u/FinnFX

I'm having a strange mouse issue with CrossOver on macOS and wondering if anyone knows a fix.

I'm playing The Last of Us Part I through Steam using CrossOver, and my Logitech G502 X Lightspeed works normally in windowed mode, but when I switch to borderless windowed or fullscreen, the vertical mouse input breaks.

The issue:

• Moving the mouse down makes the camera look down normally
• Moving the mouse up also makes the camera look down
• Left/right movement works correctly

The in-game invert Y-axis setting is disabled.

Things I've tried:

• Different resolutions (3200×1800, 2560×1440, etc.)
• Windowed vs borderless/fullscreen
• Turning Raw Mouse Input off
• Enabling/disabling "Automatically capture mouse in full-screen windows" in CrossOver
• Disabling MSync
• Switching macOS ProMotion to 60Hz
• Checking Logitech software/settings

The strange thing is that the mouse works perfectly in windowed mode at the exact same resolutions. The issue only appears when switching into fullscreen-style modes.

Has anyone experienced this kind of broken vertical mouse input with CrossOver/Wine? Any ideas for a fix would be appreciated.

I have a Macbook Pro and I'm a full time editor but also game on my Macbook when away from my PC at home. I heard the MX isn't suitable for gaming so what's my best options suitable for both?

I have a M4 Pro (14-core CPU, 20-core GPU, 48GB RAM, 512GB SSD), has anybody tried running the last of us part one with a similar build?

Is recomp at maintenance as bad as Reddit makes it out to be? I’m around 17–18% body fat and still relatively underdeveloped in terms of muscularity, so I don’t clearly fit the typical “cut” or “bulk” categories. From what I’ve read (e.g. RippedBody and other sources), I seem to fall into the recomposition-at-maintenance group, but most Reddit forums online say recomp is slow or ineffective. I’m curious if anyone here has actually taken the maintenance + high protein + progressive overload route and made solid progress in both muscle gain and fat loss over time, rather than cutting or bulking in phases.

I work for a small production company where I currently handle both editing and colour grading entirely in Premiere Pro. We’re now looking into switching our grading workflow over to DaVinci Resolve, as the general consensus seems to be that it’s the industry standard for colour and offers a much more advanced toolset.

I was wondering how common it is in practice for people to edit in Premiere and then move into Resolve just for grading. Is this a standard workflow in production companies, or are most people either staying fully in Premiere or moving the entire pipeline into Resolve?

If this isn’t the typical approach, what does a more standard post-production workflow look like in your experience?

I work for a small production company where I currently handle both editing and colour grading entirely in Premiere Pro. We’re now looking into switching our grading workflow over to DaVinci Resolve, as the general consensus seems to be that it’s the industry standard for colour and offers a much more advanced toolset.

I was wondering how common it is in practice for people to edit in Premiere and then move into Resolve just for grading. Is this a standard workflow in production companies, or are most people either staying fully in Premiere or moving the entire pipeline into Resolve?

If this isn’t the typical approach, what does a more standard post-production workflow look like in your experience?

I work for a small production company where I currently handle both editing and colour grading entirely in Premiere Pro. We’re now looking into switching our grading workflow over to DaVinci Resolve, as the general consensus seems to be that it’s the industry standard for colour and offers a much more advanced toolset.

I was wondering how common it is in practice for people to edit in Premiere and then move into Resolve just for grading. Is this a standard workflow in production companies, or are most people either staying fully in Premiere or moving the entire pipeline into Resolve?

If this isn’t the typical approach, what does a more standard post-production workflow look like in your experience?

I work for a small production company where I currently handle both editing and colour grading entirely in Premiere Pro. We’re now looking into switching our grading workflow over to DaVinci Resolve, as the general consensus seems to be that it’s the industry standard for colour and offers a much more advanced toolset.

I was wondering how common it is in practice for people to edit in Premiere and then move into Resolve just for grading. Is this a standard workflow in production companies, or are most people either staying fully in Premiere or moving the entire pipeline into Resolve?

If this isn’t the typical approach, what does a more standard post-production workflow look like in your experience?

Hi guys,

I work for a small video production company, and we’re currently going through a full rebrand, including a new name, a new website, and a shift in positioning as we aim to attract higher-end commercial clients and more premium production work.

We’re now at the stage where I'd really value some external feedback on the new website, specifically from people with experience in design, video production, branding, or agency work.

We’re trying to make it feel more polished and premium, so any honest feedback on what’s working, what feels off, or what might be holding it back would be hugely appreciated.

If you’re open to taking a look, feel free to comment and I’ll send over the URL.

Thanks in advance to anyone willing to help.