Aangan by Khadija Mastoor
This story reminds us of so much…
Freedom, war, revolution every courtyard has a story. The story of every rebellious girl like Chammi, every sensitive soul like Aliya, every politician with thoughts like Jameel, every woman like Kareeman Bua sitting by the stove and baking rotis, and every bitter-tempered Gandhi worker like the elder uncle.
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This is Khadija Mastoor’s famous novel Aangan. Published in 1962, the novel portrays the inner life of a family against the backdrop of the Indian subcontinent in the 1940s, the independence movement, and the Partition of India.
The central character of the story is Aliya. She belongs to a family whose members gradually grow distant from one another because of political ideologies, class differences, love, and personal interests.
Aliya’s father is imprisoned because of his activities against British rule. Due to the circumstances, Aliya comes to live with her mother at her uncle’s house. This house is, in fact, the “aangan”, the courtyard of the novel, where family relationships, loves, rivalries, and political disagreements all come face to face.
Within the household are Chammi, Aliya, Jameel, Safdar, Tehmina, and other characters, each carrying their own beliefs and desires.
Chammi is a bold and emotional girl. She loves Jameel, but Jameel’s attention eventually shifts toward Aliya. Aliya herself is very cautious when it comes to love and does not easily accept Jameel’s affection. Of the three, Chammi suffers the most.
Safdar, meanwhile, is a young man with a very different political ideology. The male characters in the novel represent different political paths: Aliya’s father is anti-imperialist, Safdar holds communist views, her uncle supports the Congress, while Jameel is inclined toward the Muslim League. In this way, the disagreements within the household become a reflection of the wider political divisions of India.
Aliya’s sister Tehmina also experiences a tragic love story. The restrictions imposed by the family, the limitations placed upon women, and the stories of love left incomplete leave a deep impression on Aliya. The central character of the book is Aliya, and I became quite frustrated with her at times, wondering, “Why doesn’t she ever say anything?” You shouldn’t keep everything bottled up inside; sometimes you need to let your feelings out.
I really liked the character of the elder aunt. (I wish we all had an aunt like her.)
Then circumstances deteriorate further. Political tensions, Hindu-Muslim riots, and the storm of Partition engulf the family as well. Mazhar Chacha is killed while trying to promote Hindu-Muslim unity, and the household begins to fall apart. Shakeel leaves home, Jameel finds himself caught in difficult circumstances, and Chammi’s life takes a painful turn as well.
Eventually, Pakistan comes into being.
Aliya and her mother migrate to Pakistan, but for Aliya, this journey does not mark the beginning of a joyful new life. The relationships left behind—Jameel, Chammi, and the entire old courtyard remain part of her memories. After reaching Pakistan, she realizes that although the country has gained freedom, not everyone has gained the freedom to pursue their own desires.
Later, through letters, she learns that Shakeel has left home, Israr has disappeared, and Jameel and Chammi have married. For Chammi, this marriage is, in a way, the return of the love she had been waiting for all along.
So, what is Aangan really about?
It is not merely a story about a family or about love. Perhaps the most beautiful aspect of the novel is that while the country is moving toward independence, the women inside the home are constantly struggling for their own small freedoms. This is what makes Aangan such a significant novel in Urdu literature.
The reason I wanted to read it was to learn about people who lived through those historical circumstances and to understand what life was like for them. Aangan shows us the circumstances in which women lived within the confines of a household. It does not teach history in a textbook-like manner; rather, it shows us how political circumstances affect the lives of ordinary people.