r/writingcritiques

▲ 7 r/writingcritiques+4 crossposts

Feedback appreciated 💕

Hey all! I’ve been working on this for about a week and would love some feedback! It’s not super polished since I’m just trying to get the flow of ideas down on the page. I’m not a seasoned writer by any means so please tell me if I should find a new hobby! 😂

Chapter 1

Does it always have to be black and white? What about all the colors in between? Scarlet Reds, Royal Blues, Purple Mountain Majesty. Shades of white are often tainted cream or grey, and blacks are almost never truly black, but some shade of blue or green. Is anything ever truly black and white?

A pen twirls between my fingers. My eyes glaze over my essay. The flow of thoughts halts. I look back up at my title, “More Than Black and White” by artist Jana Hues. I’ve only just begun filling in my outline but I’m already lost in thought visualizing every stroke I’m going to add to my painting when I get home. I squirm in my seat. I don’t feel anything writing this essay. Memories of times past fill my head. The irony of how Dad hung my work in the entryway for any passerby to see; only to become a stranger to me. Mom kept me safe from him and now that he’s gone, she doesn’t need to anymore. I shake my head. I need to go home. I need to get out of my head. I close my laptop and  open my desk drawer to put away my things. I pause. A sticky note is stuck to the inside of my drawer. 

Go with the flow. 

Was someone in my office? I close the drawer shut. 

A knock on the door interrupts. I can see through the glass that it’s Wallace, my ex fiance and co-worker. I signal to come in. 

“HR wanted me to relay the message, your mom called, She came in from her flight safely.”

“Thank you Wallace. I’m actually about to leave for the day… Did anyone come to my office while I was on break?” 

Wallace curls his lip and shakes his head. He could have put it here… but how insensitive would that be after the week I’ve had. I broke up with him for many reasons but insensitivity was not one of them. 

“The workload got to be too much for you eh?” He teases, eyeing the only assignment I’ve had for a week: my essay. 

I grimace. “Right, like you know anything about how to handle a workload?” Despite our ex status we enjoy poking at each other as if we were siblings. “Goodbye Wallace.” I wave. He rolls his eyes and goes back to his business. I pack up my things and head to the garage. 

Just before I make it to my exit the shining face of my little sister catches my eye. She chats with a stranger who leans against the building’s welcoming desk; he appears to be in his early thirties. My sister breaks eye contact with him and welcomes me with a smile. I’d really rather keep on my route home, but my sister is hard to escape. 

“Oh my gosh! You have to meet this guy! He’s our new,”  she turns to him, “sorry what did you say your job is?” 

“It’s a pleasure, I’m your new exterior design specialist.” His focus shifts back and forth between us. 

I tilt my head. I know everyone who works here, no one has mentioned an incoming “exterior design specialist.” 

“Oh, welcome to the Art Institute!” I  force a smile. His eyes narrow, almost microscopically. His looks are charming, but something about his expression makes me squirm. 

I turn to my sister, “I’m going to get going early today.”

“Are you ok? Is it about your Dad? Because I can totally come by later and bring you some company,” she mutters. I exhale a little more forcefully than necessary. “No, it’s ok Shay. I’m going to get lost in my painting tonight and forget the world.”

“Okay. Call me tonight!” She pulls me in for a hug. I can still feel the man watching me as I pass and finally exit the building; but I do not allow myself to glance back. 

I will be taking my sister up on that phone call. And he will be the main subject. 

My phone is clutched between my ear and my shoulder as I fumble around my purse for my house key. 

My mom answers, “Hey Jana! I came home safely!”

“I know mom. Wallace let me know.” I clasp my lips shut, I should really help mom tonight, “I decided to leave work early today. Do you want me to come that way in a little while to help you unpack?” 

“Yes, please! Reah was going to come help too but she had to cancel at the last minute. Anyway, how is that young man!?” 

“How should I know, Mom?” I shuffle my weight, “ You know, it really isn’t any of my business anymore.”  

“I know, but could you find out for me? He’s a good kid. I miss having him around.” 

“Alright Mom, I’ll do that” I chuckle. Sometimes she’s more like a nosy grandma than a mother. I pause ready to switch to a more somber subject, “how was the funeral?” 

“Ummm,” my mom hesitates,“it’s a lot to talk about over the phone. I’ll tell you when you get here?”

“Sure. I’ll see you soon Mom.” 

I finally retrieve the keys from my purse and walk up the drive way of my Italian style town home. It looks like one of my paintings, which is why I did not hesitate to say yes when the real estate agent offered it. 

I dump my things in my entry way where I’m greeted by my maine coon cat, Cumbs. He rubs his soft cheeks all over my baggy overalls. He’s more like a dog than a cat, which is why I love him. I shuffle to round the corner where I am welcomed by the sight of my art studio. Blue lights line the room and the best kind of clutter fills every surface. My shoulders rest. This is my sanctuary. My painting sits just how I left it this morning: A black and white woman whose color lies in her hazel, gold speckled eyes. I make some green tea for a late afternoon pick me up and go straight to work on La Donna di Colore. The harsh memories of my childhood fade away. A couple hours go by before I decide it's time to go to my Mom’s house. My stomach grumbles. I’m sure mon will have food ready for me. 

