u/CinderLord456

When everyone thinks about Zhuge Liang, they think about his loyalty to Liu Bei and how they shared the same vision of restoring the Han. But when it comes to Cao Cao's advisers, I have a feeling that many of them are more like cooperating because of mutual benefits rather than being moved by Cao Cao's character or having the same vision as him. Like Jia Xu, who changed quite many lords ofc not out of treachery but because of survival instincts and he knew that Cao Cao would never truly trust him fully, so he kept himself and avoided getting involved in political rivalries. Is there anyone in Wei who was loyal to Cao Cao, as in he truly respects the Prime Minister and not there only for benefits?

I'm moving back to Saigon after being abroad for a few years, and I want to try indoor climbing. Any good suggestions for where I can go in Saigon?

Aside from Xun Yu, Guo Jia, Xiahou Dun,..... Are there any others that can be counted as Cao Caos inner circle who often have private audiences with him and even debate about personal stuff, like back then Cao Cao asking Jia Xu's opinion on who should be his heir?

I once read the story of how the Sui Dynasty came up with a "brilliant" solution, which was that there was no need to mobilize peasants to work in delivering supplies, but each soldier of the 300000 would carry food that could last for 100 days. Somehow, that proposal worked on paper, but they did not account for other stuff like armors, weapons, medicines,.... and the Sui Dynasty also had a law that if you abandoned military supplies, you would be executed. Therefore, a lot of soldiers buried their supplies in their homes or in random places and what happened was that the 300000 soldiers were already facing hunger by the time they reached Goryeo. Let's say with an army of 100000 soldiers of Sun Quan (all of these are combatants), how many people would they need to work for supply logistics?

When he was Regent and Prime Minister, I get the idea of how it works, as in the procedure is the same, even though the officials don't report to the Emperor, but they mostly await instructions from Cao Cao sitting nearby. But when he became King of Wei, did anything change, as in the court meeting shifted to Ye and the Emperor in Xu Chang was just kept in his prison home and doing whatever?

According to the Shu Ji, Guan Yu and Xu Huang had a personal friendship and Guan Yu was shocked after hearing Xu Huang declaring who could take Guan Yu's head would be rewarded 1000 jin of gold. If so, how did they even meet? As far as I know, they were not born in the same county, so it's unlikely they were childhood friends and even many adaptations did not even feature that these two ever met.

After watching a few dramas recently with the trope of eunuchs manipulating an entire court, it reminds me of the catalyst of the Yellow Turban Rebellion, which was also caused by powerful eunuchs, most of whom were killed by Yuan Shao. In history, there were also other that managed to gain favor from the Emperor and wield a shit load of influence, like Zhao Gao from the Qin Dynasty or Wei Zhongxian, who even got the title "Nine-thousand years old". When Cao Cao brought Emperor Xian to Xuchang, how were the eunuchs treated in terms of the political climate around that time till the Han collapsed with Cao Pi's usurpation? After witnessing what the eunuchs did to He Jin and precedents like Zhao Gao, something tells me they were being kept close eyes on even though most of the time an eunuch's influence is tied to how much favor he got from the Emperor, which is not applicable to Emperor Xian.

This criticism is not new, but it's quite funny to read and the author seemed quite pissed at the Liu-Guan- Zhang brothers in this version.

Cre : https://www.facebook.com/permalink.php?story_fbid=pfbid02AwgFVuQKf1xtdTVd7EoBkASqr4DDS3PahbFPM9L2kGBJFLiaAWWpioqARbMT9RQcl&id=100083207326906&__cft__[0]=AZYdnYMGYcpAgZYjXubPlqieHK3Ic_uH-m8MWIEoOaVO-rdclDvn0UgZlqem2fC8KmA-wtmyTo__tUxV-2Dgz6LGQPgzSxtsXC8ZOoEjU5Gi9LWUatVUzm42x20_xm4YfDUb9h14XGMOLYY5CFZ-9oIZd9AB6LQWKLzAUMfTXWVHYg&__tn__=%2CO%2CP-R

A reader asked me to talk about Three Kingdoms (2010). Sure, no problem! I'll talk about the three characters I hated most in this show: Liu Bei, Guan Yu, and Zhang Fei.

