u/_WakkaWakka_

kadosho = card shop / lgs

source:
https://ebay.io/m/N29Guj

• Publisher ‏ : ‎ DENPA BOOKS
• Publication date ‏ : ‎ November 24, 2026
• Language ‏ : ‎ English
• Print length ‏ : ‎ 400 pages
• Book 1 of 2 ‏ : ‎ Onani Master Kurosawa

Images that Yokota sensei drew for Ise sensei when they announced the DAH one-shot.
Ise sensei stated before that Kuon's looks were based on Kurosawa's but it's the most evident here.

Done by yours truly.

https://x.com/Wakka68539706/status/2104666069197816065/photo/1

So probably there won't be any yuri stuff to expect.

(post by Ise sensei)

• — "Subusure" (DAH) is a work that is drawing attention from many "Magic" fans. Today we would like to ask you various things, but first could you tell us how this work came to be?

  • Ise: One day, Yokota sensei reached out to me and asked, "Would you like to make a new work together?" I immediately answered, "I'll do it!" But at that time I just replied on impulse, so I was completely without a plan. From there, as Yokota sensei and I were going to release a work, I started thinking about what kind of material would be good.

• — How did it become a "Magic" manga set in the late 1990s from there?

  • Ise: First, since many of Yokota sensei's past works were contemporary dramas, to make it work, I thought a contemporary setting would be good, but I simply love that era. Since I spent my elementary and middle school years then, it's an era of nostalgic memories, and somehow the atmosphere was great, so I had thought I wanted to use it as material for a work someday. Also, I had heard before that Yokota sensei was a "Magic" player, and I remembered that I was also into "Magic" around that time. From there, the idea blossomed into a "Magic manga set in the late 1990s".
  • Yokota: Since I played "Magic" casually, I thought it was interesting, but honestly, I didn't remember much about the late 90s (laughs). I thought gathering materials from that time would be difficult, but Ise-san's idea was super interesting, so I thought I'd like to take on the challenge. I thought it would be great if people who played "Magic" at the time could look at it and feel a sense of "nostalgia".

• — How do you gather materials from back then?

  • Ise: I look at the CDs, "RPG Magazine", "GAME GIGA", etc., from that time that I own. Otherwise, I buy materials as needed or research them on the internet, and when I write storyboards, I mostly rely on my memory. Even now, when I listen to the music of the late 90s that I loved in elementary and middle school, the scenery of that time naturally comes to mind.
  • Yokota: Manga is drawn based on Ise-san's written storyboards, and it proceeds in that flow, but quite often I think, "Is this really how it was?" so I gather materials every time. Recently, container-type karaoke boxes and things like that were tough. There are hardly any left, so I researched them on the net and drew them.
  • Ise: I am grateful that Yokota sensei solidly draws the pictures even without me preparing materials, just with text describing how things looked.

• — The title "Destroy All Humans. They Can't Be Regenerated." seems completely ordinary at a glance, but I thought the place where it weaves in "Magic" references is exquisite. How was this title decided?

  • Ise: First, if you say the late 1990s, you definitely can't miss the reference to Nostradamus's Prophecies of Doom, so I thought I had to put that in. Then, I thought it would become a title that somehow feels like a recent light novel if I combined the text of "Wrath of God" — "Destroy all creatures. They can't be regenerated." — with it. Starting from the point of 1998, which is the start of the work, seeing that kind of phrasing in the text of "Wrath of God" from the "5th Edition", I chose the text from the "6th Edition" onward as the origin.

• — What was the catalyst for both of you starting "Magic"?

• (The interview continues but there is no source for the rest.)