I dial up Mom to let her know I’m on my way. No answer. Well, I hope she’ll have dinner. 

My car pulls in next to her brand new 2026 bright pink mustang… at least she moved into a pretty house. Its style is much like my own town home, but on a far grander scale. Columns and architecture frame each window and door with extravagance. Outside, it feels more like a wedding venue than a home. 

I open the front door which Mom always leaves unlocked for me and call out. No response. “Mom, I’m here!” I repeat. Still nothing. It's not unlike her to begin something and lose track of time, and reality, as she focuses. She must be gardening or working on her book. I check the garden and her library office. In both I was equally met with silence. 

Strange. 

I call her. No answer. I try again as I breeze through every room in the house. Nothing. I pause in the living room. A book sits halfway open on the couch. Mom never leaves anything sitting out. She sits with it until it's done or she puts it away in its spot. As small a detail as it is, it's enough to spike my blood pressure. I close my eyes hard and grab my face. 

Mom, where are you?

My thoughts are blurred from adrenaline. I decide to call Wallace. When he answers I immediately jump to asking questions. “When my mom called the office did she mention anything else?” 

“N-no? You good you never c…,” I hang up and dial my sister. No response. Seriously, Shay pick up!  I try again. Still no response. I send her a text. 

I can’t find mom. Call me! 

For now I have no one else to call… except 911. 

The sun nearly passes beneath the horizon. Red and blue lights are backed up to the street. I sit on the steps beneath the front door folding myself into my Mom’s brown cardigan which I took to keep the evening chill off my shoulders. An officer questions me. I recall the entire day. I explain I have not been in contact with her at all today, until I called her when I got home from work. 

“You haven’t been able to get in touch with your half sister either, it’s half sister right?”  The officer asks. 

“No I haven’t and yes she is.” 

“We’ll send an officer to locate her and update her on the situation.”

If she hasn’t gone missing too, “Thank you.” 

“This funeral your mother went to, who was it for?” 

“My father. Her ex husband.” 

The officer’s expression towards me changes," I see. Why weren’t you and your sister there as well?”

“He wasn’t much of a father.” I explain,“Not one worth putting my job on hold to fly across the country for. And my sister, she had no connection to him. She lived with her dad when we were kids.” 

The officer nods, “Has your mother been around anyone suspicious or complained about any suspicious activity?”

“Not that I know of. I don’t really know her friends. Though she has mentioned a friend named Reah a time or two. That’s really all the information I have on her social life.” 

The officer thanks me and goes to his colleagues to consult with them before returning to me. “ Usually in adult cases we wait it out until the individual shows up. But since her car is still here, we agreed it would be best if we do an extensive investigation until she turns up. Does she have any cameras?”

I shake my head “I’m sorry, I don’t know.” 

Dammit Mom, why don’t I know these things?

The officer nods, “We’ll do all we can to find your mother. In the meantime we have everything we need from you. You’re free to go. We’ll give you a call if anything turns up.”

“I can’t stay here?”

“I’m sorry but until we know for sure whether or not this is a crime scene, it would be best if you do not interfere.”

I nod then go to my car and sit. Frozen. I remember that sticky note. 

Go with the flow. 

No. I shake my head. That had to be one of  Wallace’s jokes. 

My phone vibrates. My sister's goofy face illuminates the screen. Thank God she’s safe! My finger dashes to the right of the screen. 

“Mom’s missing???” 

“I don’t know, Shay. I - I came over to help her unpack and she’s just, not here. Can you meet me at mom’s house now?”

“Yeah. Stay there, I'm coming!” She hangs up. 

The glow of the red and blue lights becomes more saturated as the night grows darker. Shay pulls in. I stand in the driveway waiting while the police question her. My eyes stare at mom’s house but my mind is not in sync with them. 

I find myself remembering everything I’ve pushed down all week. One parent disappeared from my life with little explanation as to why. And now, so has mom. But this time, it was not a choice. It couldn’t have been…

Shay walks towards me. She’s hugging herself, and holding back tears. 

“How could this happen?” She cries. I fold my arms around her. 

“We’ll find her, I promise.” I release the embrace, “did the police tell you anything else?”

Shay shakes her head, “There’s got to be something we can do.”

“I know. I just don’t know, Shay. I search every room! I can’t imagine what might have happened. I don’t want to get in the way of the police!”

Shay focuses her eyes, the same way she does every time her mind is determined, “Have you talked to Wallace about all this?”

“Not exactly. I-” 

Shay pulls out her phone and dials Wallace. I offset my jaw. I don’t want him involved in this. Today is already complicated . Before I have a chance to protest, she explains the entire situation to him. 

She gets off the phone. “Wallace wants to meet us. He’s gonna help us find her.” 

