
u/epsylonic

Deus Ex - Battery Park - Ambient
The score for this was equally ahead of its time like the game itself.
Tim Kroger - The Boogeyman (1980)
One of the best all synth horror film soundtracks out there imo. Similar to Jay Chattaway"s score for Maniac from the same year.
Brad Fiedel's score for Terminator is a minimal synth dystopia masterpiece.
m.youtube.comBlitz - Flowers and Fire
A classic imo from a great band.
Radertronics recent collaboration with Digitech leaves me in a bind over how I feel about the tone.
Don't get me wrong I love a good chorus flanger combo. The tone is just slightly off and I'm unsure if I want to support Guitar Center on ethical grounds. The guy who sold it to me made me sign an NDA to never speak with any living folks with the last name Otero.
Blackened ebm bedroom jam from Aristocratic orgy
Another song I thought il share considering the positive response I got last time, my project is called aristocratic orgy and this song is titled digital suicide.
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These raw performances will eventually be mastered for an inevitable release.
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Jake Kaufman - Shovel Knight OST
Jake is truly in a league of his own.
This man ran up to my car and asked me to listen to his new album about erectile dysfunction.
He got visibly upset when I assumed he was Moby.
Trey is seriously one of the most brilliant living minds in music.
Not trying to superfan too hard, but he really deserves more credit than he gets and i'm stoked SC3 are opening up some higher profile shows with bands that owe Trey a beer and fedora tip.
It's bafflingly dope how he's able to combine his influences into incredible music that sounds like nothing else. If you put his guitar playing skills under a microscope, he's a fucking monster. If you do the same thing with his compositional skills or his production skills, he's still a monster at all of it. When Williant Winant compared him to Phil Spector on a production level, that is r e a l fucking talk and I think Le Mani really drives that point home hard. Le Mani is straight up the only modern Giallo nod I have heard that actually moves the needle instead of a more surface noise exercise in hauntology.
I don't even care if Bungle keep going. Because it's pretty clear to me by listening to SC3 over the years, what a huge part Trey played in why I loved Bungle in the first place. SC3 does an extremely cohesive job on maturely exploring musical themes on different albums. In ways that sound like Trey evolving past what he was doing with Bungle. And anytime I encounter a new musician in his band live, I already know they are a badass based on association before they even play the first note.