u/MerelyWhelmed1

So many of these are second chance at love for thirty to forty year olds. Why not

*give us a main love story for people in their 50s or 60s

*give us a story featuring someone who has stayed single without finding love before, so the new relationship is a shock to them

*give us a story where it's the male love interest who has to change his dream and move to stay in the relationship

*give us a few sequels. I would like to see a followup to the Reluctant Royal, among others. Not a retread where the same couple has broken up and has to get back together, but the next chapter of their lives.

These would all still maintain the essence of the Hallmark movies, but would be a little different.

we all remember how she verbally eviscerated Hope for kissing Finn. I sincerely hope Steffy and Carter BOTH get the verbal beat downs they deserve for what they're doing.

There is no excuse for this. None.

Ew. Ridge and Carter have done lengthy speeches over the years about being besties, and how they feel like brothers. Now Carter - who everyone claims is a man of honor - is going to break his wedding vows and have sex with his best friend's married daughter.

This rivals some of the garbage Brooke has pulled.

With it being centered around Electra - the show's new "It" girl - what else could they name it?

Electricity! The Conduit to Fashion's Future

I wonder if Joe Pantoliano was intentionally imitating Joe Pesci or if it was an unconscious choice.

She told Will an unequivocal NEVER. She's furious he spent time with Dylan a few days later. Someone needs to ask her how long was he supposed to wait? And WHY should he HAVE to wait? If Electra is done with him, then she shouldn't care what he does. She certainly shouldn't have a say about it.

Her indignation that he dared to move on is sickening. She just wanted him to pine for her forever.

Brooke can slap Katie, throw things, and break monitors. Risge gets to hit Bill. And now Electra slaps Dylan while still playing the victim. yourself. RJ pushes Will and hits him.

But Will and Bill are branded violent and put of control? How does that work exactly.

Too bad Dylan has no witnesses. I would love to see her press charges against Electra.

Where are the rest of Sheila's children? Her bio lists the following:

Children: Daisy Carter, Mary Carter Warwick, Diana Carter, Ryder Callahan, John Finnegan

Maybe she should put some effort into finding some of them.

Samantha is one of the unsubs I end up feeling sorry for. She was abused, traumatized, and emotionally abandoned by the person who should have loved and protected her. Her own father destroyed her innocence and then her sanity.

Just horrifying and sad.

I don't care how you feel about him personally. I have watched 100 at least 15 times since it originally aired, and TG's embodiment of Hotch makes me cry every time.

Gibson should have been nominated for an EMMY for this episode for displaying such an incredible range of believable emotions.

Gut wrenching.

She deserves better.

The dialogue made it clear she and Will did NOT have sex. They talked until they fell asleep, and they were fully clothed when they woke up. So it isn't too late to change direction.

Age difference between damned. Try her with Wyatt.

I am catching up on last week's episodes.

Let me get this straight...after verbally trashing Logan and the line they just showed, Eric goes to Bikini: the bar owned by the father of the designer (Deke) Eric just insulted.

Does anyone think these things through at all?

I didn't realize the name of Thomas Barrow also belonged to a real pirate. List as part of the Pirate Golden Age, he is described as this:

**Pirate active in the Carribean. He is best known for proclaiming himself Governor of New Providence.**

Interesting! I wonder if that name was chosen on purpose.

She has ZERO range of emotions. She is either bubbly and happy or she's moping, crying, and has a constipation face.

If she feels betrayed, why is there no anger? Where is the passion? The fire when something interests her?

She is so weak and vapid. There's just nothing to her.