
sid(mike)‘s allegations??
are there any proofs that he was connecting minors and sending d pics**??i dont believe thats true,cuz he doesn't look like that kind of person!**

are there any proofs that he was connecting minors and sending d pics**??i dont believe thats true,cuz he doesn't look like that kind of person!**
I just finished gen 2 and i loved it sm but the end was shitty and i dont want to just "finish" the show because i heard that gen 3 is shit aswell so i wanted to watch directly season 7 and not watch gen 3 so what do you recommend?
hi i was curious to see what teens in the 2000s were listening to in the UK. skins has a great OST and when i searched for how they found the songs for it, it was simply that a young person was curating the music.
if you don’t have a playlist with your old favs anymore, can you share some artists that you liked when you were younger? this is mainly because i want to get into uk garage, but i only see super popular bands and acts. i appreciate all genres though and ive love some rap, dnb, and indie rock reccs. heres also the link to the playlist i made with some skins songs and 2000s uk music, and sounds that i think fit in if you are curious :)
https://open.spotify.com/playlist/0G1b2cbLpIcvPSJwqB6b7T?si=-CvPPB12SaG1uc6S0UN0Hg&pi=obeSnC0ORdim1
(some stuff like your love her cos she’s dead and crystal castles are purposely left out since it doesn’t fit the playlist when i shuffle lol)
It's been a while since I've watched the show, but I remembered randomly how Minnie became friends with everyone.
I'm pretty sure she just knocks on Liv's door with Nick, and everyone just sort of meets up there because Minnie told them to. Then out of the blue she goes on about how she's treated them bad because she feels a bit outcast and outdone by all of them, saying they're "alternative and cool".
This is a really unrealistic and rushed way of bringing everyone together imo. She has literally no motive to doing this- she's all good with Nick, everyone's minding their own business, she's doing fine socially- so there's literally no reason why she would be doing all this.
I find it hard to believe that graces link with rich would've been enough to spark this friend group and sudden change in Minnie's avoidance of the group. She literally hates Frankie and finds rich/alo weird. Hence, is say that her sudden attachment and friendliness with everyone seems very unrealistic and rushed, just a way for producers to quickly make the group all seem friends. Is that just me?
Am I missing something? Or was Minnie's half bothered apology really just a way of trying to quickly establish a new friend group for the new gen of skins.
Hey all, I just finished 1-3 and LOVE the series, however I have read such terrible reviews of season 4. Is it worth the watch? I don’t want to ruin my favorite show 🙃 btw the ending has already been spoiled for me too🥲
It BOGGLES my mind how people look at a situation where a girl is cheated on and humiliated multiple times by her psychotic and egotistical boyfriend, and not only that, but her friend(s?) knew and didn't tell her, and he cheated on her with one of THEIR FRIENDS while she was in the room, but somehow, she's wrong for lashing out at Jal for knowing for so long and not telling her and for not wanting to talk to Maxxie after he let her bf give him head.
While Jal shouldn't have been the one to tell Michelle, and it should've been Tony because he's the boyfriend, Jal still made it worse by at least not confronting Tony and saying, "If you don't tell her, I will." The same goes with Maxxie.
Michelle being villainized breaks my heart, and she deserved so much better. And I will die on that hill.
I’ve been an avid Hannah Murray fan for a number of years, admiring her moving, often heartbreaking portrayals of damaged women – from desperately obsessive Cassie Ainsworth in Skins to vulnerable Sara in Bridgend to the coldly, cruelly used Sylvia Ageloff in The Chosen to the deluded, murderous Leslie Van Houten in Charlie Says. I’m pretty sure I’ve seen every film, music video, and television episode, no matter how obscure, she’s appeared in.
I had also watched countless interviews on YouTube and elsewhere that showed Hannah to be a lovely, gracious, and thoughtful young woman who eschewed social media as narcissistic, who warmly spoke of her castmates in familial terms, and who jealously guarded her private life.
I really liked who I thought Hannah Murray was.
So when she announced that she was writing a memoir accounting how she became involved with a “wellness organization” that led to a psychotic break, confinement to a mental institution for a month, and ultimately being diagnosed with bipolar disorder, I immediately pre-ordered the book – a year before the planned publication date. I even ordered from Amazon UK and paid the steep shipping cost rather than wait an extra month for the US release.
The book conveniently arrived the day before I was to leave on a long business trip, and I thought it would give me something to read during my travels.
Instead, I opened the book in the Uber on the way to the airport and was immediately yanked into a story that I could not stop reading: In the two-page prologue she’s in a mental hospital, heavily hallucinating, and believing that she’s there to heal all the other patients. I got to the last page a mere day later.
