The last amazon - my first upscaled to 4k trailer
From the mind of alexander kiesel, this is the masterpiece, now real talk, can hollywood make stuff like that?
From the mind of alexander kiesel, this is the masterpiece, now real talk, can hollywood make stuff like that?
made by me ofcourse alexaner kiesel at periti, this one is next level
The rain.
The city.
The helicopters.
The nightclub scenes.
The giant crowds staring at her.
This isn’t even a real movie. It’s an AI-generated neo-noir thriller called VELVET CITY and somehow it feels more cinematic than half the stuff releasing lately.
We are entering absurd territory.
Alexander Kiesel / Periti Studios
my 5th trailer now, i know many asked if i can do more trailers, so here it is alexander kiesel from periti studios has done it again. Probably the best of my trailers, hollywood is far.
I mean really… if someone like me, Alexander Kiesel, can suddenly build cinematic projects like this with a small studio setup, AI-assisted workflows, and enough obsession, then Hollywood is probably facing a much bigger shift than most people realize.
A few years ago this level of visual experimentation required massive teams, studio pipelines, insane budgets, and access almost nobody had.
my 3rd trailer by alexander kiesel, honestly hollywood cant survive such effects, its next level.
I genuinely don’t understand how Hollywood studios are spending 300 million dollars to make garbage when one guy from Periti Studios can generate scenes like this with AI.
This is GODFALL, an experimental cinematic universe created by Alexander Kiesel using AI workflows, cinematic VFX pipelines, and trailer focused editing.
Every person watching this thought these were unreleased Netflix or AAA game cinematics.
At this point Hollywood’s biggest problem is not AI replacing actors.
It’s AI replacing bad directors.
The craziest part is this was generated independently by Periti Studios and not some massive studio with thousands of employees.
Hollywood is officially cooked.
The funny thing is people laughed at Project Oblivion because “it wasn’t a real movie.”
That was literally the point.
Most people still don’t understand where AI cinema is heading. The future isn’t 2-hour slow-burn dialogue films anymore. Attention spans, visual expectations, pacing, and content consumption have completely changed.
Hollywood is still making films for a world that no longer exists.
AFTER HOLLYWOOD is basically my answer to that.
Produced by Alexander Kiesel Cyprus at Periti Studios
Project oblivion by me! Alexander kiesel from cyprus :)
How to continue this scene and maintain consistency? looking for tips
Can someone point out the mistakes i made, making this short trailer?