I take a deep inhale, “Okay.” if it has to be him, it has to be him. 

My stomach now feels like it's eating itself. I still have not eaten dinner. “Could you ask him to meet us at La Cantina?  I haven’t eaten since lunch.” 

Shay agrees. I get in my car and start it but I cannot bring myself to pull out of the driveway just yet. I have to call her. Just one more time. 

It tones. It tones. It tones …. No answer. Now that the adrenaline has worn off I can feel the full weight of the situation. Mom isn’t standing in the doorway waving goodbye as I prepare to leave. 

She isn’t here. 

My eyes fight to stay fixed on the scene, but eventually I bring myself to pull out of the driveway. 

I pull into a parking lot tucked tightly between two buildings in the downtown area. I exit the vehicle and make my way inside to one of mine and my mom’s favorite hang out spots, La Cantina. I go inside and am greeted by my sister and Wallace. We all sit down at a booth. We fill him in on every detail. 

“Do you think you can do it?” I ask Wallace. He is a private investigator, though he doesn’t look the part. His job at the art institute is only part time. 

“I don’t want to get your hopes up, but I’ll do my best. And don’t worry, I won’t change you.” He winks. I roll my eyes. He’s always been so ridiculously cheeky. 

“So what’s the plan?” Shay asks. 

“Well, I definitely don’t have one yet, but I’ll be up all night thinking, I’m sure.”

We all talk about the good times we’ve had with Mom. Even Wallace. Sometimes I think he loved her more than me. When we finished our meals, Shay and I decide that I should stay at her place tonight. If someone did take mom, it’s best that neither of us are alone. 

We go our separate way to our vehicle. I load my left overs into the passenger seat. 

“Miss!” I hear a voice call out. Before I even have time to fully turn around a force yanks me and pins me between their body and my car. 

I  scream. 

A cloth covers my mouth and nose bringing with it a burning sensation. I fight their grip but the more I fight it the tighter their hold around my small frame becomes. I try to hold my breath so as not to breathe in any more of the burning compound, but soon I grow weak and succumb to the darkness. 

Chapter 2

The workings of an engine and the sound of wind beating against the sides of a vehicle are all I hear. I lay half awake. I don’t remember falling asleep. I continue in this half awake state for a moment before it hits me… I don’t remember falling asleep in a car! I jolt upwards. My eyes bounce in every direction. I don’t recognize this place. It looks like I’m in the back of an empty van. I try to scurry to my feet but my wrists catch around a pole. I am chained and surrounded by nothing but metal walls. I slide my wrists up the pole to stand then pound on the barrier between me and where the driver should be, though I cannot see them. “HEY! WHAT IS THIS ABOUT?!”  No response. “HEY!” I keep pounding. “HEY!!!” 
They just keep driving. I slide back down to sit.
I feel around my pockets to see if my kidnappers left my phone or anything in my pockets. They did not. I reach up to feel my hair, it's still up in bobby pins! I bring my hands to my head and pull one out of my hair and try my best to use it to pick the lock. Dammit!  It won’t fit!

I shrivel up, tremors overcome me. I remember, Mom…. Am I about to find out first hand where mom is? It can’t be a coincidence. Mom goes missing, now this. I can’t help but wonder, if somehow, someway, Dad is involved. What feels like hours go by. I do not sleep. I just sit thinking. I can’t get stuck in my head right now; yet I find myself there. Wondering if mom is alive, and when this is all over, will I be? 

Eventually the van slows to a stop. A clunky step leaps out of the van. The doors on the other end of the vehicle finally swing open. Blinding sunlight floods the van. I’ve been in here all night at least. 

A large figure steps in. When my eyes come into focus, I see a familiar unsettling glare. He is the man from the Hallway. The “exterior design specialist.”

“You!”  My chest tightens. He steps closer. “GET BACK!” I scream. He keeps coming. I kick at him with all the strength I have, though it is next to none. He doesn’t react but reaches down and begins to unlock my chains. 

“Shhh, Just go with it. You’ll be okay.”

I cock my head, “YOU KIDNAPPED ME!” 

He grimaces. 

The chains come undone. I could escape. He doesn’t have a weapon and now my hands are free. But I’m so weak. The man reaches down and firmly grabs me by the arm. He hurdles me to my feet and carries me out of the van. My feet hit the ground. He is no longer blocking my path. I try to run but I lose my footing after a couple steps. I push myself up but don’t get far before those same arms that grabbed me last night grab me again and carry me the opposite direction of where I was trying to run. I kick and scream, but it does nothing. He brings me inside a house and sits me down on a couch in a large, open family room.

“You’re not going to outrun me.” He says, pulling back. He backs away several feet, to my surprise, giving a reasonable amount of space between us. I catch my breath. 

He’s right. He is lean and strong, I am just an artist who does pilates a few times a week. If I am going to get away, I will have to outsmart him. 

I scan my surroundings. The room is modern and luxurious. Grey and white overtake nearly every surface. Small pops of color are brought in through decorative accents. A loft overlooks the family room and large pointed windows cover the entire north face of the home. I turn my eyes to the window. I’m in a desert, far different from the lush hills and valleys of Virginia that I grew up in. 

