u/RoastBeefDisease

Red rose, egypt Station has a medley and despite Repeated warnings, uncle albert, good times coming/feel the sun (2 songs) where else does he do it? Does the hidden track on NEW count?

Lately for my its the entire Champs album and Golden Boy.

“Down South

” is a track from the album “The Boys Of Dungeon Lane

“, released in 2026. It is a nostalgic song that recalls the hitchhiking trips Paul McCartney made with George Harrison in the south of England during the summers of 1958 and 1959

.

"Talking about reminiscing and memories. I think it was me who used to suggest that we go hitchhiking. So we would start off in Chester, which is just across the River Mersey. ’Cause that’s where a lot of lorries went down south. From there, I started writing this song, which is remembering hitchhiking trips that me and George took together. One thing that didn’t get in the song was… First trip we went on, we went down to Harlech in Wales. And that was great, we had a great time. We always took our guitars so, you know, so we were like, you know, the big city slickers from Liverpool. One of the lifts we got was from a guy on what they call a milk float and he had all those milk bottles in the back. But those were the first electric cars we ever saw. And it’s like, “Wow, this is electric!” So anyway, we got a lift off this guy.

So there was his driving seat and then there was a battery and then there was a passenger seat. So somehow George got the battery and I got the passenger seat. And it was just, you know, by luck. So he’s sitting on there and we’re going along fine. And suddenly he goes, “Ah!” “What, what, what?” And what had happened is he had a pair of jeans on with a zip the back and it connected the battery up.

Once we finished the lift and that, we would try and find somewhere to stay and we’d get like a bed and breakfast or something, you know. And he showed me, he had a great big zip burn on his bum! Well, it’s weird though, memory is a weird thing, because I was talking to Olivia Harrison about this and she said, “Oh, yeah, George told me that story, about how you got the zip burn on your bum” I said, “It wasn’t me, it was George!” Anyway, this is how memory can morph and do all that. I swear it was George, it was. Anyway, so we were always heading down south. So this next song is just me on acoustic remembering some of those things: The first verse is us getting the lift and the second verse goes back to how me and George met, which was on the school bus. He used to go to the same school as I did. And then the last verse is back to the hitchhiking thing. It’s called “Down South.”-

Paul McCartney – Track-by-track commentary from Amazon Music

https://youtu.be/P3Gumrrx93k?is=TcmjfhayAe0mINBR

The Boys Of Dungeon Lane:

1. As You Lie There: 8.88/10

2. Lost Horizon: 6.80/10

3. Days We Left Behind: 8.35/10

4. Ripples In A Pond: 8.16/10

5. Mountain Top: 7.96/10

Bored BORED

​

"So we were in Sussex working, me and Steve [Orchard] and… I’d been to Glastonbury, so I was full of the sort of hippie mood. You know, when you drive or walk around Glastonbury, you see all the tents and all the… everyone, you know, this whole hippie vibe. So I wanted to write a song that was from the point of view of someone who was at the festival or that kind of thing, any festival. And it’s a bit trippy. So it’s like, you know, you get magic mushrooms talking to you and, you know, all sorts of stuff happening. It was nice to do sort of a trippy thing, you know, just very free. You can go anywhere with all your backwoods and loops and everything, you know. So this is it, it’s called “Mountain Top.” "-Paul McCartney – From

Exclusive Commentary Edition Digital album

"It’s like Coachella and Glastonbury … kind of people going off for the weekend to trip out and get stoned. And we go to quite a few festivals these days. We would’ve gone to Glastonbury this year, but it’s not on this year. I was trying to get that feeling of a young girl at the festival, tripping out."-Paul, Variety

"Produced with tape loops, the spacy song is from the perspective of a young girl tripping out with her friends at a music festival. McCartney’s voice is almost unrecognizable in the dreamy song that sounds like a cousin to “Lucy in the Sky With Diamonds.” After singing about how everyone’s tripping, McCartney adds, “everyone’s flipping/need to get a grip and get away, or do you want to stay.” The adventurous tune, which bursts into psychedelic warp speed at one point with pounding guitars and drums, would sound even more experimental if it weren’t created by the person who, with his friends 70 years ago, completely invented a new language for rock ‘n’ roll."-Billboard

After the track played out, he addressed an obvious touch that was delighting Beatles fans in the assemblage. “We use tape loops,” he said. “Any excuse to get tape loops for me! I love them,” he affirmed, noting it produces an effect “you don’t get any other way.” And he confirmed whose spoken voice appears at the end of the track, although it was hard to decipher on first listen what she was saying. “We put Nancy’s voice through a tape loop, at the end there,” he said.

From the front row, Shevell jumped in with a one-word assessment of her own contribution to the stoney track: “Riveting!”

The Boys Of Dungeon Lane:

1. As You Lie There: 8.88/10

2. Lost Horizon: 6.80/10

3. Days We Left Behind: 8.35/10

4. Ripples In A Pond: 8.16/10

5. Mountain Top:

A love song inspired by Paul’s wife Nancy, it was first written in 2015 before being left aside for several years.

In a June 2026 interview with the Song Exploder podcast, Paul explained that the track was properly recorded in 2022 with producer Andrew Watt.

