Defending the land descriptions in LotR
One of the most common complaints/criticisms I hear of LotR Is the amount of words devoted to describing the land and its features. Though I personally quite enjoy these passages, my inference is that these criticisms mainly come from an action-forward, plot-driven mindset.
My basic argument is that the land itself is a cast of characters. Tolkien gives each location its own distinct flavor: Hobbiton is distinct from Buckland; the woods in which Frodo meets Gildor are radically different from the Old Forest, not to mention Fangorn or Mirkwood… though the Barrow-downs and Hollin are both rather empty and relatively featureless, ruined remnants of lost civilizations, they are vastly different in tone. Calling all these “a cast of characters” is perhaps a stretch, but I think the phrase helps make an important point, one Tolkien definitely appreciated and played on: geography is history; the character of geography is inseparable from the character of those who live on it.
Where I think most other fantasy/románce authors would breeze past Hollin (for instance) with something like, “They traveled southeast along the feet of the mountains for two weeks,” Tolkien makes you *feel* the world, the land, the forests and downs and plains and villages — and I think this gives greater depth and weight to the length and scope of the journey.
Furthermore, in giving us such a rich variety of differentiated places, I think Tolkien makes us feel much more deeply just what stands to be lost if the Quest fails and Sauron triumphs. It’s not just that the Shire and Rivendell and Lórien and Rohan and Gondor stand to be laid waste, it’s also Buckland and Crickhollow and Dol Amroth and the rural lands of outlying Gondor, and Bree with its other villages, and Fangorn, and the wide empty lands between Bree and Rivendell, and the course of the Silverlode as it runs eastward down the Misty Mountains into and through the Mirrormere… the Tower Hills west of the Shire, only vaguely described but still potent in imagery, and so much more.
Would you add or detract anything to or from this argument? Of course not everyone is going to have (or be able to develop) the taste for such rich world-building, but perhaps that’s just it. Tolkien rightly described the desire for “secondary worlds” as its own unique literary taste. Perhaps those with this taste will mainly agree with me/us, and those who come to LotR, looking for an action-adventure story, just won’t ¯\_(ツ)_/¯
*Note: románce is accented to distinguish it, as heroic and fantastical, from romance in today’s sense, a love story.*