“Where are we?” I ask

“Albuquerque, New Mexico,” He states. 

“Albuquerque? How long was I out?”

“Long enough.” 

Albuquerque. I haven’t been here since the last time I saw Dad. Looks like I was going on that trip whether I wanted to or not. 

The man shifts his weight, “Let’s get you settled.” 

“No! I want answers!”

A hint of impatience flashes across his expression,“Not now.”

I look at him, now with more confidence than I had in the hallway knowing for certainty that he is a snake. “Did you know my father? Is that why I’m here?”

His eyes narrow,“In a way. I knew of him.”

“What does that mean?” I scoff. 

He holds his breath for a moment, then a long exhale. He does not speak. 

“Where’s my Mom?”

His eyes look deeper into mine. “Your mom hasn’t been honest with you.”

I glare at him as though he’s not just a snake, but Satan himself, “Are you accusing her of something?” 

He draws closer to me, kneels down on my level and grabs my shoulder. He holds my gaze, “How do you think she was able to afford that house and that brand new car?” He raises his eyebrows. 

I stare blank. I can’t think about this right now. 

He shakes his head,“Come with me. You should sleep.” He pulls me off the couch and leads me down a hallway with a hand hovering behind my back and a firm hold around my arm. 

“Can you at least tell me if my sister is safe?” I ask as we walk.

“I can’t make any promises.” He states. 

I instinctively pull away but his grip combats my movement. 

Shay, please be alright. 

We stop at the entrance of a bedroom. I peek inside. Its tones are warm. Silk bedding and a private bathroom add a layer of luxury to the room but bars cover the window, bringing the whole room down a notch. He guides me across the threshold. I am too exhausted to fight him, though I am unsure of when I will cross over it again. The door closes behind me and the lock immediately clicks. For the moment I ignore the fact that I am in captivity. I just want to sleep. I curl up on the welcoming mattress and before thoughts have a chance to overtake me, slip into the deepest sleep of my life. 

My eyes flutter open. I breathe deeply taking in my new reality. Slowly, I rise from my heavy slumber and turn my head to the window. It is sunrise. A desk sitting on the narrow side of the room across from the foot of the bed catches my attention. A small canvas sitting on an easel and a jar full of brushes clutter the surface. I inch my sore, stiff body to the desk and explore its drawers. There is a full spectrum of paints and paint palettes. I have a number of questions for that man when he comes back. Why does he want me to paint?  Will he get something out of it? None of this makes any sense. I ignore the paint supplies for now and resolve to take a warm shower.  

When I get out of the shower I wrap myself in the soft plushy robe hanging in the bathroom closet and tie my hair up in the towel. I hear a knock on the door. My heart stops. Could now be the time to escape? Or at least, get some questions answered?

“Hello?” I call

The voice of a woman responds, “Hello Jana. The Big Man wanted me to bring you some things. May I enter?”

Dammit. It's not him. 

I sigh, “Yes.” 

The sound of keys fumbling and scraping the inside of the lock brings me hope. The door opens and the  woman enters. She wears a brown leather jacket over black clothing. I recognize the jacket as being one commonly worn by those who conceal cary. I can only assume she has a gun. Maybe I can get my hands on that jacket somehow.

Her arms are loaded with a tray of breakfast foods, and numerous outfits. I eye these things confused. These are the people who kidnapped me?

“Would you please tell me what’s going on?” I demand. 

The woman stares for a moment, “What has he told you?”

“Nothing.”

The woman gulps down hard, “I’m terribly sorry. I know this is scary for you. Please take comfort in knowing we will give you everything you need while you are here.”

“Yeah? And why am I here?” I blurt. 

She sighs,“I know it's hard for you to believe right now, but it is better that you are here than in Virginia.” The woman hands over the things. 

I look down at my breakfast. Two pieces of bacon and two waffles topped with whipped cream - real whipped cream - and homemade strawberry puree. This is lovely. I didn’t realize how hungry I was. I can’t be sure of how long it's been since I’ve had a meal. 

Mr. “Big Man,” kidnapped me before I had a chance to eat my dinner. 

“When can I talk with that man again?” 

“He plans to check on you this afternoon. I can’t promise he’ll tell you much though. Again, I’m so sorry.”  She leaves, relocking the door. Heavy footed steps echo down the hallway. 

I plop the items she gave me down on the bed then yank the towel off my head, nearly pulling out my hair.  

I’M SICK OF BEING LEFT IN THE DARK. 

I close my eyes and let out a sharp exhale. I need to calm down, or I’ll never escape. 

I look at the clock just above the desk. It reads nearly eight. I have at least four hours to kill. I glance down at the art supplies. I wasn’t going to paint. Not until I knew these people’s motives, but I can’t stop myself. 

I pick a paint brush and begin mixing paint colors. My breathing and heart rate slows. My thoughts become clear. I need that woman to come back in here. 