In his Valentine’s Day message on February 14, 2023, Paul had shared a photo of two red roses in a glass, placed on a mixing desk in a recording studio. The image appeared to reveal part of a working song title, showing the text “[…]ipples on a pond”.

Q: Where were you when the first bit of this idea for this song came to you?

Paul: I was in East Sussex, England, on my farm where I live. I was sitting around enjoying a day off, and that’s normally when I write songs. If I’m lucky enough to know that I’ve got the next three or four hours, nobody’s going to interrupt me. And I was actually thinking about my missus, Nancy, and thinking, you know, how lucky I am to know and love someone like her. We’ve known each other quite a long time, and it’s a very interesting relationship. We’re nothing like each other.

Q: How so?

Paul: I mean, I’m English, she’s American; she’s very practical, gets things done. I’m much more sort of whimsical. I will get things done, but in maybe not as practical a way. But we know each other, and we know how to be with each other. So I was just thinking about how blessed I am. You know, anyone who’s in a good relationship with someone is inevitably really blessed. And it’s nice when you’re thinking that to introduce that idea into a song. -Paul McCartney – Interview with Song Explorer, June 2026

Q: This is from 2015, and you’ve had albums come out since then. How come this song didn’t appear on those earlier records? Did it feel like it wasn’t finished yet?

Paul: Yeah, I think that’s the thing. You sometimes will write a thing and be not entirely convinced. So you kind of put it a little bit on the back shelf. You know, songs can just lay around, and I mean to finish them, but I’m on tour somewhere, so I don’t really have the time to get to grips with it. But yeah, this one languished around a little bit. -paul, song explorer 2026

"So this one [“Ripples In A Pond”] I’d done some work in Sussex on this, we kind of virtually recorded it all, and I took it to Andrew. But I said to him, “Yeah, come on, man, you’re a pop producer. [On] this one you should, like, do a bit more of a pop production on it,” you know, because it’s that kind of a song. So he did. He started swearing at his engineer. Get that off air. He doesn’t talk like that. But anyway, so, yeah, he did… He sort of popped it up a bit. It’s called “Ripples In A Pond.”

-Paul McCartney – From Exclusive Commentary Edition Digital Album

Photo 2 from Paul's 2023 Valentine's post on social media

https://youtu.be/vlgSkx9Zckw?is=llR8xN9RbKYjimYj

The Boys Of Dungeon Lane:

1. As You Lie There: 8.88/10

2. Lost Horizon: 6.80/10

3. Days We Left Behind: 8.35/10

4. Ripples In A Pond:

It was released as the album’s lead single on March 26, 2026, the same day the album was officially announced.

A nostalgic reflection on Paul McCartney’s youth, “Days We Left Behind” recalls his early friendships with George Harrison and John Lennon. One of the song’s lines, “the boys of Dungeon Lane,” provided the title for the album.

Dungeon Lane is a road in Speke, a district of Liverpool where Paul and George lived during their teenage years. Located not far from 20 Forthlin Road, it led towards the banks of the River Mersey. Paul often visited the area carrying his copy of “The Observer’s Book of Birds”, watching the local birdlife.

"This is very much a memory song for me. The album title, The Boys of Dungeon Lane, comes from a lyric in this track. I was thinking just that, about the days I left behind and I do often wonder if I’m just writing about the past but then I think how can you write about anything else? It’s just a lot of memories of Liverpool.  It involves a bit in the middle about John and Forthlin Road which is the street I used to live in. Dungeon Lane is near there.  I used to live in a place called Speke which is quite working class.  We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice you didn’t have much."-Paul, paulmccartney.com

"I had this little song which was memories, “I was looking back at white and black, reminders of my past.” So I was putting this song together, we started working on it, and I was playing on the piano, and I did a riff, it was a throw-away for me. But Andrew sort of said “oh, wait a minute, that’s good, you know”. So he put that in, and we built it up. And it’s a very gentle little track, which is the first single of the album. It’s about Liverpool, about my memories in Liverpool. It’s about the boys of Dungeon Lane, it’s where the title comes from. Dungeon Lane was a place near where I used to live, in Speke, a district of Liverpool, where me and George lived. That’s how I met George. I used to get to the school bus and we both went to the same school. So I would get the bus here, and the next stop, George would get on. So sometimes we sat next to each other. That’s how we got to know each other. And we just talked about guitars, rock and roll… It was just coming in, you forget that, there was a time where it was just arriving, you know. So that area was called Speke, and leading down from all the counsel houses, there was a lane called Dungeon Lane that took you down to the short, the Mersey shore. That’s basically where I was drawing from, for the lyrics of the tune, which is called “Days We Left Behind.” "-Paul, Los Angeles listening party

"So, then the next song is one you probably heard, which is “Days We Left Behind.” Yeah, and this was a lot of memories of Liverpool for me, but also any days we left behind. The thing is, everyone’s got days you left behind, you know, whether it’s your school or an old mate or anything. So, I started it with a little piano thing and… which we transferred to guitar a bit later on. So then it was story about memories, various little bits and pieces that I remembered from my childhood. It kind of, in a way, kind of wrote itself because, you know, you just had a memory and you stuck it in the song. But I like this one and, well, I like them all. It has memories of John in the middle there: “We wrote at Forthlin Road,” so that’s lovely, you know, to go back to those things. And it’s a little bit emotional, obviously, especially, you know, you’re talking about John or George or Ringo, but those two guys…

