I’m really interested in acting and want to join a drama group, theatre workshop, or anything related to performance arts. I have no professional experience yet, but I genuinely want to learn and explore this field seriously.
If anyone has experience with theatre/drama communities, especially in Ahmedabad, please guide me.
23F here. I’ve been dating my boyfriend 25M for about 1 month. Recently he started getting more physical , kissing, pressing my boobs, cuddling very sexually, and bringing up sex more often.
The problem is that I’m not ready for sex yet. I do like him and I’m attracted to him, but sometimes I feel pressured because things escalate physically even when I’m unsure. I want to communicate this clearly without making him feel rejected or damaging the relationship. For people who’ve handled this in a healthy way, how did you set boundaries while keeping the relationship respectful and comfortable for both people?
The songs in Welcome are honestly underrated when people discuss the movie. Everyone remembers the comedy, memes, and characters like Uday and Majnu, but the album had crazy replay value. Almost every song had a distinct vibe instead of sounding repetitive.
Kiya kiya, uncha lamba kad, inshallah, title song, hoth rasiley and kola laka vellary...all are amazing...my personal favourite are kiya kiya and uncha lamba kad...which one is your favourite? ...let's discuss...
Bhavesh Joshi is darker, more grounded, serious, and has that vigilante realism with amazing action and social commentary. Mard Ko Dard Nahi Hota is more quirky, emotional, stylish, and fun with old-school martial arts vibes and comedy.
My personal favourite is Mard Ko Dard Nahi Hota because it balances action, drama, comedy, and emotion really well. It feels unique and rewatchable. But Bhavesh Joshi probably had stronger intensity and a more realistic superhero approach.
Both are so underrated...which one is your favourite? Let's discuss..
For me, ranking would be:
Water Tanker Arc Bhootni Episode Tapu Ki Shaadi Gulabo episode
Water tanker arc was peak classic Taarak Mehta Ka Ooltah Chashmah chaos. It had everything , panic in society, everyone fighting over water, random strategies , so this is my favourite...
Bhootni arc is iconic because of atmosphere + comedy balance. The suspense actually worked back then..
What's your thoughts and rank these arcs...which one is your favourite?
Not many people talk about this arc, but the Popatlal entry arc in was genuinely hilarious. The truck driver fight, society members waking up at midnight, the confusion, chaos, and classic early-era comedy timing , everything worked perfectly. I still think early Popatlal arcs are among the most underrated comedy episodes in the show. What are your thoughts on this arc?
I think this debate is actually closer than people admit.
Akshay probably has the edge in versatility and comic timing. Films like Hera Pheri, Garam Masala, De Dana Dan, Bhool Bhulaiyaa, and Jaanwar show how naturally he handles comedy, emotion, action, and even vulnerable characters.
But Salman at his peak brings something Akshay doesn’t fully have , raw emotional connect and larger-than-life charisma. In Tere Naam, Kyon Ki, Wanted, Dabangg, and especially Bajrangi Bhaijaan, Salman can dominate the screen even with simple acting choices.
Their chemistry together in Mujhse Shaadi Karogi and Jaan-E-Mann was also surprisingly good because both balanced each other well
According to me - Better pure actor- Akshay Kumar Bigger star aura / charisma at peak - Salman Khan
What's your thoughts? Let's discuss..
I’m not talking about cash-grab sequels like “same jokes, new location.” I mean movies that actually built interesting worlds, left stories unfinished, or had concepts way ahead of their time.
Chandni Chowk to China — Chandni Chowk to Africa was announced once and honestly the adventure-comedy concept had franchise potential.
Ra.One — flawed movie, but the sci-fi superhero idea was way ahead of its time for Bollywood.
Jagga Jasoos — one of Bollywood’s most unique films. The planned sequel with Nawazuddin Siddiqui as a two-headed villain sounded crazy in a good way.
Detective Byomkesh Bakshy! — perfect setup for a detective franchise, but never got continued.
Aankhen — still one of Bollywood’s smartest thriller concepts and easily sequel-worthy with a strong script.
What's your thoughts? Which movie is excited you?let's discuss...
I’m a very introverted person and usually don’t talk much with people in my office. A lot of coworkers say my voice is too low, and honestly I’m always scared of being judged whenever I speak. I overthink almost every interaction.
But last week something unexpected happened. There was an organizing competition at work, and somehow I decided to participate. I had to speak in front of around 100 people.
And surprisingly… I spoke with full confidence. Clear voice, no fear, no hesitation. Everything came out perfectly. People who barely heard me talk before were genuinely shocked.
Now I keep thinking about how this even happened...Has anyone else experienced something like this where you’re quiet in normal life but suddenly confident in front of a crowd?
Was rewatching the movie Kaal and honestly feel it’s one of the more underrated Bollywood jungle-horror adventure films.