The first thing Hannah Murray did was eviscerate my silly notions of who Hannah Murray was. She tells about being an odd, imaginative child who wanted to believe worlds of fantasy and magic could be real, and then an angry teenager who found sudden fame at seventeen when she landed a starring role in Skins with no previous acting experience. Although not anorexic like the fictional Cassie, she had a complicated relationship with food, a difficult relationship with her parents, and a tendency toward self-harm. And, significantly, was prone to extreme emotional highs and lows. That tendency was exacerbated by her career over the next ten years, bouncing between the highs of starring roles to the lows of unemployment, the grinds of auditioning for the next job, and dealing with the industry’s rank objectivization of women: As she puts it, sitting in business meetings negotiating what body parts she would be willing to show. Through it all was a life of hard partying, heavy alcohol and drug use, and promiscuous sex. Yet her only thought for her physical wellbeing seemed to be an ongoing concern that she smoked too much. It was a life in which if she wanted to throw a party, she rented out a nightclub. If she wanted to have a dinner party, she rented out a restaurant. She’d become sexually obsessed with people who weren’t interested in her and quickly bored with people who were interested in her. If she wanted to end a romantic relationship, she did it by having sex with someone else. She dealt with the minor annoyances every young person has with their parents by avoiding seeing hers for a year or two.
I found myself not liking Hannah Murray at all.
But I only knew that I didn’t like her because she was so brutally honest about herself. She had brought me into the world of someone with an undiagnosed bipolar disorder. The connection she makes with the reader is so intimate, that when she begins her descent into madness she takes you right down with her.
She had for some time been reading self-help books to try to deal with her deep depressions, which she calls her “gateway drug” into what followed. During the filming of the movie Detroit, in which her character is sexually assaulted by a police officer, she was already in an emotionally dark place. She was battered and bruised from a week of scenes in which she was slapped, beaten, and thrown against walls. Then came the assault scene, and a rack full of identical dresses because they would be doing repeated takes of the policeman ripping her dress off her. The intensity of filming the scene over and over and over left her physically ill. A friend on the set suggested that Hannah take an “energy healing” session, and this was her introduction into what she calls “the organization.”
Most of the book is Ms. Murray taking the reader along, in excruciating detail, on her gradual seduction by what was not just an organization but a cult. The more she described, the more the outside observer in me wanted to shout, how could you be so dim as to fall for such blatant New Age pseudo-spiritual claptrap while letting them fleece you of thousands of pounds? But the remarkable thing about her narrative is that you’re not just along as an outraged observer; she puts you inside her mind. And from that perspective the manipulative rituals, her developing delusions, and her gradual disconnect from reality are all more sympathetic. As she puts it, the boiled frog phenomenon.
The actor who had made a career of portraying vulnerable women was herself horribly vulnerable. Her bipolar disorder meant that the cult’s exploitation was sending her spiraling deeper and deeper into psychosis.
When the psychotic break finally comes during one of the cult’s training classes, you experience the madness right along with her. Appallingly, the cult nutjobs try to perform an exorcism on her before finally calling the authorities for help.
Her sectioning was far from the end of it. The early publicity about what happened usually read, “Game of Thrones actress reveals that she was sectioned for a mental breakdown.” That sounds so sterile, like someone going to the hospital to get an appendix removed. But in her own words, “I was not well when I left hospital… I did not enter ill and left well. I entered extremely psychotic and left somewhat less so.” And later, “The reality was that I was still out of my mind. All my delusions were still intact; the hospitalization had done nothing to shake them. I had walked out of the ward and straight back into the arms of the people who put me there.”
She went right back to the cult and its training. But she kept her appointments with a psychiatrist who diagnosed her as bipolar, and she took the medication he prescribed, even though she thought she was appeasing the authorities through feigned compliance. Cleverly fooling them into letting her stay out of the hospital.
But the medication and perhaps the counseling gave her just enough lucidity to begin seeing the cult through a more skeptical lens. The magic gradually stopped working and the delusions faded.
Living a quiet life in a small town in East Anglia, it’s hard to say whether Hannah is fully recovered. She’s happy to be away from acting, living a much healthier lifestyle, and has rebuilt her relationship with her parents. She’s pursuing a mentally healthier new career as a writer, and I for one look forward to her first novel. If Hannah Murray’s future work carries the raw emotional impact of The Make-Believe, she will make her mark as one of the most important writers of this decade.
John Steinbeck said, “You can only understand people if you can feel them in yourself.” Ms. Murray’s courage in what she is willing to share about herself, coupled with a gripping narrative style that welcomes you into her own mind certainly made me feel her within myself. It’s a remarkable book. And, yes, I like Hannah Murray after all.
In Fire, we all know Naomi gets cancer and passes away. And we also know that besides Effy still being friends with her and Emily, nobody from the second gen has any kind of interaction with the group anymore.
But I always thought that somehow Cook should know about Naomi's illness and passing. Because he loved her. Besides the other two musketeers and Effy, Naomi was the only other person from their group that Cook loved. And I know he changed and isolated himself after Freddie and the storyline was another, but I just could not stop wondering how unfair and sad it was that he never knew and probably would never knew what happened with her.