Because this is where we worked, this is where we sort of did everything, you know, you’re lucky if you get songs like that, they kind of just spill out and you don’t quite know how you wrote them, you know? I was wondering whether I should put in Forthlin Road, whether it was a little bit sus, you know, But Andrew said, no, no, that’s great, you know, like stories and all of that. So he was helpful with that kind of advice. Yeah, so there it is. That’s me and John in Forthlin Road writing “a secret code to never be spoken.” So, yeah, so a lot of nice little memories. And this is called “Days We Left Behind.” "-Paul, commentary edition of the album

https://youtu.be/2n1IhyF6R0U?is=757kro5doM4uuU1I

The Boys Of Dungeon Lane:

1. As You Lie There: 8.88/10

2. Lost Horizon: 6.80/10

3. Days We Left Behind:

According to Paul McCartney, the song was rediscovered by his longtime engineer Eddie Klein, who worked at Hog Hill Mill. While transferring and archiving old DAT (Digital Audio Tape) recordings, Klein came across a track titled “Lost Horizon,” which Paul had completely forgotten about. Far more than a simple demo, it was a fully developed song. Since DAT was commonly used between 1987 and 2005, the recording was likely made during that period. Klein died in 2005, meaning that, if Paul’s recollection is accurate, the song had remained in Paul’s mind for more than twenty years before its eventual release.

On March 30, 2026, a purported version of “Lost Horizon” appeared on YouTube. It was in fact an artificial intelligence-generated fake. Bill King of Beatlefan magazine contacted Steve Martin, Paul’s US press officer, who confirmed: “This is a fake.”

"So there I was. Now I was working with Andrew, but I was working between Los Angeles, where he was, and East Sussex, where my home studio is. And me and Steve, my engineer, we were working on something and a great guy who had helped build the studio, a guy called Eddie Klein, who was a lovely guy and who actually came from here, used to work in Abbey Road.. And he’s a lovely man. He’s no longer with us, unfortunately, but he was such a great guy and he was actually working on some tapes at the back of the studio and we were working here doing something and we had a little break. He said, “Have you ever heard of a song called ‘Lost Horizon’?” I said, “I don’t know.” He said, “Well, it’s on one of these cassettes.” He was changing cassettes over to DATs [digital audio tapes]. DATs have gone away. Anyway, I said, “No, I’ve never heard it.” He said, “Well, you should listen to it.”

So, we put it on and it was amazing because it was a complete song all in one take. And I think I must have just done it on holiday somewhere and forgotten it. So, anyway, luckily Eddie rediscovered it and he said, “I think we should do this song,” so we did. We took the demo, the cassette demo, and pretty much copied the whole thing. Didn’t really need to do much else. Then we took it to Andrew later and put a little guitar part on there. So, yeah, thanks to Eddie.

The other thing about Eddie is that he used to work here [at Abbey Road] and we’d be up there in the control room number two with The Beatles and we didn’t know how equipment worked, you know, if it was there, we’d use it and we screw around with it, do anything with it. And I think it was at the end of Magical Mystery Tour, the piano goes wonky. We had this device, I think it was called an oscillator, and it took things from, like, slow to medium to fast. You could alter the speed of whatever it was working on. So we used it and we were, you know, messing around and all the… All these sounds and stuff, you know, and Eddie said that. [cut] I remember it well. Thank you, Eddie, yeah. You know, I just think it might just have never been discovered, he might have just put it to DAT and that was that. So that was Eddie. And this is “Lost Horizon.” "-Paul, digital commentary album

MOJO: Lost Horizon is an old song that you rediscovered. How did that happen?

PAUL: "That’s got a great origin story, because it came as a surprise. I had an engineer who built my studio, a great guy called Eddie Klein, who’d come from Abbey Road. Eddie was working in the studio one day. We were doing something else, and he was changing old tapes from the format they were in into a more modern format. He would work in the background as we were doing our stuff. And he said to me, “Do you ever remember this song called Lost Horizon?” I said, “No, not really.” He said, “Well, it’s not bad. It’s actually really good.” Well, come on, let’s hear it. The thing that surprised me was, number one, I’d forgotten it. I must have just done it on a holiday one afternoon, and put it down to a tape cassette. It would have been the early 2000s. I’d forgotten I’d done anything until Eddie rediscovered it. And the other thing that was good about it was that it was complete. Sometimes, if I sit down on holiday to write a song, I might just get a couple of verses. But this had the verses, the choruses, the bridges. The whole thing was there, so I thought, Wow, I’ve got to do that.

