ├── Skweee
│ ├── Clicks & Cuts
│ ├── Microsound
│ └── Intelligent Breaks
│
├── AMBIENT
│ ├── Space Ambient
│ ├── Dark Ambient
│ ├── Drone
│ ├── Isolationist
│ ├── Dungeon Synth
│ └── Nature Ambient
│
├── HARD DANCE
│ ├── Hardstyle
│ │ ├── Euphoric
│ │ ├── Rawstyle
│ │ ├── Xtra Raw
│ │ ├── Reverse Bass
│ │ └── Hardstyle Classics
│ │
│ ├── Hardcore
│ │ ├── Happy Hardcore
│ │ ├── Gabber
│ │ ├── Mainstyle
│ │ ├── Industrial Hardcore
│ │ ├── Frenchcore
│ │ ├── Terrorcore
│ │ ├── Speedcore
│ │ │ ├── Splittercore
│ │ │ ├── Extratone
│ │ │ │ ├── Suizidcore
│ │ │ │ ├── Minatory
│ │ │ │ └── Ultra Extraitone
│ │ │ └── Noisecore
│ │ └── Crossbreed
│ └── Jumpstyle
│
├── J-CORE
│ ├── Happy Hardcore
│ ├── Hardcore Tano*C
│ ├── Speedcore
│ ├── Artcore
│ ├── Makina
│ └── Rhythm Game Music
│
├── ELECTRO
│ ├── Electro Funk
│ ├── Electroclash
│ ├── Break Electro
│ └── Freestyle
│
├── EBM / INDUSTRIAL
│ ├── EBM
│ ├── Aggrotech
│ ├── Futurepop
│ ├── Industrial
│ ├── Industrial Noise
│ └── Rhythmic Noise
│
├── VAPOR
│ ├── Vaporwave
│ ├── Future Funk
│ ├── Mallsoft
│ ├── Barber Beats
│ └── Signalwave
│
├── NOISE
│ ├── Harsh Noise
│ ├── Harsh Noise Wall
│ ├── Japanoise
│ ├── Power Electronics
│ ├── Death Industrial
│ └── Wall Noise
│
└── OTHER
├── Chiptune
├── Bitpop
├── Synthwave
├── Darksynth
├── Outrun
├── Witch House
├── HexD
├── Moombahton
├── Jersey Club
├── Baltimore Club
├── Footwork
├── Ghettotech
├── Gqom
├── Amapiano
├── Baile Funk
└── Electro Swing

Daft punk’s music style is very attractive to me,But I don’t know much about the electronic music I only know the chemistry brothers I not sure their style is similar to Daft punk’s🤔

I really want to get into electronic music but I find a lot of the stuff I’ve encountered to be incredibly repetitive and boring. Great to dance to, but I’ve never gone clubbing and I don’t really dance by myself. I want some artists or releases that you can actually purely listen to.

The two artists that I can’t get enough of so far

- James Blake (his dubstep stuff)
- Nicolas Jaar

Hey guys. I’d posted a discussion about the origin of this particular sound, especially when it plays in 8th-notes to provide not just the groove but also the central atmosphere and melody of the track. u/Spartan_138 also posted on this on r/trance and r/deadmau5 6 years ago.

Thanks to the post I discovered what I (and quite a few others) thought was arguably the earliest example of the style: Probspot’s Foreplay, released in 2004.

However, I recently listened to James Holden’s remix of Opus III’s Fine Day, released in 2002, and I have to say that despite being older, it sounds way closer. And I think it’s fair to call this a forerunner, not to mention James Holden was a pretty pioneering artist in general.

The closest early deadmau5 track to this one I can think of his remix of Morgan Page’s The Longest Road released in 2008.

Anyhow, I think the tune is a bop and hope you like it too.

Edit: listen from the 2:00 minute mark.