Ever since these three guys walked on screen, I wanted to strangle them. Since this show cut the Yellow Turban Rebellion, the story starts right with Liu Bei, Guan Yu, and Zhang Fei showing up as complete nobodies to join the Coalition against Dong Zhuo. That’s when Zhang Fei starts flexing. He asks, "Does this coalition have a descendant of the Han royal family like Liu Bei?" Liu Bei answers no. Zhang Fei asks, "Does this coalition have a benevolent and righteous gentleman like Liu Bei?" Guan Yu answers no. So Zhang Fei declares that the coalition should make Liu Bei the alliance leader; otherwise, he won't join this trash coalition.

Less than a minute after the three brothers showed up, I was already furious! All the warlords pooled their money and troops, working so hard to pull off something big together. On what planet do you get to demand the leadership position for a total nobody who brought zero money and zero troops, while having the nerve to call their alliance trash? Is that how you join a coalition? If you want to be a leader so badly, why don't you start your own damn alliance?

What's most infuriating is that the coalition had at least two actual Han royal descendants—Liu Dai and Liu Chong—whose lineage and reputation were miles better than Liu Bei's. Yet Liu Bei, that hypocrite, pretended not to know them. Do you not even recognize your own relatives? The coalition also had truly benevolent men who actually helped the poor, like Zhang Miao, Zhang Chao, and Wang Kuang—guys who actually did good deeds instead of just spouting fake righteousness like Liu Bei. Yet Guan Yu shamelessly claimed there were none. Why don't you three just go jump off a cliff?

When the three reached the alliance gates, they rudely demanded that Yuan Shao come out to greet them. The guard didn't want to let these three nobody, pretentious, randoms in, so Zhang Fei started beating him up. Seeing the guard getting thrashed, Cao Cao happened to walk by and somehow decided the guard was making trouble for them! He stepped in to bail out Liu Bei, Guan Yu, and Zhang Fei, telling the guard: "They might be nobodies now, but if they become big shots in the future, won't you regret what you're doing today?" The guard thought Cao Cao made total sense, so he let Liu Bei, Guan Yu, and Zhang Fei in.

Cao Cao’s logic is like me harassing [cheerleader] Lin Xiang, blurting out a sudden confession, getting brutally rejected, and then telling her: "How do you know I won't become the richest man in the world in the future? When I do, won't you regret rejecting me today?" Lin Xiang thinks about it, decides it's not entirely impossible, and agrees to date me.

After entering the camp, the prominent warlords exchanged brief pleasantries and were about to sit down for the meeting, when Zhang Fei suddenly yelled out: "Don't you see my brother standing here?!" Everyone was thinking: Who the hell is your brother, and who cares? As if that weren't enough, Zhang Fei even bragged about how rude he naturally was, posturing like he was about to beat someone up. Facing Zhang Fei's public provocation, Alliance Leader Yuan Shao—who in this show is supposed to be petty yet outwardly polite—didn't get angry at all. Knowing that Liu Bei, Guan Yu, and Zhang Fei brought zero troops, were total nobodies, and were shouting like maniacs, he still arranged seats for them. What on earth were the directors even filming here?

All of this was just the beginning of Liu Bei, Guan Yu, and Zhang Fei's endless list of atrocious behavior. There were so many more infuriating moments later on. As the show progressed, whenever Zhang Fei appeared on screen, the comment section would constantly get spammed with "@FanJiangZhangDa, u/FanJiangZhangDa" [the two subordinates who eventually assassinate him]. It was a shame those two heroes didn't appear until Episode 77! When viewers finally reached Episode 77 and saw Fan Jiang and Zhang Da being whipped by Zhang Fei, everyone sympathized with them, commenting: "You two heroes have suffered so much!" and "Hurry up and poke ten thousand holes through that bastard Zhang Fei!"

Guan Yu wasn't any better. While Lu Bu was still alive, Guan Yu was fairly humble. But as soon as Lu Bu died, Guan Yu walked around every single day acting like he was invincible, calling everyone he met an "arrogant fool" or a "rat." Whenever Zhang Fei bullied the weak, Guan Yu would chime in or whisper poison into Liu Bei's ear. Watching him really made me want to run to a Guan Di temple and spit on his statue. Thank goodness the show had two righteous men, Mi Fang and Fu Shiren, who stepped up at the critical moment to rid the world of Guan Yu's evil. Plenty of viewers argued that these two heroes deserve to be enshrined in the Imperial Ancestral Temple and replace Guan Ping and Zhou Cang as Guan Yu's sidekicks in temples worldwide.

