Iw as the unfortunate soul to get impostor and I couldn't kill anyone like by the end 3 impostor were trying and failing to kill one person

ben ameliyat oldun bir kaç ay evvel kaç aydır YouTube’da ne oluyor pek takip etmiyor ondan birkaç sorum olacak

Judais Neden en nefret edilen eleştiri kanalı oldu

CharmQuel neden video atmayı bıraktı ve şeref açısından kıt ilan edildi

Filmler ve filmlerin bazı aralıktaki videoları neden küfürsüz Filmler be Filmler ile küfür ekmek ve salça gibidir

We are only on episode 4 and he has declared Dr Stone as peak

But I need like stuff that has WWI lore not just A WWI rifle named george no the lore has to contain WWI

Ever since watching Kurzgesagt's videos about the immune system, reading Immune (probably 8 times by now), and unfortunately being hospitalized a couple of times, I've been thinking...

Why isn't there an RTS where you literally play as the immune system?

Imagine something like Stick War, Plants vs. Zombies, or a real-time strategy game where, instead of training medieval soldiers, you're commanding your body's immune system. Your resources could be ATP, amino acids, nutrients, RNA, or something similar, which you'd spend to produce different immune cells.

Each unit would have a unique role:

• Neutrophils would be your cheap, fast, expendable frontline troops. You'd spam them early game to slow invasions and buy time for stronger units. They'd have low survivability but very high numbers.
• Macrophages would be expensive tank units. They could literally NOM weaker enemies, clean up dead pathogens and cells after battles, and slowly heal themselves by consuming debris.
• Monocytes would be basic recruits that can later differentiate into either macrophages or dendritic cells depending on what your army needs.
• Dendritic cells would act as scouts. After capturing a pathogen, they'd return to the lymph node and unlock the adaptive immune response, allowing you to recruit T cells and activate B cells.
• Helper T cells would function as commanders, buffing nearby immune cells by increasing attack speed, antibody production, and overall effectiveness.
• Cytotoxic (Killer) T cells would be elite assassins. Instead of attacking pathogens directly, they'd hunt down infected body cells before viruses have a chance to spread.
• B cells would be ranged support units. Once activated, they'd begin producing antibodies that mark enemies, making them much easier for the rest of your army to eliminate.
• Plasma cells (activated B cells) would become stationary antibody factories with enormous range but almost no mobility.
• Memory B cells and Memory T cells would persist between levels. If the same pathogen appears again, they'd already be unlocked, cheaper to deploy, and much faster to respond, simulating acquired immunity.
• Natural Killer (NK) cells would be special forces. They wouldn't need dendritic cells to identify threats and could immediately attack infected or cancerous cells.
• Regulatory T cells would prevent your immune system from overreacting, reducing collateral tissue damage and preventing autoimmune "friendly fire."
• Eosinophils would be specialist anti-boss units that excel against parasites but are less effective against bacteria and viruses.
• Basophils and mast cells could release histamine, creating an area that attracts immune cells and slows invading pathogens. Overusing them would increase inflammation and damage nearby tissue.

Enemies would all require different strategies:

• Bacteria would reproduce rapidly and attempt to overwhelm your defenses.
• Viruses would infect your own cells, forcing you to identify and destroy infected tissue before the infection spreads.
• Fungi would spread slowly but be extremely resilient.
• Parasites would act as the game's boss fights. Instead of fighting hundreds of small enemies, you'd face one massive organism with multiple attack phases, unique mechanics, and weak points. Since parasites are too large for macrophages to simply engulf, you'd need to rely on eosinophils, antibodies, helper T cells, and coordinated attacks to bring them down. Every parasite could feel completely different, making each boss battle a major strategic challenge.
• Cancer cells would disguise themselves as healthy body cells, making them difficult to detect until they become a serious threat. If left unchecked, they could eventually become their own "boss" encounter.