So we took the demo and kept the structure but re-recorded some of the things on it in exactly the same way as I had done on the demo. Andrew [Watt] said, “Wow, it’d be great if we had a hot little electric guitar going through it.” So I got this old ’56 Telecaster, a beautiful little instrument. I was imagining what Steve Cropper might do, so I was channeling him. We added that to it, not a lot else, All the songs have got these little origin stories, and that one’s about a relic found by good ol’ Eddie Klein. Thank God for Eddie!"-Paul, MOJO

The late Eddie Klein, who worked with the Beatles at Abbey Road and then with McCartney at his studio in Sussex, England, found the track that McCartney said he didn’t remember writing or recording. In England, “we produced it exactly like the cassette,” McCartney said, and then brought it to Los Angeles to add guitar parts. The chugging, mid-tempo track is a nostalgic look back, with lyrical reminders that “time makes every moment count” and “you gotta live for now.” -Billboard

https://youtu.be/-WEX2I4KSB0?is=Pa4tQLtqciJ77nSO

*The Boys Of Dungeon Lane*:

1. As You Lie There: 8.88/10

2. Lost Horizon:

Amazingngggg grace

" ' You Lie There' is the surprisingly original opening to The Boys of Dungeon Lane! Starting with some evocative acoustic guitar chords, Paul's spoken intro and a melodic part, the song then becomes aggressive, with loud guitars and screaming vocals. Recorded back in April 2021, it's co-written by Paul McCartnev and Andrew Watt, and it introduces us into the world of this new album with inventiveness and creativity." -Luca Perasi

"Up in one of the windows, there was a girl I fancied called Jasmine. But I didn’t know how to approach her, I never spoke to her. That’s what the song is about: imagining Jasmine lying there. The joke was, she did show up later that year and knocked on the door. I was indisposed – I was on the toilet – so I missed Jasmine! How romantic is that?"-Paul, Source:

https://www.theguardian.com/music/2026/may/05/paul-mccartney-the-boys-of-dungeon-lane-playback-preview-fans-abbey-road

"The Boys of Dungeon Lane was first brought into existence five years ago when Paul met producer Andrew Watt for a cup of tea and an exchange of ideas. While playing around on the guitar during the meeting, Paul happened upon a chord that even he didn’t recognise. Undeterred and driven by his experimental nature, Paul carried on changing one note, then another, until he had a three-chord sequence, which Watt suggested they should record. 

This session yielded the album’s opening track, As You Lie There. Encouraged by his new producer, Paul would flesh out the new track, playing the majority of instruments – much in the spirit of his 1970 solo debut album, McCartney.  So began the journey of what became Paul’s 18th studio album credited solely to Paul.   "- paulmccartney.com

"The song that came from that first tea meeting was inspired by McCartney’s childhood in Liverpool, England and a neighbor girl. “I really fancied named Jasmine ” McCartney said, looking at his wife and adding, “Sorry, Nancy.

” The tune starts as a spoken word track, before going into a sweet, then rocking melody, that changes tempo and shape shift throughout. “Do I ever cross your mind as you lie there?” he asks. “As you lie across the bed, am I there inside your head?” " -Billboard

https://www.billboard.com/lists/paul-mccartney-every-track-the-boys-of-dungeon-lane/

"So, I had a cup of tea with Andrew Watt, and we’re just chatting and he’s had millions of guitars around. We talked about writing songs. I said, “Well, sometimes I’ll just take a guitar and just plonk a chord. Maybe I don’t even know what it is, but it’ll start me off, it’ll give me an idea. Oh yeah,” you know. So, I picked up his left-handed guitar and banged like any old chord. [plays chord] I thought wow, okay, that’s a weird chord, you know. And I said see that we could go somewhere. And then I changed that top note. [plays slightly different chord] It started to make a little bit, make a bit more sense. [plays another chord] And I changed it again, so we had like a three chord sequence. So that was it.

And so, he said, “Yeah, great, okay, that’s… That’ll work.” So, we started messing around with that and we threw a few more chords in. And in the end we… You know, I just stayed for a couple of days and we made up this first song. I’d always wanted to do a little bit of talking on a song, you know, but I was remembering kind of great records, like, The Stylistics and things. I thought, “Oh, those did it great,” you know, “Maybe I could do it.”

And then the next day I was looking at what the lyric might be and I remembered when I was in Liverpool as a kid, we lived on Forthlin Road. And then just along the way a bit, there was… There was a block of flats, tenements, and up in one of the windows there was a girl that I fancied called Jasmine. But I did not know how to approach her or anything. You know, it’s like that age, you just think, “If only…” But I never did, I never talked to her or anything. So that kind of story is a little bit what the song’s about. So it’s called “As You Lie There." "-Paul, Amazon Music commentary

[Link to song](https://youtu.be/EALDMXQIMB0?is=TcJGHSmuhUQm6w\_h)