The atmosphere, wildlife angle, jungle setting, suspense, and soundtrack still hold up surprisingly well. Tauba tauba and title song are so catchy...Ajay Devgn had such a strong screen presence even in an extended role, and the cast overall , John Abraham, Vivek Oberoi, Esha Deol, and Lara Dutta .. fit the survival-adventure vibe really well.
Also appreciated that Dharma Productions tried something different instead of a typical romance/family drama formula. The songs were genuinely good too and matched the mysterious tone of the film.
I honestly think this movie had sequel potential if handled properly , especially expanding the jungle mythology and Ajay Devgn’s character.
What's your thoughts?
These days, a lot of people feel lonely but don’t really have anyone to talk to openly. So we’re trying to help by starting a small concept called “Your Dost.”
The idea is simple , sometimes you don’t need advice, judgment, or lectures. You just need someone who listens, understands, and talks to you like a real friend.
Whether it’s loneliness, stress, confusion, overthinking, relationship problems, career pressure, or just a bad day… we’re here to talk freely and help however we can across different platforms.
No pressure. No pretending. Just honest conversations.
Feel free to talk...
Which movie handled the same subject better overall , Bala starring Ayushmann Khurrana vs Ujda Chaman starring Sunny Singh?
Both are based around premature balding and insecurity, and honestly both had good moments. But if you had to pick one as the better film overall , writing, acting, comedy, emotional depth, supporting cast, music, replay value, etc. , which one wins for you and why?
According to me, ujda chaman is so underrated and good and better than bala overall...what's your thoughts? Let's discuss...
I’ve noticed that Ayushmann Khurrana built his reputation on picking socially unconventional and taboo subjects, like sperm donation in Vicky Donor, body image in Dum Laga Ke Haisha, erectile dysfunction in Shubh Mangal Saavdhan, or late pregnancy in Badhaai Ho. In these films, it felt like the writing actually backed the concept, strong characters.
But in some of his later films like Bala, Chandigarh Kare Aashiqui, and Doctor G, it feels like the concept does most of the heavy lifting. The topics are still bold, but the screenplay sometimes feels uneven. But overall good concepts.
Which of his films do you think are actually well-written from start to finish? What's your thoughts on this?
I recently revisited Lucky: No Time for Love, and honestly… it’s better than people give it credit for.
Salman Khan was surprisingly restrained compared to his usual larger-than-life roles, and the film had a calm, almost old-school romantic tone. The music, locations, and pacing felt very different from typical Bollywood masala. But let’s be real, what stands out immediately is Sneha Ullal. The resemblance to Aishwarya Rai is so strong that it feels intentional rather than coincidence.
Do you watch this film? Let's discuss..
I recently revisited Lucky: No Time for Love, and honestly… it’s better than people give it credit for.
Salman Khan was surprisingly restrained compared to his usual larger-than-life roles, and the film had a calm, almost old-school romantic tone. The music, locations, and pacing felt very different from typical Bollywood masala. But let’s be real, what stands out immediately is Sneha Ullal. The resemblance to Aishwarya Rai is so strong that it feels intentional rather than coincidence.
Do you watch this film? Let's discuss..
I recently revisited Lucky: No Time for Love, and honestly… it’s better than people give it credit for.
Salman Khan was surprisingly restrained compared to his usual larger-than-life roles, and the film had a calm, almost old-school romantic tone. The music, locations, and pacing felt very different from typical Bollywood masala. But let’s be real, what stands out immediately is Sneha Ullal. The resemblance to Aishwarya Rai is so strong that it feels intentional rather than coincidence.
Do you watch this film? Let's discuss..
I randomly revisited this song and it still hits the same. Adnan Sami’s voice just feels so unique, there’s a softness and depth that’s hard to find these days. It’s one of those songs that doesn’t need heavy music or flashy production, it just works because of the emotion.
Do you listen this song guys?? Share your views...
Loneliness isn’t rare anymore, it’s everywhere. And the worst part? Most people hide it well. I’ve seen how dangerous it can get when someone has no one to talk to. Your mind starts going places it shouldn’t, and before you realize it, you’re stuck in a spiral that’s hard to break.I’m not claiming I can fix everything, but I know what it feels like, because I’ve been there myself.
I’m just an unknown person, your unknown dost. You can share anything with me. No judgment, no pressure. If it helps even one person feel a little less alone, that’s why I started this.If you just want someone to listen, I’ll do that too.
With a massive cast like Akshay Kumar, Suniel Shetty, Paresh Rawal, Raveena Tandon, Disha Patani, Tusshar Kapoor, Sanjay Dutt, and Arshad Warsi, it feels more like a reunion than a focused film.
It’s being directed by Ahmed Khan and apparently going for a dark comedy tone , which honestly doesn’t match the chaotic, slapstick vibe the Welcome franchise is known for. People are excited for this? Are people genuinely hyped for this, or does it feel like another overstuffed Bollywood cash grab riding on nostalgia? What's your thoughts on this guyss??