There could also be powerful "Body Events" or abilities that act like ultimates:

• Antibiotics instantly weaken or eliminate bacterial enemies but have no effect on viruses. However, relying on them too often would cause antibiotic-resistant bacterial strains to become more common in later levels, making the ability progressively less effective. That would force players to think carefully about when it's worth using instead of treating it as a panic button.
• Antiviral medication slows viral replication, giving your immune cells time to contain the infection.
• Vaccination unlocks Memory B and T cells before a mission starts if you've encountered that pathogen before.
• Fever temporarily boosts the effectiveness of most immune cells but slowly drains your resources while active.
• Inflammation dramatically strengthens local defenses but damages surrounding tissue if maintained for too long.
• Good sleep and proper nutrition provide passive bonuses such as faster unit production, stronger healing, and increased resource generation.
• Stress or sleep deprivation reduce resource generation, slow immune cell production, and make infections spread more easily.

The campaign could start with simple cuts and bacterial infections before progressing to viral diseases, fungal infections, parasite boss fights, allergies, autoimmune disorders, sepsis, and even cancer. Every new level could introduce another part of the immune system, so players gradually learn how it works without it ever feeling like a biology lesson.

I think this could be an incredibly fun RTS while also being genuinely educational especially if it kept Kurzgesagt's style. It could even have different difficulty modes, endless survival against waves of pathogens or co-op where one player commands the innate immune system while the other controls the adaptive immune system.

Am I the only one who thinks this would be an amazing game? and yes I’m unemployed

this is an actual unsolved mystery

For Psycho’s Interested In Za Topic

The "Severed Leg Killer" (Kesik Bacak Katili) remains an unidentified serial killer. No suspect was ever caught or convicted for the crimes. 

The Istanbul Murders

• Between 2000 and 2001, severed legs belonging to eight different people (seven women and one man) were found in trash bins, alleys, and coastal waters across Istanbul, Turkey.
• The female victims' legs showed signs of surgical precision, having been drained of blood and kept in salt water, while the single male leg appeared randomly cut.
• Only one victim, a young woman named Yasemin Durgun, was ever officially identified.
• The rest of the bodies were never recovered, and the official statute of limitations for the case expired in 2021.

Me and My Brother have been fighting over this I say Conan cannot solve the case due to lack of evidence but he says Conan cannot solve solve it if Agasa opens god mode

I genuinely think someone needs to make a horror movie where the main cast are all ex-military lads who are basically budget Rambos, and the entire film is from the killer’s POV.

Like, you’ve got your standard horror setup: isolated farmhouse in the middle of nowhere, five lads on holiday, creepy woods, suspicious noises at night, no neighbours for miles, the whole cinematic buffet. Then you introduce the killer as this terrifying, mysterious horror villain who’s clearly spent years perfecting his craft and has come to this farmhouse fully expecting to have the easiest murder spree of his career.

Except he has made the catastrophic directorial decision to target five ex-military blokes.

And the lads aren't even doing anything particularly heroic. They're literally just on holiday. They're drinking, eating, arguing about bollocks and generally enjoying themselves. Then they notice some weird bloke lurking outside and their reaction isn't the traditional horror-movie response of screaming and barricading themselves in a cupboard.

It's just:

“Lads, there's someone outside.”

“Is he armed?”

“Probably.”

“Right.”

And that's basically the entire movie.

The killer keeps trying to do all the classic horror villain stuff, but the lads keep completely fucking up his cinematic vision.

He lurks outside the farmhouse? One of them spots him.

He cuts the power? They've apparently spent enough time in the military to immediately start moving around in the dark like fucking Batman.

He tries to stalk one of them through the woods? The bloke stops, turns around and goes, “You can come out, mate.”

He sets a trap? They find it.

He tries to split them up? They have the revolutionary military tactic of sticking together.

He tries to ambush one of them? Suddenly there are five lads appearing from different directions and the killer is getting his arse quintuple-wooped.

And because the whole thing is from the killer's POV, we never get the satisfaction of seeing the lads properly deal with him. We just get his increasingly horrified perspective as these five absolute bastards materialise out of the darkness every time he tries something.

You could have the director talking about how they're using “subjective camerawork to place the audience inside the deteriorating psyche of the antagonist” when really we're just watching some poor bastard realise he's picked the wrong fucking farmhouse.

The funniest part is that the killer's entire character arc is basically going from Michael Myers to a bloke who desperately wants to go home.

At the beginning he's all mysterious and intimidating, silently stalking around the property like the final boss of horror cinema.

Halfway through he's hiding in the woods, watching the lads through binoculars and wondering what the fuck he's supposed to do.

