u/uncleozzy

Full thread: https://www.reddit.com/r/longisland/comments/1x1i3r5/by_exit_57_on_lie/

> Send the picture to the company.
> > why dont you send it? why are you ordering someone else to do the dirty work. YOU do it > > > Because it’s not their picture and they probably can’t give a single detail other than what the driver gave in this post? Omg take a breath > > > > im calm, thanks. I just love pointing out hypocrisy. why are you commanding someone else to send the pic to the company? why can't you do it?

> Long Islanders casually demanding someone to be fired without any context. Classic > > What context do you want? Guy is driving while watching a show in one of the busiest highways in NY. It should be as plain as the eye can see > > > Please educate me on how your able to tell he's driving and actually in motion. Can you even see a driver? I'll wait. > > > > I feel so bad for whoever raised you lol. That’s all I’m going to say > > > > > don't think there's power lines crossing this highway. 2) absolutely no motion blur, he's moving, you are there should be at least some. There's none. 3) might be a parking or brake light that's on. I think you took a pic stationary, thought it was funny and exaggerated. But that's speculation, as is the driver being in motion.

> Mind your business > > It's not really a mind your business situation when it's on the LIE. > > > its not? okay YOU send the pic to DOT or newsday. otherwise guess what? you are minding your business. something youre telling someone else not to do > > That shit on the expressway IS my business. And yours. And everyone else's on the road.

WTF? > > > is it? then why dont you send the pic to newsday or DOT and follow up? send the pic to the company thats on the door.

I’m playing in the pit for a production of American Idiot and I want to put on a nice bright set before we start the run. I haven’t changed my strings in probably a decade, I don’t even know what’s on there right now.

What are your favorite zingy strings for picked bass?

I’m currently in rehearsals for a community theatre show where I’m playing a supporting role. I’ve got maybe 50 lines across 5 or 6 scenes as well as a monologue and a solo number.

Because of lots of factors, I’m only called to a handful of rehearsals (basically one for each scene I’m in, just to work blocking), and I’m unlikely to get more than a small handful of actual runs before we open.

Anyone have strategies for working on scenes when you can’t be on stage with your partners? I’m not concerned with lines, but rhythm and ease, working out the little adlib bits, the stuff that comes from actually running a scene over and over. Like, I can run it myself sort of “shadowboxing” and find some moments, but it’s not the same, obviously.

Thanks!