McCartney 1 7.20/10

1. The Lovely Linda: 6.77/10

2.That Would Be Something: 8.21/10

1. Valentine Day: 5.25/10

2. Every Night: 9.48/10

3. Hot as Sun/Glasses: 6.61/10

4. Junk: 9.35/10

5. Man We Was Lonely: 7.18/10

6. Oo You: 7.22/10

7. Momma Miss America: 5.71/10

8. Teddy Boy: 6.53/10

9. Singalong Junk: 7.16/10

10. Maybe I'm Amazed: 9.63/10

11. Kreen-Akrore: 4.53/10

Suicide: 5.48/10

Women Kind: 3.54/10

RAM 8.42/10

1. Too Many People: 8.78/10

2. 3 Legs: 7.20/10

3. Ram On: 8.52/10

4. Dear Boy: 8.79/10

5. Uncle Albert/Admiral Halsey; 9.32/10

6. Smile Away: 7.70/10

7. Heart Of The Country: 7.96/10

8. Monkberry Moon Delight: 9.14/10

9. Eat At Home: 7.89/10

10. Long Haired Lady: 8.26/10

11. Ram On reprise: 7.10/10

12. Back Seat of My Car: 9.71/10

Another Day: 9.10/10

Oh Woman Oh Why: 7.95/10

WILD LIFE 6.68/10

1. Mumbo: 6.08/10

2. Bip Bop: 5.48/10

3. Love Is Strange: 7.01/10

4. Wild Life: 6.43/10

5. Some People Never Know: 7.13/10

6. I Am Your Singer: 6.30/10

7. Tomorrow: 8.00/10

8. Dear Friend: 7.04/10

9. Give Ireland Back To The Irish: 5.74/10

Mary Had A Little Lamb: 6.50/10

When The Wind Is Blowing: 6.92/10

African Yeah Yeah: 2.56/10

Indeed I Do: 5.11/10

RED ROSE SPEEDWAY  7.87/10

1. Big Barn Bed: 7.82/10

2. My Love: 8.5/10

3. Get On The Right Thing: 7.94/10

4. One More Kiss: 7.59/10

5. Little Lamb Dragonfly: 8.97/10

6. Single Pigeon: 8.72/10

7. When The Night: 7.56/10

8. Loup (1st Indian On The Moon): 5.85/10

9. Hold Me Tight/Lazy Dynamite/Hands Of Love/Power Cut: 7.88/10

Hi, Hi, Hi: 8.20/10

C Moon: 7.32/10

The Mess (Live At The Hague) 6.86/10

I Would Only Smile: 6.83/10

BAND ON THE RUN 8.72/10

1. Band On The Run: 9.90/10

2. Jet: 9.34/10

3. Bluebird: 8.62/10

4. Mrs. Vandebilt: 8.56/10

5. Let Me Roll It: 8.89/10

6. Mamunia: 8.18/10

7. No Words: 8.05/10

8. Picasso's Last Words (Drink To Me): 7.39/10

9. Nineteen Hundred And Eighty Five: 9.56/10

Live And Let Die: 9.39/10

Helen Wheels 8.16/10

Country Dreamer 7.62/10

Junior’s Farm: 8.13/10

Sally G: 7.16/10

I Lie Around: 6.84/10

Venus and Mars 8.05/10

1. Venus and Mars: 8.63/10

2. Rock Show: 9.03/10

3. Love In Song: 8.15/10

4. You Gave Me The Answer: 7.69/10

5. Magneto And Titanium Man: 8.85/10

6. Letting Go: 8.71/10

7. Venus and Mars (reprise): 8.43/10

8. Spirits of Ancient Egypt: 6.49/10

9. Medicine Jar: 8.10/10

10. Call Me Back Again: 8.58/10

11. Listen To What The Man Said: 9.33/10

12. Treat Her Gently-Lonely Old People: 8.15/10

13. Crossroads: 5.37/10

4th of July: 6.28/10

Walking In The Park With Eloise: 5.87/10

SPEED OF SOUND 7.08/10

1. Let Em In: 7.84/10

2. The Note You Never Wrote: 5.72/10

3. She's My Baby: 7.06/10

4. Beware My Love: 8.51/10

5. Wino Junko: 6.12/10

6. Silly Love Songs: 9.59/10

7. Cook Of The House: 4.06/10

8. Time To Hide: 7.33/10

9. Must Do Something About It:6.88/10

10. San Ferry Anne: 7.63/10

11. Warm And Beautiful: 7.17/10

Mull Of Kintyre: 8.69/10

Girls School: 7.34/10

London Town 7.30/10

1. London Town: 8.14/10

2. Café On The Left Bank: 7.33/10

3. Im Carrying: 8.12/10

4. Backwards Traveller: 7.16/10

5. Cuff Link: 6.62/10

6. Children Children: 5.71/10

7. Girlfriend: 6.38/10

8. I've Had Enough: 6.88/10

9. With a Little Luck 8.72/10

10. Famous Groupies: 6.64/10

11. Deliver Your Children: 7.89/10

12. Name And Address: 6.32/10

13. Don't Let It Bring You Down: 8.54/10

14. Morse Moose And The Grey Goose: 7.76/10

Goodnight Tonight: 8.99/10

Daytime Nighttime Suffering: 9.22/10

BACK TO THE EGG 7.69/10