By the end he's genuinely scared to go back into the farmhouse.

He hears a noise upstairs and thinks:

“Nope.”

He sees one of the lads outside and immediately hides behind a tree.

He hears someone shout “OI!” from the darkness and just fucking RUNS.

Eventually the predator-prey dynamic has been completely inverted. The killer isn't hunting them anymore.

He's trying to survive them.

And you could really lean into the ridiculous director jargon here. Like, the killer is hiding in a barn while the lads are outside, and the soundtrack is doing the whole BWAAAAAAAM thing, the camera is shaking, the lighting is all grim and atmospheric, and the director is probably going:

“We wanted to explore the existential terror of becoming the hunted.”

No mate.

He's hiding because five blokes are looking for him.

Then we get to the final confrontation.

Our killer has had enough. He's going to regain control. He's got the dramatic lighting, the ominous score, the big villain entrance, the whole nine yards.

He's finally going to kill these lads.

And then one of them takes off his belt.

The killer stops.

Another one takes off his belt.

The killer takes a step backwards.

A third lad takes off his belt.

And suddenly we're watching the most dangerous tactical unit known to mankind:

Five ex-military blokes with their trousers accessories.

The director can call this “a subversion of conventional weapon symbolism” all he likes.

They're going to beat the serial killer to death with fucking belts.

And the killer knows it.

You can practically see the moment his entire life flashes before his eyes and he starts regretting every decision that brought him to this farmhouse.

He probably wishes he'd become an accountant.

He tries to run.

They chase him.

He tries to bargain.

They aren't interested.

He tries to explain that there's been a misunderstanding.

One of the lads is already taking his belt off.

It's over.

The terrifying horror villain who spent the first half of the movie stalking his victims is now desperately trying to escape five angry blokes who have apparently decided the Geneva Convention is more of a suggestion.

They beat him to death, and you'd think that's where the movie ends.

But no.

Because these lads have apparently decided that they're going to handle the administrative side of things as well.

Someone looks at the remains and goes:

“Right. We'd better tell the police.”

And another lad goes:

“Can we just mail him?”

CUT TO THE MOST SERIOUS CINEMATIC SHOT IMAGINABLE OF THEM PUTTING THE KILLER IN A BOX.

Massive orchestral score.

Slow camera movement.

Beautiful sunrise.

The parcel is carried away.

The audience is expected to feel the emotional weight of what we've just witnessed.

Then it arrives at a police station.

Some poor officer opens the box.

Long silence.

His colleague asks:

“What happened to him?”

The officer looks at the remains.

Looks at the paperwork.

Looks back into the box.

“Belts.”

CUT TO BLACK.

(Also Yes this is inspired by the Scary Movie series)

You think Detective Conan began in 1994 when Gosho Aoyama decided to make a mystery manga.

You are mistaken.

The story actually begins approximately 2,200 years earlier.

The true origin of Detective Conan is:

TEOMAN HAN.

And I am going to prove it.

I. THE ORIGINAL SIN: TEOMAN HAN

Around the late 3rd century BC, Teoman Han (Touman/頭曼) is traditionally regarded as the founder of the Xiongnu state.

Now, at this point, Teoman has absolutely no idea that he is about to become the most important person in the history of Japanese detective fiction.

He isn't thinking:

>

He's thinking about Inner Asian geopolitics.

But that's exactly how he got us.

Teoman establishes the political foundations of the Xiongnu.

⬇️

His son Mete Han (Modu Chanyu) eventually takes power.

⬇️

Mete turns the Xiongnu into a formidable imperial power.

⬇️

The Xiongnu become deeply involved in the political and military history of Inner Asia and their interactions with the Chinese states.

⬇️

And now the butterfly has flapped its wings.

II. METE HAN MAKES THE PROBLEM WORSE

Mete Han is traditionally remembered in Turkish history as a great military ruler and an important early figure in Turkic historical narratives.

His reign is separated from Detective Conan by roughly two millennia.

Surely this means he had nothing to do with it?

WRONG.

Because history is now going to spend the next several centuries creating an enormous geopolitical domino effect.

The Xiongnu don't simply disappear from the story and leave an empty continent.

