Is there any editorial connection between the editing/reconfiguration of Shakespeare's plays and the burgeoning documentary hypothesis of the Bible?
This might be a bit of an unusual question, but I was reading the Arden Research Handbook of Shakespeare and Textual Studies, and the Introduction said this:
>Interpretation leads to a proliferation of meaning: as their reception across the centuries demonstrates, Shakespeare's texts mean many things to many people. Textual studies, by contrast, involve a return to origins, a movement ad fontes, to the sources. As Erasmus put it in a humanist manifesto half a millenium ago: 'First and foremost, however, recourse must be had to the sources themselves' [...] Whereas the primary textual object of Erasmus and other humanists was Holy Scripture, that of the Shakespearean is what some have considered its closest secular equivalent: the text of Shakespeare.
So we have a general sense of trying to find out the 'world behind the text' in both Shakespeare's texts and the Bible, even though they were written, edited and compiled under very different circumstances. But then it goes on to say that
>Shakespeare's much praised verse [....] reaches us as an editorial collage whose modern origins are ignored by all but the initiated. Shakespeare's editors are often the unacknowledged mediators of the word.
I found this extremely interesting, because it goes on to elaborate on how much of Shakespeare's plays were originally written in fragments, and were edited and compiled into quartos (cheaper copies), and then the First Folio (generally more expensive, and I suppose more 'official'?) But even this compiling and editing was something that Shakespeare was less involved in. Even after he died, people continued to edit, censor, readapt and add certain lines to the texts for publication - people still edit Shakespeare for their own goals today, a little like biblical translations being carried for a certain purpose/s.
My question is, because of the multiple similarities in textual construction, was there any institutional link between the two? Was there ever any influence by Shakespearean scholarship on biblical scholarship/the rise in the documentary hypothesis, or vice versa? If so, I'd love to know which sources I can look to for more information. Thank you!