1. Reception: 6.85/10

2. Getting Closer: 9.39/10

3. We're Open Tonight: 6.89/10

4. Spin It On: 7.66/10

5. Again And Again And Again: 7.28/10

6. Old Siam, Sir: 8.45/10

7. Arrow Through Me: 9.45/10

8. Rockestra Theme; 7.00/10

9. To You: 7.29/10

10. After The Ball/Million Miles: 7.45/10

11. Winter Rose/Love Awake: 7.90/10

12. The Broadcast: 5.92/10

13. So Glad To See You Here: 8.02/10

14. Baby's Request: 8.15/10

Cage: 7.24/10

Robber's Ball: 6.82/10

Waterspout: 8.41

Did We Meet Somewhere Before?: 7.15/10

McCARTNEY II 7.23/10

1. Coming Up: 9.22/10

2. Temporary Secretary: 8.11/10

3. On The Way: 7.45/10

4. Waterfalls: 8.33/10

5. Nobody Knows: 6.23/10

6. Front Parlour: 6.06/10

7. Summer's Day Song: 7.42/10

8. Frozen Jap: 6.72/10

9. Bogey Music: 5.04/10

10. Darkroom: 6.71/10

11. One Of These Days: 8.29/10

Blue Sway: 7.19/10

Check My Machine: 6.60/10

Secret Friend: 7.21/10

Mr. H Atom/You Know I'll Get You Baby: 4.22/10

All You Horse Riders/Blue Sway: 5.5/10

Wonderful Christmastime: 8.90/10

Rudolph The Red-Nosed Reggae: 3.06/10

TUG OF WAR 8.05/10

1. Tug of War: 8.88/10

2. Take It Away: 9.35/10

3. Somebody Who Cares: 8.44/10

4. What's That You're Doing?: 7.68/10

5. Here Today: 9.29/10

6. Ballroom Dancing: 8.58/10

7. The Pound Is Sinking: 8.25/10

8. Wanderlust: 9.19/10

9. Get It: 6.61/10

10. Be What You See: 5.90/10

11. Dress Me Up As A Robber: 7.75/10

12. Ebony and Ivory: 6.74/10

Rainclouds: 6.76/10

I'll Give You A Ring: 7.57/10

The Girl Is Mine: 6.72/10

PIPES OF PEACE 7.05/10

1. Pipes Of Peace: 8.61/10

2. Say Say Say: 8.72/10

3. The Other Me: 6.89/10

4. Keep Under Cover: 7.53/10

5. So Bad: 8.09/10

6. The Man: 6.43/10

7. Sweetest Little Show: 6.75/10

8. Average Person: 7.00/10

9. Hey Hey: 5.31/10

10. Tug of Peace: 4.02/10

11. Through Our Love: 8.30/10

Ode To A Koala Bear: 7.94/10

Twice In A Lifetime: 6.97/10

Christian Bop: 4.95/10

GIVE MY REGARDS TO BROADSTREET 7.72/10

1. No More Lonely Nights: 9.46/10

2. Good Day Sunshine/Corridor Music: 6.57/10

3. Yesterday: 8.31/10

4. Here There and Everywhere: 7.72/10

5. Wanderlust: 9.05/10

6. Ballroom Dancing: 8.20/10

7. Silly Love Songs/Silly Love Songs (reprise): 7.48/10

8. Not Such A Bad Boy: 7.12/10

9. So Bad: 8.52/10

10. No Values: 6.91/10

11. For No One: 9.06/10

12. Eleanor Rigby/Eleanor's Dream: 6.70/10

13. The Long And Winding Road: 7.28/10

14. No More Lonely Nights (play out version): 6.87/10

15. Goodnight Princess: 6.64/10

We All Stand Together: 8..17/10

Spies Like Us: 5.34/10

My Carnival: 6.60/10

PRESS TO PLAY 7.27/10 (7.44/10 w/ 13 songs)

1. Stranglehold: 7.83/10

2. Good Times Coming/Feel The Sun: 7.86/10

3. Talk More Talk: 6.48/10

4. Footprints: 8.64/10

5. Only Love Remains: 8.06/10

6. Press: 7.42/10

7. Pretty Little Head: 7.98/10

8. Move Over Busker: 6.52/10

9. Angry: 5.25/10

10. However Absurd: 6.68/10

Write Away: 8.29/10

It's Not True: 7.39/10

Tough On A Tightrope: 8.32/10

Снова в СССР 6.37/10

1. Kansas City: 6.26/10

2. Twenty Flight Rock: 6.38/10

3. Lawdy Miss Clawdy: 5.68/10

4. Bring It On Home To Me: 6.86/10

5. Lucille: 6.70/10

6. Don't Get Around Much Anymore: 7.14/10

7. I'm Gonna Be A Wheel Someday: 6.01/10

8. That's Alright Mama: 5.71/10

9. Summertime: 7.18/10

10. Ain't That A Shame: 7.52/10

11. Crackin Up: 6.00/10

12. Just Because: 5.13/10

13. Midnight Special: 6.28/10

Once Upon A Long Time Ago: 8.90/10

Back On My Feet: 8.37/10

Yvonne: 8.14/10

FLOWERS IN THE DIRT: 7.73/10 (vinyl) 7.61/10 (CD)