Inner Asia continues experiencing:

• migrations
• wars
• alliances
• state formation
• cultural exchange
• trade
• linguistic change
• the rise and fall of steppe confederations
• interaction with Chinese states
• interaction with Iranian and other peoples
• and eventually the emergence of increasingly powerful Turkic-speaking political entities

We have now entered:

THE 2,000-YEAR-LONG HISTORICAL LOADING SCREEN.

⬇️

III. THE TURKIC WORLD ENTERS THE CHAT

Over the centuries, Turkic peoples become major political and military actors across Central Asia and eventually far beyond it.

The political geography of Eurasia keeps changing.

States rise.

States fall.

New dynasties appear.

Old dynasties disappear.

Peoples move.

Cultures interact.

And eventually, Turkic dynasties establish themselves in the Islamic world.

⬇️

Then comes one of the biggest players:

THE SELJUKS.

The Seljuks expand westward.

⬇️

They establish a powerful Turkic presence in Iran and Anatolia.

⬇️

The political history of Anatolia is permanently altered.

⬇️

The Byzantine Empire loses ground.

⬇️

Turkic beyliks emerge.

⬇️

One of those beyliks is associated with a guy named Osman.

⬇️

And Osman is about to do something that will have consequences far beyond anything Teoman Han could possibly have imagined.

IV. THE OTTOMANS

Osman's dynasty expands.

⬇️

The Ottoman state becomes an empire.

⬇️

The empire expands across Anatolia and southeastern Europe.

⬇️

The Balkans become a major part of Ottoman geopolitical history.

⬇️

Among the territories affected by Ottoman expansion:

SERBIA.

Now remember:

Teoman Han is separated from this by more than a thousand years.

He is not personally responsible for any of this.

But for the purposes of this shitpost:

THE PIPELINE IS STILL ACTIVE.

⬇️

V. SERBIA ENTERS THE PIPELINE

Ottoman rule becomes a major part of Serbian history.

Centuries pass.

The Ottoman Empire eventually enters a period of decline relative to the European powers.

Serbian resistance and political movements intensify.

⬇️

The Serbian Revolution begins in the early 19th century.

⬇️

Serbia gains autonomy.

⬇️

Serbia eventually becomes an internationally recognized independent state.

⬇️

But the Balkans are now one of Europe's most politically unstable regions.

Why?

Because the Ottoman Empire is weakening.

Austria-Hungary is powerful.

Russia is interested in the region.

Serbia is expanding.

Other Balkan national movements are developing.

Everyone has territorial ambitions.

Everyone has historical grievances.

Everyone has an alliance.

Everyone is one diplomatic argument away from making the worst possible decision.

In other words:

THE BALKANS ARE COOKED.

⬇️

VI. THE BALKAN WARS

The Balkan states fight the Ottoman Empire.

⬇️

The Ottomans lose most of their remaining territory in Europe.

⬇️

The Second Balkan War follows in 1913.

⬇️

Serbia emerges stronger.

⬇️

Austria-Hungary becomes increasingly concerned about Serbian nationalism and influence.

⬇️

The region gets even more unstable.

Europe:

>

History:

>

⬇️

VII. ENTER GAVRILO PRINCIP

28 June 1914.

Sarajevo.

Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, visits the city.

A Bosnian Serb nationalist named Gavrilo Princip assassinates him.

⬇️

Austria-Hungary blames Serbia.

⬇️

Austria-Hungary declares war on Serbia.

⬇️

Russia backs Serbia.

⬇️

Germany backs Austria-Hungary.

⬇️

France and Britain become involved.

⬇️

The alliance system begins doing what alliance systems do when everyone has decided that diplomacy is optional.

WORLD WAR I.

VIII. THE WORLD GETS COMPLETELY REARRANGED

WWI devastates Europe.

Four major empires collapse:

• German Empire
• Austro-Hungarian Empire
• Ottoman Empire
• Russian Empire

Borders are redrawn.

New states emerge.

The international balance of power changes dramatically.

And this matters because Japan has been watching the international system very carefully.

⬇️

IX. JAPAN WAS ALREADY SPEEDRUNNING GREAT-POWER STATUS

Here's where our Teoman → Conan pipeline starts heading toward Japan.

Japan had undergone the Meiji Restoration in 1868.