I pull back from the painting and find myself satisfied with the result for now. Blurred splotches of lighter and darker greys fill the canvas. There are no clear lines. No clear perspective. Only uncertainty. Water droplets accent the painting. They are the only clear focus. I lean back in my chair and exhale. Now the clock reads just past noon. 

He’s supposed to come see me soon. I’ll have to be quick. 

I pull down the shower curtain rod and remove its curtain then position myself by the door. Confirming what I am about to do by letting out the biggest scream I could conjure, “HELP!” I yell, “HELP!!!” I keep yelling until I hear the woman run to the door and open it. Instantly, I give her the biggest blow to the head I can muster. She falls to the floor but is not unconscious. She leaps up and tackles me to the ground. We struggle but I have the edge and give her another good hit to the head with the rod. She is still conscious but disoriented. I take her jacket and her keys, run out of the room and lock her inside. I quickly feel inside the concealed pocket. 

Bingo! 

I run from the room towards the home’s front door before taking any time to think. 

I need to hide until I know where he is. 

There is a staircase in the entry way. I take cover behind it then peer out a window to see the driveway. There are two cars. 

He could be here. 

I think through my options. I can’t go through the hallway behind me. There are too many rooms. I could be cornered. The living room past the entryway is too open. My best bet is to leave through the front door. I run and try to open it. It doesn’t open. My eyes scramble. There’s a padlock. 

I spin in circles trying to plan my next move, but before I take another step, I see him. He’s walking towards me from the family room. I pull out the gun and point it straight at him. 

My eyes widen, I’ve never shot before. 

“STOP!” I demand, “Give me the code or I will shoot you!”

He does not stop. He keeps walking towards me. There is no fear in his eyes. 

“Jana, you are here for protection. Let me protect you.”

“Really? You sure have a funny way of ‘protecting’ me!”

“Put the gun down. I will explain everything. I think once I do you will choose to stay here.”

“Why didn’t you explain before?”

“There was no time!” His voice escalates. He is still walking towards me. Now he is under the door frame of the entryway. 

“Stop! Explain now!” 

He does not stop, he keeps coming closer. He’s too close. 

I pull the trigger. 

Snap. 

DAMMIT THE SAFETY!

He moves. The gun shifts from my hands to his. 

“YOU BASTARD!” I yell out as he wraps his arms around me. I struggle, again to no avail before he whisks me to the other side of the house. 

reddit.com
u/Worldly-Potato9046 — 2 days ago

Creating a Biblical Magic system for my world. Need Help.

Creating a Biblical Magic system for my world. Need Help.

So I'm building a Biblically Coherent magic system for my current World. Witchcraft and Sorcery are obviously outlawed in The Bible and I would like this work to be as Biblically sound as possible. So I worked it this way. Magic essentially works three ways. You have God Given Magic, you have Magic given by The Evil One, and you have understanding/knowledge. As the Spirtual world and the material worlds rapidly hurtle towards each other the laws of each begin to intertwine.

In the same way that a more physically minded scientist understands the laws of the Material, some people who are more philosophically inclined understand the Spiritual.

A Pyromancer for example must understand both an Aspect of the physical properties of Fire as well as an Aspect of the Spiritual and philosophical properties of it allowing the "Fire Mage" to summon a specific type of flame for often a specific purpose that is in line with their understanding of Fire. This of course is not the Truth of what Fire is, just a basic understanding of often a single aspect of it.

Regular magic would rely on an understanding of 1 or more of the elements. Fire, water, earth, air and Aether. Whether someone credits God or themselves with this understanding is what ultimately determines it's Holiness. (In the same way a very intelligent man could consider his intellect either his own working or a gift from God)

However.

True Magic has costs, reaching into the spiritual leaves marks and requires more than just Knowledge but also usually a sacrifice, a bridge, that you cannot as easily tear down. Strange premonitions, ghostly apparitions appear. Continuing unforseeable after effects. This is the residual connection to the Spiritual. When you reach into that realm you leave your mark, and that can be followed. It opens you up to messages, suggestions, and inclinations from the other side almost all of which are from The Evil One. This is why true Magic is considered Evil, not necessarily because of what it is, but that it leaves you so ignorantly open to whatever comes, and presumably you won't know how to properly deal with that which you have brought up on yourself.

This is all in contrast to Power given Directly from God which could nearly encompass anything but is often manifested in unique gifts or abilities. Such as the power to speak Harm or Healing over someone. Or to wield an element or force as a formed weapon.

WORLD CONTEXT The "God's" of ancient mythology are rising again. These Entities (Demons and Unclean Spirits) are resurfacing. The Creatures of Folklore. The monsters and Entities. Some are Demons, some are Nephilim left over from The Flood, others still are creatures left over from Primordial Creation.