I know this is an unpopular opinion, but I think Jess Brittain wrote Effy well in Fire. At first glance, it might seem strange that Effy in Fire actually cares, but considering her aversion to being dependent and becoming an object of pity, it's no wonder that after the events of Season 4, she wanted to show herself and the world that she is "fixed." She shows her need for stimulation through how much she feels stifled by her job as an assistant and how naturally she fits into the world of high finance, as well as through her risk-taking and cunning—like when she goes to a meeting with an investor without authorization while still an assistant. Her manipulativeness (obviously). Her sharp mind—like when she finds the error in the report and how quickly she picks up the trading lesson from Dominic. And her defiance—like when she doesn't let Victoria walk all over her. The fact that she has to be "the smartest person in the room"—just as with the mushroom incident where she wants to secure her position as the center of the group during the camping trip, in London she similarly can't just be a regular, beginner trader slowly learning her craft; hence the initial insider trading move. Her agency, like at the end when she takes down Jake and makes sure Dominic doesn't face any consequences. How caring she can be toward those she loves, visible in the scenes with Naomi in the hospital. Her ability to listen, evident in the scene with Naomi in bed. Her loyalty, for instance, when she fulfills Naomi's request by not telling Emily about her illness. The fact that she has a bullshit detector, like when she tells Naomi not to hide the truth from Emily. The fact that she doesn't confide her feelings even when going through a tragic situation—like during her last conversation with Naomi, when asked what she is going to do, she says nothing, even though her romantic and professional life lies in ruins and she herself is facing prison. The fact that she feels guilt when someone she cares about suffers because of her—in this case, Dominic, just like before with Freddie, which is visible in the final scene of Episode 5 of Season 3 (I know this is controversial, but in my opinion, she isn't mocking Freddie there; instead, shock and then shame are painted on her face, noticeable when she briefly looks down as Cook appears behind her; of course, pride wouldn't let her look away for longer, but nevertheless, there is no arrogant "Effy smirk" there), or during the conversation scene with JJ in Episode 7 of Season 3 (by the way, it is incorrect to blame Effy entirely for the breakdown of Cook and Freddie's friendship, where Cook can act maliciously or even cruelly toward Freddie; similarly, Dominic is an adult, experienced man in the industry, and Effy never pretended to love him—she doesn't let him kiss her on the terrace, and when Dominic tells her: "I'm hypothetically in love with you. As you know," and she answers: "It's just a crush, you twat."). The fact that she has a certain kind of humility—both when Emily takes her anger out on her for not telling her about Naomi's illness and when JJ accuses her of causing the breakup of the "three musketeers."
Many criticize the storyline of her relationship with Jake, but notice how quickly she becomes emotionally attached to Freddie, and in both cases, it happens during difficult moments for her: here it is Naomi's diagnosis, and there it is her parents' marriage falling apart. There is also her unwavering loyalty toward Pandora, even though Pandora betrays her trust by sleeping with Cook during the slumber party. And her assistance to Jake stems from the same protective instinct she showed when helping Tony get Michelle back. Even details like using clubbing as a form of escapism, shown in the sleepless night scene. The fact that she still doesn't shy away from drugs, shown in the company party scene. Her sharp comebacks, shown after Emily's comment during the dinner scene of her visit from New York. Even the fact that she has a nice, straightforward friend in Jane, who feels reminiscent of Pandora, also fits her character.
I am a diehard Sid defender and always have been, and I really don't understand why everyone piles on him and acts like Cassie is this victim who can do no wrong.
Cassie liked Sid first, and Sid didn't reciprocate. Ok. It happens.
Then, when Cassie is hospitalized, Jal blames Sid. Yes, he should've explained himself but Cassie trying to off herself was not his fault at all and anyone who blames him for that is sick.
She then got mad at him for dipping to go help Tony which- is also not Sid's fault?
Not to mention the way she makes everything everyone else's problem like, "I've had my pain, Jal. Yours is in the post." like WTF?!
Bottom line, they're both mentally ill teenagers who shouldn't have been together like most of the kids on that show.
The scene when she meets Cassie "bloomin' 'ell she's a.. what do you call it..? Whore" No judgement, just totally innocent observation. Love her :')
Looking back, there are definitely characters I excused because I liked them, even when they were making objectively terrible decisions. A rewatch has forced me to admit some of my favourites were a lot harder to defend than I remembered. Which character did you view most differently on a rewatch?
Personally, I think this is going to come as a surprise but my favorite character is Rich. I honestly think he’s the kindest character in the whole show, he was loyal and a good friend. He even forgave the people who caused Gracie’s death. I also love rock music and am a guy so I relate a lot to Rich. Summarizing, I think there something to be admired about his character because he never crossed boundaries that most other characters did.
I love Cook, Tony and Effy too don’t get me wrong. They are stronger characters than Rich and that’s down to writing for the most part.
What’s your opinion?
The way she treated them in her centric Series 6 episode was unforgivable. And then her hang-ups on being adopted in the last two episodes of the series feels so unnecessary. Gen 3 is my favorite cast, but they really did Franky dirty...