Over the following decades, Japan rapidly industrializes and modernizes.

⬇️

Japan defeats Qing China in the First Sino-Japanese War.

⬇️

Japan defeats the Russian Empire in the Russo-Japanese War.

⬇️

Japan becomes the first modern Asian state to defeat a major European power in a modern war.

⬇️

Japan is now unquestionably a major international power.

⬇️

Then WWI happens.

Japan joins the Allied side.

⬇️

Japan expands its influence.

⬇️

The war ends.

⬇️

Japan is now one of the world's major powers.

Teoman Han:

>

History:

>

X. THE INTERWAR PERIOD

The world after WWI is unstable.

Japan's political system changes.

Economic problems occur.

Military influence grows.

Japan becomes increasingly aggressive in East Asia.

⬇️

1931:

Japan occupies Manchuria and establishes Manchukuo.

⬇️

1937:

Full-scale war breaks out between Japan and China.

⬇️

Japan's relationship with the Western powers deteriorates.

⬇️

Germany and Japan move closer together.

⬇️

1940:

Japan, Germany and Italy sign the Tripartite Pact.

⬇️

Japan is now formally aligned with the European Axis powers.

Teoman Han:

>

History:

>

Teoman:

>

⬇️

XI. WORLD WAR II

Japan attacks Pearl Harbor.

⬇️

The United States enters WWII.

⬇️

The Pacific War becomes one of the largest conflicts in human history.

⬇️

Japan fights across enormous areas of Asia and the Pacific.

⬇️

The war continues for years.

⬇️

Eventually, Japan is pushed back.

⬇️

Germany surrenders.

⬇️

Japan continues fighting.

⬇️

Then:

Hiroshima.

⬇️

Nagasaki.

⬇️

Japan surrenders.

⬇️

The Second World War ends.

XII. AND NOW THE ACTUAL CONAN PIPELINE STARTS

Japan enters the postwar period.

The Allied occupation fundamentally changes Japan's political and economic institutions.

The United States becomes extraordinarily influential in postwar Japan.

⬇️

Japan rebuilds.

⬇️

Japan industrializes.

⬇️

Japan experiences spectacular economic growth in the postwar decades.

⬇️

Urbanization increases.

⬇️

Education expands.

⬇️

Consumer culture expands.

⬇️

Television becomes a mass medium.

⬇️

Publishing grows.

⬇️

Manga becomes increasingly important.

⬇️

Anime develops into a major commercial and cultural medium.

⬇️

Japanese popular culture begins developing into the cultural powerhouse we know today.

And now we finally arrive at:

MANGA.

XIII. JAPAN'S MYSTERY OBSESSION

Now, here's another important piece.

Japan didn't need America to invent detective stories.

Japan already had its own mystery tradition.

But Western detective fiction — particularly Sherlock Holmes — became hugely influential in Japanese popular culture.

The basic idea of:

>

becomes incredibly powerful.

⬇️

Japanese writers and manga artists reinterpret these ideas.

⬇️

Mystery manga becomes a thing.

⬇️

And eventually a particular Japanese manga artist is born.

XIV. GOSHO AOYAMA

Enter:

GOSHO AOYAMA.

Born in 1963.

He becomes a manga artist.

He grows up in postwar Japan.

He becomes fascinated with mysteries and detective fiction.

He loves Sherlock Holmes.

He creates manga.

And eventually...

THE FINAL BOSS OF THE ENTIRE 2,200-YEAR PIPELINE APPEARS.

⬇️

XV. 1994

Aoyama has a Wednesday idea.

Take a brilliant high-school detective.

Make him solve mysteries.

Give him an enormous Holmes influence.

Then make the absolute worst thing imaginable happen to him:

TURN HIM INTO A CHILD.

⬇️

The protagonist adopts the name:

CONAN EDOGAWA.

The name itself is a giant detective-fiction reference:

Arthur Conan Doyle + Edogawa Ranpo.

⬇️

The manga begins serialization in 1994.

⬇️

And suddenly...

after approximately 2,200 years of historical bullshit...

DETECTIVE CONAN EXISTS.

XVI. THE FINAL CAUSAL CHAIN

Let's review.

1.

Teoman Han

founds the Xiongnu state.

⬇️

2.