It's as if the Physical and Spiritual worlds have "drifted apart" over the ages. Slowly unwinding themselves into two very distinct realms. Making reaching into the Spiritual much more difficult and complicated, rewriting our very rules of existence, eliminating even the possibility of things that existed before. It appears as if our Worlds, once almost completely separated are now rapidly hurtling toward each other again. Towards a single point in

space and time across all of existence. So all the Old Testament/ Myth Age of Heroes stuff is coming back in force.

reddit.com
u/Kainpound — 4 days ago

Working on a story, any critiques appreciated! [921 words]

I’ve been on and off working on a story for a while now. For context I started when I was fourteen and I’m sixteen now, I took a very long break from pretty much anything art related. But I’ve recently gotten my life back in order and I've been writing again. I’m debating if I should just take the parts I like and use them in another story and scrap it or if I should continue. Since I started it so long ago I feel like the base of it might be too juvenile if that makes sense. It feels pretty weak and clunky at points and the overall tone isn’t fully there. I think there’s a lot of fat that can be trimmed off to actually get to the meat of it, but I’m just wondering if that meat is any good in the first place. Any critiques would be appreciated! Here’s the link to the full story if you’d like to read it, https://docs.google.com/document/d/1hsHwfApA0X3KqrXj6eLSAYIZLfTIGEM_/edit?usp=drivesdk&ouid=103430079360288535961&rtpof=true&sd=true

Daylight filters in through the leaves, painting his face in a new light. His normally dirt brown hair painted in sun streaked highlights, the soft summer light making me notice the gold flecks in his eyes. There's this sort of spark in them, something restless and itching to crawl its way out of his chest like a secret. Clay’s nose is slightly crooked and he’s slouchy but coiled like he's ready to bolt at any moment. His knuckles are bruised and bleeding through the bandaids I gave him. I turn my head since I've been looking for too long, Clay would have cussed me out at best if he knew I'd been staring. He’s more handsome than he ever gives himself credit for, but I'd never tell him that. The sound of footsteps, cicadas, and the occasional yipping coyote were the only noise for an eerily long while. He’s never this quiet. 

“Do you think I'm a bad person?” There was something to Clay’s voice, like he was expecting an answer. 

“I don't know. Shit, you've done bad things but you're not horrible.” 

He just sighs, shoving his hands in his pockets with more force than necessary. His gaze turned downward like he couldn't look at me. “Thanks, but you don't have to lie. I'm failing most my classes but I'm not that stupid.” he chuckles, but it's more of a dry, harsh, humorless sound. “You saw what happened at the train tracks, you don't have to pretend.”

I want to tell him he's wrong, I want to tell him he can change. But I know better than to lie to him. And I know better than to try to force people to change, nobody changes unless they want to. Especially not now. Oh god. Not after what happened. It's like the sunlight is melting away my numbness and it's just starting to claw at my insides. We're done. Dead. oh god.

“We should probably skip town, right? Like, leave for a few days or somethin’.” I say, my voice growing more frantic with each syllable. I'm trying to stay calm but all I can think of is my mothers face when she sees my name in the paper. My palms are starting to get sweaty and my legs feel weaker with each step. A bubbling nausea fills my stomach as my eyes burn with hot tears, not yet spilling from my eyes.

Clay stops in his tracks, grabbing my shoulder and looking serious for once in all his sixteen years of life. He starts talking to me like I'm a nervous dog at high bite risk, his voice all calm and careful.  “Jules, calm the hell down. It's fine, we're fine, everything will be fine. Just… breathe.” For once his touch is gentle before he sees the tears welling up in my eyes. He pulls away his hand like he’s been burned. His smile shifts to a sneer faster than I thought possible.  “Are you seriously crying right now? Jesus Christ, you’re not even the one who-”

“I still saw it, man, still heard it, still…” I tilt my head down as I wipe at the tears I'm desperately trying to stop. “I'm in this as much as you are.” 

Clay chews the inside of his cheek for a moment, his hand hovering over my shoulder before it drops back to his side. “Yeah. You are.” he says with an air of finality. “Stop being a crybaby and walk.”

Clay and I walk for what feels like hours, guilty thoughts rattling around in my head like a grogger. It's probably showing on my face too, I've never been real good at hiding my emotions. Not like Clay can. I feel like I'm losing my mind here and Clay is all cold with a detachment so thick it's almost clinical. Like I'm some sort of germ he's observing under a microscope. I don't ask where we're going and everything feels blurry. It's one foot in front of the other, walking and walking and walking until I’m surprised my legs don't give out under me. The road stretches out before us, cement slowly shifting to gravel. And gravel shifting to dirt and finally grass. Trees seem to close in on us, rusted up old farm vehicles, junk and scrap litter the grass like ash after a bonfire. An old barn seems to appear out of nothing. It looks at least three times my age and has been hit by more than a few storms. Broken windows, busted doors, and the paint that's somehow still clinging to it has been washed out so bad I can barely tell that it used to be red. I'm halfway sure I'm dreaming. I'm really in my bed and everything is fine, that all that had happened at the train tracks was just a nightmare. 

Clay snaps in my face, his eyes narrowed and lip curled up in what seems like disgust. “Jules, what's wrong with you?”