1. My Brave Face: 8.97/10

2. Rough Ride: 6.83/10

3. You Want Her Too: 7.47/10

4. Distractions: 8.98/10

5. We Got Married: 8.75/10

6. Put It There: 8.76/10

7. Figure Of Eight: 8.03/10

8. This One: 8.71/10

9. Don't Be Careless Love: 6.98/10

10. That Day Is Done: 7.45/10

11. How Many People: 6.49/10

12. Motor Of Love: 5.39/10

13. Ou Est Le Soleil: 6.20/10

Flying To My Home: 7.21/10

The First Stone: 6.78/10

Good Sign: 6.00/10

So Like Candy (1988 demo): 6.88/10

Playboy To A Man (1988 demo): 7.20/10

Party Party: 3.40/10

All My Trials: 6.66/10

OFF THE GROUND: 7.55/10

1. Off The Ground: 8.09/10

2. Looking For Changes: 6.05/10

3. Hope of Deliverance: 8.75/10

4. Mistress And Maid: 7.73/10

5. I Owe It All To You: 7.17/10

6. Biker Like An Icon: 6.80/10

7. Peace In The Neighbourhood: 7.25/10

8. Golden Earth Girl: 7.15/10

9. The Lovers That Never Were: 8.80/10

10. Get Out My Way: 6.37/10

11. Winedark Open Sea: 8.08

12. C'Mon People: 8.46/10

Big Boys Bickering: 6.72/10

Cosmically Conscious: 7.75/10

Keep Coming back to Love: 6.98/10

Sweet Sweet Memories: 6.52/10

I Can't Imagine: 7.49/10

Kicked Around No More: 8.26/10

Down To The River: 6.04/10

Long Leather Coat: 7.50/10

Style Style: 7.83/10

Deliverance: 5.23/10

FLAMING PIE: 7.96/10

1. The Songs We Were Singing: 8.13/10

2. The World Tonight: 8.68/10

3. If You Wanna: 7.02/10

4. Somedays: 9.21/10

5. Young Boy: 8.35/10

6. Calico Skies: 9.65/10

7. Flaming Pie: 7.90/10

8. Heaven On A Sunday: 7.91/10

9. Used To Be Bad: 4.97/10

10. Souvenir: 8.54/10

11. Little Willow: 9.11/10

12. Really Love You: 4.25/10

13. Beautiful Night: 9.16/10

14. Great Day: 8.68/10

Looking For You: 6.27/10

Broomstick: 6.36/10

Love Come Tumbling Down: 8.20/10

Same Love: 6.72/10

A Room With A View: 4.98/10

RUN DEVIL RUN: 7.42/10

1. Bluejean Bop: 7.20/10

2. She Said Yeah: 7.31/10

3. All Shook Up: 8.27/10

4. Run Devil Run: 7.99/10

5. No Other Baby: 8.96/10

6. Lonesome Town: 7.82/10

7. Try Not To Cry: 6.68/10

8. Movie Magg: 7.50/10

9. Brown Eyed Handsome Man: 8.02/10

10. What It Is: 7.85/10

11. Coquette: 7.06/10

12. I Got Stung: 6.35/10

13. Honey Hush: 7.21/10

14. Shake A Hand: 6.19/10

15. Party: 7.02/10

Fabulous: 7.55/10

Maybe Baby: 6.80/10

DRIVING RAIN: 6.58/10

1. Lonely Road: 7.29/10

2. From A Lover To A Friend: 6.75/10

3. She's Given Up Talking: 7.11/10

4. Driving Rain: 6.41/10

5. I Do: 6.77/10

6. Tiny Bubble: 6.60/10

7. Magic: 7.18/10

8. Your Way: 7.06/10

9. Spinning On An Axis: 5.45/10

10. About You: 6.80/10

11. Heather: 8.59/10

12. Back In The Sunshine Again: 4.33/10

13. Your Loving Flame: 7.50/10

14. Riding To Jaipur: 6.15/10

15. Rinse The Raindrops: 6.89/10

16. Freedom - Studio Mix: 4.47

Vanilla Sky: 7.10/10

I'm Partial To Your Abracadabra: 6.72/10

CHAOS AND CREATION IN THE BACKYARD: 8.46/10 (8.54 without track 14)