Finally, Liu Bei—this guy was the most disgusting of all. All day long, he went around calling himself the "Royal Uncle" to scam and BS people. If someone ignored him, he let Guan Yu and Zhang Fei throw temper tantrums and cause trouble, only stepping in after the damage was done to say: "Second Brother, Third Brother, do not be impolite!" or "My brothers are reckless by nature, please forgive them." Aside from the Battle of Changban, Liu Bei's "benevolence" in this show was purely self-proclaimed. His attitude toward others was extremely hypocritical, and his bond with Guan Yu and Zhang Fei was clearly just transactional. For instance, when he married Sun Shangxiang, he completely exposed his fake nature to Zhao Yun. Later, back in Jing Province, when Guan Yu and Zhang Fei repeatedly tried to stage coups against Zhuge Liang, Liu Bei just told them to give a half-hearted apology, smoothing things over by saying: "They know they were wrong; the Strategist is magnanimous, so don't hold it against them." By the end at Baidi Castle, rumor has it the original script even had Liu Bei positioning ax-men to ambush and intimidate Zhuge Liang, but Liu Bei's actor strongly objected and had it cut.

In short, aside from spawning a ton of memes, I have no idea what this show was trying to do. Basic trust between people was gone. What was supposed to be a grand strategy ended up feeling like low-level toxic office politics where bad apples drive out the good. Anyone in the show who trusted others or tried to be moral was either bullied or treated like an idiot, while the "schemes" played out like elementary school kids snitching to their teacher. The director even claimed this show was faithful to actual history, when it couldn't be further from the truth. The director was like an Indian chef who took the novel's foundation and turned the dish into absolute garbage. The characterizations, personalities, and relationships were completely detached from their actual historical counterparts. On top of that, there were endless timeline bugs, place-name errors, and out-of-period dialogue. Even a hardcore Shu-Han fan like me ended up hating Liu Bei, Guan Yu, and Zhang Fei after watching this—so how on earth is the general public supposed to like it?

I get that during wartime in ancient times, the economy collapsed and no one could farm due to constant wars. But during peak time, when the Han Dynasty was stable internally and powerful externally, what kind of food did people with ranks of Excellencies eat? I once watched a video talking about how everyone should not dream of time-travelling back to the Warring States or Han era because all kinds of food you see in historical dramas either appear in the Tang Dynasty or even the Qing Dynasty. Even Qin Shi Huang did not have hundreds of dishes of all kinds of rare meat you see on dramas, and if I remember correctly, the "lavish" dish he had was some fruits that had to be imported elsewhere, and many lavish foods did not exist till later. Let's say during the peak time of Han, which had no war and the economy was doing well, what food did the elite eat, and which one was considered lavish?

A while ago, I asked the same question on this sub and recently found this post on Zhihu. It has quite an interesting analysis and also, I did not know Luo Guanzong also wrote a Romance of Five Dynasties Ten Kingdoms.

Original title : 为什么五代故事没有三国故事家喻户晓，偶然发现历史演义不能超过三代人的法则

Author : 刘焕的书房

For the past few days, I’ve been pondering why the stories of the Five Dynasties period aren't nearly as famous as those of the Three Kingdoms. Previously, I examined this issue from the perspective of the Three Kingdoms and wrote two articles: one looking at the popularity of the Three Kingdoms narrative, and another examining the structural stability of its story.

Today, looking at it from the perspective of the Five Dynasties and Ten Kingdoms, I happened to notice a principle in historical romance novels:

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What are the three generations? They are: grandfather, father, and son. Generally speaking, as long as a narrative stays within these three generations, readers can easily follow the plot.

If a story stretches to grandfather, father, son, grandson, and even great-grandson, average readers will struggle to keep track of the storyline.

In other words, average readers can not only remember a maximum of three kingdoms (rather than seven), but they can also only hold three generations in memory—not four.

For instance, why did Hu Shi remark that the Chu-Han Contention and the Sui-Tang periods felt too monotonous? Because the Chu-Han era features only one generation (Xiang Yu and Liu Bang), while the Sui-Tang era spans at most two generations of the Li family (father and son), making monotony hard to avoid.