Mete Han

expands and strengthens the Xiongnu.

⬇️

3.

Centuries of Inner Asian political and cultural transformations occur.

⬇️

4.

Turkic peoples become major powers across Eurasia.

⬇️

5.

The Seljuks establish a major Turkic political presence in Anatolia.

⬇️

6.

Turkic beyliks develop.

⬇️

7.

The Ottoman dynasty emerges.

⬇️

8.

The Ottoman Empire expands into the Balkans.

⬇️

9.

Ottoman rule becomes an important part of Serbian history.

⬇️

10.

Serbia becomes independent.

⬇️

11.

Serbian nationalism and Great Power rivalry contribute to the unstable Balkan environment.

⬇️

12.

The Balkan Wars weaken Ottoman power in Europe further and strengthen Serbia.

⬇️

13.

Gavrilo Princip assassinates Franz Ferdinand.

⬇️

14.

WWI happens.

⬇️

15.

The global political order is transformed.

⬇️

16.

Japan continues its rise as a major power.

⬇️

17.

Japan expands its empire in East Asia.

⬇️

18.

Japan joins Germany and Italy in the Tripartite Pact.

⬇️

19.

WWII happens.

⬇️

20.

The United States enters the Pacific War.

⬇️

21.

Hiroshima.

⬇️

22.

Nagasaki.

⬇️

23.

Japan surrenders.

⬇️

24.

Postwar Japan develops under enormous American influence and its own domestic transformation.

⬇️

25.

Japan becomes an economic and cultural powerhouse.

⬇️

26.

The manga and anime industries grow.

⬇️

27.

Detective fiction becomes a major part of Japanese popular culture.

⬇️

28.

Gosho Aoyama grows up.

⬇️

29.

Aoyama reads Sherlock Holmes and becomes interested in mystery fiction.

⬇️

30.

Aoyama creates Detective Conan.

⬇️

CASE CLOSED.

THE REAL CONCLUSION

You might say:

>

And technically...

YES.

This is not a direct historical causal chain.

There are thousands of independent variables between the Xiongnu state and a 1994 manga series.

But that is irrelevant.

Because the entire point of a butterfly-effect shitpost is to take:

A → B → C → D

and then stretch it until you get:

A → B → C → D → Ottoman Empire → Gavrilo Princip → WWI → WWII → atomic bombs → postwar Japan → manga → Sherlock Holmes → Gosho Aoyama → a seven-year-old detective who is secretly a high-schooler.

Therefore, according to the most irresponsible interpretation of causality ever proposed:

TEOMAN HAN CREATED DETECTIVE CONAN.

Gosho Aoyama simply received the final save file.

AND THE MOST INSANE PART?

If Teoman Han had never founded the Xiongnu state, then in this absurd butterfly-effect interpretation:

Maybe Mete Han's career changes.

Maybe the history of Inner Asia changes.

Maybe later political developments change.

Maybe the Turkic political landscape develops differently.

Maybe the Seljuks develop differently.

Maybe Anatolia develops differently.

Maybe the Ottoman Empire develops differently.

Maybe the Balkans develop differently.

Maybe Serbia develops differently.

Maybe Gavrilo Princip never gets the same historical circumstances.

Maybe WWI doesn't happen in the same way.

Maybe the 20th century develops differently.

Maybe Japan's trajectory changes.

Maybe postwar Japan develops differently.

Maybe the manga industry develops differently.

Maybe Gosho Aoyama's childhood is different.

Maybe he becomes a completely different artist.

Maybe Detective Conan is never created.

So somewhere around 209 BC, Teoman Han unknowingly made a decision that eventually contributed to the possibility of a fictional seven-year-old Japanese detective shouting:

>

TEOMAN HAN DIDN'T JUST BUILD AN EMPIRE.

HE BUILT THE CONAN PIPELINE.

🕵️‍♂️🇹🇷🏹🇯🇵

2,200 YEARS.

COUNTLESS EMPIRES.

TWO WORLD WARS.

TWO ATOMIC BOMBS.

ONE MANGA ARTIST.

ONE VERY UNFORTUNATE HIGH-SCHOOL DETECTIVE.

TEOMAN HAN → DETECTIVE CONAN

THE CASE IS CLOSED.