1. Fine Line: 8.95/10

2. How Kind Of You: 8.97/10

3. Jenny Wren: 9.33/10

4. At The Mercy: 8.13/10

5. Friends To Go: 8.87/10

6. English Tea: 8.24/10

7. Too Much Rain: 8.94/10

8. A Certain Softness: 7.73/10

9. Riding To Vanity Fair: 8.80/10

10. Follow Me: 7.71/10

11. Promise To You Girl: 8.21/10

12. This Never Happened Before: 8.65/10

13. Anyway: 8.52/10

14. I've Only Got Two Hands: 7.42/10

Growing Up Falling Down: 7.58/10

She Is So Beautiful: 7.31/10

Comfort Of Love: 8.23/10

Summer of '59: 7.50/10

I Want You To Fly: 7.43/10

This Loving Game: 7.23/10

MEMORY ALMOST FULL: 7.87/10

1. Dance Tonight: 7.79/10:

2. Ever Present Past: 8.70/10

3. See Your Sunshine: 7.79/10

4. Only Mama Knows: 8.58/10

5. You Tell Me: 7.81/10

6. Mr. Bellamy: 9.04/10

7. Gratitude: 6.03/10

8. Vintage Clothes: 8.12/10

9. That Was Me: 8.10/10

10. Feet In The Clouds: 7.30/10

11. House Of Wax: 9.03/10

12. The End Of The End: 8.87/10

13. Nod Your Head: 5.23/10

In Private: 7.30/10

Why So Blue: 8.39/10

222: 8.62/10

I Want To Walk You Home: 6.95/10

KISSES ON THE BOTTOM: 6.73/10

1. I'm Gonna Sit Right Down and Write Myself a Letter: 7.22/10

2. Home (When Shadows Fall): 6.35/10

3. It's Only A Paper Moon: 7.34/10

4. More I Cannot Wish You: 5.95/10

5. The Glory Of Love; 6.18/10

6. We Three (My Echo, My Shadow, and Me): 6.20/10

7. Ac-Cent-Tchu-Ate The Positive: 8.26/10

8. My valentine: 7.23/10

9. Always: 6.12/10

10. My Very Good Friend The Milkman: 7.54/10

11. Bye Bye Blackbird: 5.25/10

12. Get Yourself Another Fool: 6.11/10

13. The Inch Worm: 7.71/10

14. Only Our Hearts: 6.84/10

My One And Only Love: 5.44/10

Baby's Request: 6.75/10

The Christmas Song (Chestnuts Roasting On An Open Fire): 6.16/10

(I Want To) Come Home: 8.69/10

NEW: 8.15/10 (8.06/10 for deluxe)

1. Save Us: 8.12/10

2. Alligator: 8.54/10

3. On My Way To Work: 7.83/10

4. Queenie Eye: 8.77/10

5. Early Days: 7.82/10

6. New: 8.84/10

7. Appreciate: 7.84/10

8. Everybody Out There: 7.12/10

9. Hosanna: 8.42/10

10. I Can Bet: 7.59/10

11. Looking At Her: 8.18/10

12. Road: 8.55/10

13. Scared: 8.40/10

Turned Out: 7.25/10

Get Me Out Of Here: 7.71/10

Struggle: 7.38/10

Hell To Pay: 6.67/10

Demons Dance: 6.87/10

Cut Me Some Slack: 6.00/10

In The Blink Of An Eye: 6.86/10

Hope For The Future: 6.92/10

Best Love: 8.25/10

FourFiveSeconds: 5.50/10

EGYPT STATION: 7.68/10

1. Opening Station/I Don't Know: 8.99/10

2. Come On To Me: 7.10/10

3. Happy With You: 7.43/10

4. Who Cares: 7.31/10

5. Fuh You: 6.04/10

6. Confidante: 7.27/10

7. People Want Peace: 6.66/10

8. Hand In Hand: 8.57/10

9. Dominoes: 8.93/10

10. Back In Brazil: 7.45/10

11. Do It Now: 7.57/10

12. Caesar Rock: 7.41/10

13. Despite Repeated Warnings: 8.36/10

14. Station II/Hunt You Down/Naked/C-Link: 8.56/10

Get Started: 7.72/10

Nothing For Free: 7.93/10

Frank Sinatra's Party: 8.52/10

Sixty Second Street: 7.00/10

Get Enough: 6.09/10

Home Tonight: 7.89/10

In A Hurry: 8.52/10

Only One: 6.09/10

All Day: 4.87/10

MCCARTNEY III: 7.69/10

1. Long Tailed Winter Bird: 8.02/10

2. Find My Way: 7.87/10

3. Pretty Boys: 6.57/10

4. Women And Wives: 7.56/10

5. Lavatory Lil: 6.60/10

6. Deep Deep Feeling: 8.34/10

7. Slidin': 7.99/10

8. The Kiss Of Venus: 8.69/10

9. Seize The Day: 8.46/10

10. Deep Down: 7.04/10

11. Winter Bird/When Winter Comes: 8.60/10

ELECTRIC ARGUMENTS: 7.43/10

1. Nothing Too Much Just Out Of Sight: 9.02/10

2. Two Magpies: 8.02/10

3. Sing The Changes: 8.98/10

4. Traveling Light: 8.70/10

5. Highway: 7.72/10

6. Light From Your Lighthouse: 7.31/10

7. Sun Is Shining: 8.16/10

8. Dance Til We're High: 9.10/10

9. Lifelong Passion: 7.16/10

10. Is This Love?: 6.70/10

11. Lovers In A Dream: 6.25/10

12. Universal Here, Everlasting Now: 6.05/10

13. Don't Stop Running: 5.67/10

14. Road Trip: 5.22/10

RUSHES: 7.37/10

STRAWBERRIES, OCEANS, SHIPS, FOREST: 6.41/10

Soily: 8.77/10

All Of You: 7.90/10

One Hand Clapping: 6.38/10

Let's Love: 6.12/10

Love My Baby: 6.17/10

Blue Moon of Kentucky: 6.46/10

Go Now: 8.04/10

Little Woman Love: 8.41/10

A Love For You: 8.59/10

Hey Diddle: 7.85/10

Great Cock And Seagull Race: 5.55/10

Rode All Night: 7.25/10

Sunshine Sometime: 6.80/10

Lindiana: 6.78/10

I Love This House: 7.25/10

Loveliest Thing: 6.54/10

Squid: 7.75/10

Big Day: 4.00/10

Atlantic Ocean: 5.10/10

Love Mix: 6.41/10

Return To Pepperland: 8.39/10

Dont Break The Promise: 7.85/10

Sea - Cornish Wafer: 5.60/10

Rupert: 6.38/10

THE BOYS OF DUNGEON LANE:

1. As You Lie There:

Summon the troll to sit on the pole