u/fuzzyfigment

From left to right: 6505 212 (head conversion), Classic 30, and a TKO 80. The 6505 is my regular gigging amp. It is perfect for grindcore. I want to gig the Classic 30, but the opportunity has not arised yet. I bought the TKO recently to have a bass amp in the jam spot, but I actually love how it sounds with guitar. I'd realized I miss the feel of solid state on guitar.

Paid $400 for the 6505, $400 for the Classic 30, and $100 for the TKO. I have slowly accumulated these. The TKO is the newest. I am doing pretty okay for myself right now, but I am by no means made of money. I love that there is so much decently priced used gear right now.

Thanks for looking.

Sorry, I don't know anything about HVAC. The unit is cooling the house, but began leaking quite a bit in the past four hours. Thank goh

This board has been exactly what I need for quite a while now. It covers all the bases for what my band does.

GTR > tuner > OD808 > HM2 > BF3 > AMP

SND > DC2W > CSIDMAN > RTN

Absolutely gnarly sounds. The board produces implied chaos, but is wholly controlled and very predictable. It works too damn well!

I got the Fender Lead II last year on a whim and ended up loving it. I later got fixated on the idea of a Mustang and bought a Squier a few months ago, but it did not scratch the itch hence, the sonic blue Player Mustang you see in this image.

​

There's some sort of mojo with these guitars that I can't explain. I had only ever been interested in super strats, but I bought a Nick Johnston Schecter a few years ago. It was okay, but it just didn't vibe. After that, I knew I wanted a fender, but I didn't want a strat or a tele.

​

I know that Fender is a controversial topic right now so if it makes anyone feel better, I got both of these on the used market. I have realized since looking into Fender guitars that the Fender used market is insanely good right now.

​

Anyway, I just wanted to show this picture off because I am very much loving these instruments right now.

I got this the other day. I sold my RG550 to fund it. I recently got a Jackson SL2M and it handled much better than the 550, so I decided to sell the 550 because I'd been dying for a Mustang. This thing plays great and it sounds raw as hell through the clean channel on my classic 30. I got 10s on it right now, but it's a bit too slinky. I want to try 11-49. Offset people, would 11-49 be sufficient tension for a 24"? Anyway, I'm very happy with this instrument.

I got this the other day. I sold my RG550 to fund it. I recently got a Jackson SL2M and it handled much better than the 550, so I decided to sell the 550 because I'd been dying for a Mustang. This thing plays great and it sounds raw as hell through the clean channel on my classic 30. I got 10s on it right now, but it's a bit too slinky. I want to try 11-49. Offset people, would 11-49 be sufficient tension for a 24"? Anyway, I'm very happy with this instrument.

I been trying to establish myself locally to start a tape duping project. It's been really fun so far. The excitement I feel walking out of the print shop with fresh jcards has not waned.

I'm excited lol.

Fender Lead II

Ibanez RG550

LTD SN 1000

Jackson SL2M

Fender Lead II - E standard

Ibanez RG550 Genesis - Drop C

LTD SN 1000 - Drop A#

Jackson SL2M - Drop C

A few months ago, I chose to make a little project that is hold music. Muzak, if you will. It is supposed to be a narrative experience of being... on hold. These are turning out really good so far. Just wanted to show them, thanks!

Bazonga