Idk. The glitter moment with the ice cream truck is one thing, but even here he seems really weird and cold towards her for no reason. There's just a consistent passive aggressive energy with him.
I'm not familiar with Carson but is he this way with everybody or just Mariah?
She is always getting beat up, having panic attacks, screaming and crying, getting dragged across the floor, and making stupid decisions and getting saved by Leon. It is clear the developers were afraid of creating a strong female character who would take spotlight away from Leon. It is the same reason why they shafted Claire and Ada for years.
Is this game going to EoS in less than a year? It takes about five to ten minutes for me to find a match in bronze...which would be fine if this app allowed me to minimize the screen while I waited but stupid perms won't let me.
I imagine Nintendo thought a game like this they could squeeze a good 2, maybe 3 years, NOT 10.
But it has made Nintendo more money than any mainline Fire Emblem which is surprisingly sad. Millions every year for PNGs of characters that most casual players have no clue about and will never play their home games.
Conversely, I bet they thought that Dragalia Lost was gonna be next big thing but DL was the one to EoS in a two-year span.
Or at least chose a better lead single because "You're easy breezy and I'm japanese-y" is definitely a contender for top 10 worst lyrics of all time.
I always thought they should've re-recorded their first three albums in English maybe with a few new tracks. That would've been their best chance. "Automatic" and "First Love" could've definitely been hits in the 2004/2005 American music scene.
Tails is (arguably) the most popular sonic character after Sonic himself, and Amy is the undisputed most popular and most recognizable female character with a moveset and potential for gameplay totally unique from Sonic.
We often talk about how popstars from other countries struggling or successfully breaking into the American market but never the opposite.
I find it interesting since just having American fame despite it's appeal to foreign artists is often used as a putdown, usually by stans as "local act," and claimed not deserving of superstar status for not being able to sell out an arena in Austria despite selling out Madison Square Garden.
Japan is the biggest market for music after America, yet it is rare if not completely nonexistent that you will see an American artist have a chart run with multiple top 10s and #1s over there. Then again, I don't think many American acts promote over there.
Germany, if my information is correct, is the third biggest music market in the world, no? I don't recall too many American acts promoting over there either.
Is it because it's incredibly hard to do, or is it just not worth it for an American artist to focus on areas outside of America?
Art by ArtKaninchenbau
Imagine a world where if instead of picking up Game of Thrones, HBO decided to adapt a live action television series of Genealogy of the Holy War instead! It has that vibe and a proper ending to boot. The 12 Crusaders spin-off would probably be airing in place of House of the Dragon right now.
Obviously, FE1/FE3 could be adapted as a really good Lord of the Rings-esque movie trilogy anytime. Classic epic fantasy story.