u/stevenrlillis
Ilford Pop-Up Darkroom vs custom making a mobile dark room for tintype?
I see a lot of people building custom darkrooms to do tintypes at places other than a studio. Wondering why more people don’t invest in the Ilford pop-up darkroom? Seems to be easier to transport and probably not terribly more expensive than a self build. I’m looking to do start doing more tintypes out in the wild, and debating on getting one or just building my own. Any pros and cons with someone with experience using both?
My wife and I decided to skip the big wedding and elope. We packed her wedding dress & some film and headed to the Swiss Alps/Amalfi Coast. Here are some favs from our sleepless adventure. [pentax 67 / Nikon F5 / SX-70 + 105mm, 28mm / Cinestill / Portra 400 / Polaroid 600]
My wife and I decided to skip the big wedding and elope to the Swiss Alps. Here are a few Polaroids I took out here.
A stranger I saw while on assignment in South Bronx. Hand held flash inside of a very dark Motorcycle Club House [Pentax 67, 105mm, Cinestill 800t pushed to 1600]
How long did/is your Contax g1 last/ lasting you?
Im really tempted to pick up a Contax G1 this week, but I'm a little nervous about it being a fully electronic camera. I've bought cameras before where the horror stories online turned out to be way more exaggerated than the actual experience. I'm curious to hear from people who shoot a G1 regularly, how has it held up over the years? If it’s taking the leap, how long did you have it for? Etc
Fill in the sides finally or leave it? Front WIP by Big Henry
Nikon F3 vs Contax g1🍎🍊
I know this is kind of an apples-to-oranges comparison, but I’m curious what people think.
I have quite a few cameras, but most of my work is done with a Nikon FE2, even professional work. It’s a little beast, but I’m looking to pick up something new. I’m eloping to Europe next month and want to bring a different camera along.
I know the Contax G1 is overpriced and kind of a ticking time bomb, but I hear completely mixed opinions about it. Some people say the autofocus is perfectly fine, while others say it’s downright awful. I’m interested in the lens, and the camera just feels nice to hold. I’m learning toward the Contax, but my logical side is telling me no.
The F3 gets a lot of hype, I’ve held one and it felt incredible. I know it probably isn’t all that different from the FE2, but after shooting the same camera for years, it might be enough of a difference. I can also use the same lens which is a plus. I like that it’s reliable as well.
Thoughts from anyone who owns both?
Looking to locate a long cable release for Pentax 67.
Longest one I’ve found is about 16 feet…I am working on a project, and need one a few more feet than that. I’m not sure if they exist. Any suggestions?
A commission I did for GQ mag. Underground fight clubs in NYC. Cinestill 800t with a Nikon f5.
They’ll be more on IG along with a link to full story if anyone is interested in reading it. Shot in an undisclosed location in the South Bronx. IG: Stevenrlillis
A handful from a commission for GQ mag. Illegal underground fights- South Bronx. [Nikon f5, 28mm, Cinestill 800t]
A great story on about an underground fight club that started as a way to combat gun violence in the South Bronx.. The fights are completely unsanctioned.m and in hidden locations. I shot this in a motorcycle club. It was super dark, but super fun. Thanks for looking!
I’ve been enjoying developing more than shooting lately. Developed with d96 and scanned on an Epson v550. [Pentax 67, 105mm, Tri/Tmax/Cinestill BWXX]
Newbie film holder question.
I just picked up a large format camera last week. It came with a few film holders, and I'm planning to shoot with it this weekend.
Are these locks supposed to put tension on the dark slide, or are they meant to lock over it? Mine don't reach the dark slides at all, there's also no tension.
Also, I noticed the dark slides are two different sizes. I’m assuming they got mixed up. They both cover the entire area so I’m assuming they’re fine.
Walking around Coney Island with a tiny camera...[Pentax 67, 105mm, Cinestill 400d]
Accidentally developed color film in black and white developer/fixer.
Couldn't sleep last night, so I decided to develop some film. The problem is that I developed a roll of Cinestill 800T thinking it was Cinestill BWXX, so I ran it through black-and-white developer and fixer. Surprisingly, the results aren't terrible considering I processed what I thought was 250 ISO black-and-white film, but was actually color 800T.
My question is: should I toss the chemistry or keep using it as normal? I was hoping to reuse the stock solution for another 10–15 rolls, but I'm not sure if pouring the developer back after processing the color film could have contaminated it.
Anyone have some tips on how to stop b&w from turning sepia over time?
I’ve tried the cutting the back of the Polaroid trick. In my experience, it hasn’t worked. I do enjoy the natural decay of Polaroids over time, but sometimes it’s a real bummer watching the deep b&w turn sepia... Storage and temp is always good. Any other tips?
Two I like today, that I’ll hate tomorrow. Sx70r with 600 film. Scanned on an Epson v550.
Weird sudden tonal change. Uneven development?
Weird tonal change. This is the only photo that has it.