“I think I'm sick or somethin’, but maybe I'm just tired, I don't know.” 

Clay’s eyes narrow, clearly not buying it. But he doesn't comment on my bullshit either. “Yeah, well… I need you here. We have shit to do and you can't be sick and whiny for it.”

I nod, eyes drifting to the grass beneath my feet. He didn't call me out for my lie. He’d usually be the first person to tell me I’m bullshiting when we're alone like this. Maybe he wants to believe it too.

u/Livin_deadboy — 4 days ago

Critique my blurb please! YA Dark Romantasy

Hello, please critique the blurb below. I'm worried it comes across as a little click baity. Then, there's the structure. I could put the first paragraph at the bottom. Is that a good idea? Finally, it is a little long. Ideally, I'd like to shave about 50-80 words off of it. Any suggestions here would be appreciated.

The interests of two ladies collide at Avalon: the best school of magical learning in the world. One is the heroine of the story and the other the villainess. But which is which?

Aleisha Cameron of House Cameron wants nothing more in the world than to be presented to magical society. She loves the beauty and elegance of it. She loves to talk about fashion, art, literature and politics. She dreams of creating the most powerful house in Magical Europe but to do that she’ll need to find the right partner. One boy in particular draws her attention very quickly. A certain Mr. Sharpe.

To Rose Perkins of House Perkins magical society is nothing more than a gilded cage. She dreams of a world free from being forced to smile and hide her inner feelings; a life free from fake boring conversations and a system of patriarchal values that tell her the best she can ever achieve in life is an advantageous marriage. Still, there is hope. She has her secret boyfriend: Alexander Sharpe. In her Alexander, Rose has found a partner who understands her; a partner who’ll set her free but getting her father to consent to their marriage will not be easy. 

reddit.com
u/Foriamlord — 5 days ago

Purple Glow

Hi, this is the first chapter from my first book. So far I'm like halfway through the book. I'd love to get some feedback and I'm also curious if the first chapter is interesting enough to capture the reader and make them want to continue reading.

I never could have imagined how much this one moment would fuck up my life. Our lives. None of us could have. We were just a bunch of clueless teenagers in detention, waiting. Five strangers who impatiently watched the clock slowly ticking, each minute feeling like five.

I sighed, all I wanted was to leave the classroom and smoke a cigarette. While waiting, I tried to imagine the small, cylinder-shaped object between my fingers, and a smoke cloud filling the air as I exhaled. I shifted in my seat, but it didn’t make the hard chair any less uncomfortable.

The classroom was quiet, except for the ticking clock. Tick-tock. Tick-tock.

This was not my first time in detention, that’s for sure. I’d had my fair share of disagreements with teachers, being late to class or skipping it all together. This time it was the latter. I honestly didn’t see the point of going to classes anymore. I probably wouldn’t be going to college anyway. And I honestly didn’t really care.

In the front of the classroom, a guy with curly and messy dark hair leaned back in his chair. He wore an oversized t-shirt and sweatpants. A pen was spinning swiftly in his hand. I didn’t recognize the guy. He must be new, I thought.

Behind him, a short girl with long brown hair shook her foot repeatedly. Her doe eyes looked watered and had dark circles under them.

On the other side of the room sat a curly-haired senior girl by the window. Though she did look a bit younger than that. She was scribbling away in her notebook, all of her books and pens perfectly organized on the table in front of her.

And then there was, ugh, Larisa Settlemire, tapping her perfectly painted nails against the table. She was the last person I would ever imagine to find in detention. I wondered what she did to end up here, but struggled to find a logical answer to that question, so I gave up trying. She was the only student in that classroom that I had, unfortunately, interacted with. At one point in time, she had been the most important person in my life. We had been inseparable. That was until she turned into the most obnoxious popular girl there was. She was the mayor’s daughter, the top student, the head of the cheerleading team, the golden girl. Or at least that’s what she wanted people to believe. And everyone did. Well, almost everyone…

Mrs. Dale told us she needed to use the bathroom and that she would be back in five minutes. I honestly contemplated just getting up and leaving. I mean, what were they gonna do? Give me more detention? Call my dad? I doubt he would even have time to pick up the phone. But my contemplation about leaving was suddenly interrupted—

CRASH.

Everyone jumped in their seats as one of the classroom windows smashed into many tiny pieces.

“Fucking hell!” the girl with curly hair exclaimed. Her language didn’t really go hand in hand with her innocent face. She sat close enough to the window that her table was now full of shards of glass. We were all staring at the broken window.

“Is everyone okay?” Larisa asked, her eyebrows drawn together. The girl by the window carefully took out a shard of glass that had landed in her fluffy brown hair. “I’m okay,” she said with a shocked expression, purple light reflected on her face.

A purple glow had filled the classroom. It came from a tiny rock laying beneath the crashed window. The rock had multiple holes where the light emitted from, and what looked like shiny purple crystals protruding out from it. The crystals had sharp faces and edges, but looked partially irregular in a few places. It didn’t look like anything else I had seen before. It was almost hypnotizing to watch it glow.

“What is that?” I tried to act cool, but there was a slight shake in my voice. The short, curly haired girl got out of her chair and stepped closer to the object on the floor. “It’s a meteorite.”

“Well, detention just got more interesting,” the new guy seemed almost amused.

“What are the odds? A meteorite crashing through our classroom window!” Fascination had completely replaced the shock on the fluffy-haired girl's face. She reached out her hand to touch the rock, but quickly pulled it away. She then reached into her backpack and picked up a small piece of cloth that she carefully wrapped around the rock. “Huh, that’s weird…”.

I could admit that it was pretty cool that a meteorite crashed through the window. But I mean‌, it was just a rock. This girl, however, seemed fascinated with it on a whole other level.

The door suddenly swung open, and Mrs. Dale stepped inside with a confused look on her face as she noticed the window. The curly-haired girl discreetly let the rock slide into her bag.

reddit.com
u/msKliki — 6 days ago
▲ 3 r/writingcritiques+1 crossposts

*Edit- just to clarify, this is only the first couple of paragraphs. I will likely post more of the story, but I was just looking for opinions on the narration style for now as it is very different for me.

Nearly twenty-five years after the passing of his dear wife Edith, her garden still blooms with a vibrance that could rival Eden. Seamus has yet to see Eden, of course - perhaps Edith's opinion on the matter would be more accurate - but he can imagine the place well enough, and it holds not a candle to hers. For how could anything, even of the heavens, be so lovely?

He was never one for gardening. But he had spent nearly every day since her departure diligently practicing the craft, refusing to allow the space to wither with time. Refusing to allow himself to wither with time. Edith would not approve of withering, you see. And so he gardens, and though he has learned much over the years, it still remains Edith's. He is simply the keeper.

It is a usual afternoon for Seamus, plucking weeds from a flower bed, Barnaby grooming himself nearby after just having returned from their midday walk - in addition to gardening, Seamus walks three times a day about the town, both a physical and social exercise for him - when the stranger arrives. Strangers are not usual in these parts, and so the arrival is quite the excitement for Seamus, to be sure.

The stranger arrives on horseback with not a sack to sling across his shoulder. He is dressed in a finely tailored suit and rather expensive looking oxfords, though the attire has certainly seen better days, now covered in the wear of trail dust and long sun exposure. His face bears a scruff that suggests it has not seen a razor in several weeks. Seamus is entirely unbothered by the oddity of this and greets the stranger with the enthusiasm one might extend to an old and very dear friend, ushering the man inside with promises of tea before he can hardly utter more than a single word of greeting.

Seamus offers his most sincere apologies for the state of his home. It is quite old, you see - older than Seamus himself, if one could imagine such a thing. His father had assembled it in, oh, perhaps 1805. The very year he had made the acquaintance of Seamus's dear mother, in fact, and it had been constructed entirely for her benefit. Prior to its building, the man had resided in what could only be described as a hut, down by the coastal portion of the - ahem - estate.

But that would simply not do for Seamus's mother, who was the daughter of a rather well-off fellow from Halifax. No title, but his family had inherited funds from a former employer - well, that is a whole other story. The point is that Seamus's father had built the house to impress his would-be bride, who was quite impressed indeed. For the house was a sight in its time - a second story, and even glass windows. Those were rare, quite rare.

Seamus himself was no builder. He could fix a thing here or there, but his priorities had been elsewhere, and so the walls had gone a little worn, and the parlour table still listed on the leg that had cracked the afternoon one of Edith's chickens got loose and was chased through the house by one of the dogs, who in his haste had stumbled against the aged wood with rather dramatic results. The leg still held, more or less, and Seamus had not quite gotten around to addressing it. On the kitchen table, a single teacup sat waiting to be washed. 

reddit.com
u/Thischick1 — 14 days ago
▲ 3 r/writingcritiques+1 crossposts

To the future you... do I still know you?

To the future you,

I don’t know where you are right now… or maybe I do.

I don’t know what kind of life you’re living… or maybe I’ve always imagined it.

I don’t know what your boyfriend looks like (hopefully good-looking), or what kind of friends you hang out with now (probably still not the cool ones).

Do you still love cats, or did you finally become a dog person?

Do you still sing the way you used to? Remember how much you loved it?

Do you still dream? What are those dreams about now?

What are you chasing these days… besides money?

What kind of songs do you listen to now?

Still obsessed with retro music?

What about movies (still love the ones with major plot twists and bittersweet endings?)

Remember how we used to dream about travelling the world?

Have you finally gone somewhere beautiful?

You were always such a responsible girl… are you still the same?

Do you have a big canvas now, or are you still painting on those tiny ones?

I hope you are still you.

And I keep wondering… am I somewhere in your future too?

— From someone who knew you before the future did.

It's a letter I wrote for my friend who is moving away. Please give me honest thoughts and suggestions to improve it.

reddit.com
u/Capable-State1621 — 11 days ago