Looking at Romance of the Three Kingdoms, it is a classic example of a three-generation story, tightly interwoven:

1. First Generation: Dong Zhuo, Cao Cao, Yuan Shao, Liu Bei, Guan Yu, Zhang Fei, Sun Jian. This is the core generation around which the narrative primarily unfolds.
2. Second Generation: Sun Quan, Sun Ce, Cao Pi, Liu Shan, Yuan Xi, Yuan Tan. This is the second generation. That is why Cao Cao famously said: "If you have a son, he should be like Sun Zhongmou"—Sun Quan was already of the generation after Cao Cao.
3. Third Generation: Sun Liang, Cao Rui. By the third generation, popularity drops significantly. The primary appeal of Romance of the Three Kingdoms lies in the first two generations. Later figures like Cao Huan and Cao Mao are known to very few. Sun Hao represents the fourth generation, but aside from knowing he was ultimately defeated, he holds virtually no place in readers' hearts.

Where do Zhuge Liang and Sima Yi fit in? Based on their lifespans, they bridge the gap between the first generation (Liu Bei) and the second generation (Sun Quan)—making them generation 1.5. Because both lived into the era of the third generation, they serve as pivotal figures driving the plot forward. Thus, they can also be treated as part of the first generation, albeit its youngest members.

From this, we see that Romance of the Three Kingdoms strictly adheres to the rule of three generations. With three complete, tightly interwoven generations, the narrative remains immensely compelling.

Toward the end of the Three Kingdoms era and the transition into the Jin dynasty—where the three kingdoms unify under Jin—what ought to be the climax often leaves readers feeling exhausted, with little interest in the Sima clan.

Yet, even if you include the three generations of the Sima family, the entire storyline still neatly spans just three generations:

1. First Generation: Dong Zhuo, Cao Cao, Yuan Shao, Sun Jian, Liu Bei, Guan Yu, Zhang Fei, Zhuge Liang, Sima Yi.
2. Second Generation: Sun Quan, Sun Ce, Cao Pi, Liu Shan, Yuan Xi, Yuan Tan, Sima Zhao, Sima Shi.
3. Third Generation: Sun Liang, Cao Rui, Sima Yan.

Even with the Sima family included, it remains a three-generation structure, keeping the plot cohesive.

Looking at the historical TV drama Empress of the Ming (Ming Dynasty), the three-generation story of Zhu Di’s family is quite complete. But by the fourth generation—Emperor Yingzong of Ming—most viewers struggle to remember the details, let alone the generation preceding Zhu Di during Zhu Yuanzhang's reign.

This proves that regular audience members can generally only remember a narrative spanning three generations.

The same pattern appears across other famous historical romances:

• Generals of the Xue Family span only three generations: Xue Rengui’s Eastern Campaign, Xue Dingshan’s Western Campaign, and Xue Gang’s rebellion against the Tang. Beyond that, readers lose interest.
• The widely popular Generals of the Yang Family is the same: a three-generation story of Yang Ye, Yang Yanzhao, and Yang Zongbao.
• In contrast, The Story of Yue Fei features only two generations (Yue Fei and his young generals Yue Lei and Yue Lin), making it slightly monotonous.
• Similarly, Romance of the Sui and Tang Dynasties features only two generations with Luo Cheng and Luo Tong, rendering it somewhat more monotonous than Generals of the Yang Family.

Returning to the Five Dynasties period: why does its narrative exceed the capacity of average readers?

There is actually no shortage of historical romance novels set in the Five Dynasties and Ten Kingdoms period—even Romance of the Ending Tang and Five Dynasties, attributed to Luo Guanzhong. However, its quality pales in comparison to Romance of the Three Kingdoms, written in crude, unrefined prose. It remains unclear whether Romance of the Three Kingdoms was heavily polished by later generations or if Ending Tang merely attached Luo Guanzhong's name to boost sales.

Additionally, the story of the Thirteen Princes (Thập Tam Thái Bảo) during the Five Dynasties is quite famous. Li Keyong, Prince of Jin, had thirteen adopted sons, all formidable martial artists—classic material for Wuxia novels.

However, from a structural standpoint, the story of the Five Dynasties spans five full generations, rendering the plot far too complex:

1. First Generation: Huang Chao, Zhu Wen, Li Keyong, Liu Rengong, Li Maozhen, Wang Yanzhang. The Five Dynasties romance mainly unfolds around them. However, it copies far too heavily from Romance of the Three Kingdoms: Zhu Wen resembles Cao Cao, Li Keyong resembles Liu Bei, Wang Yanzhang resembles Yan Liang, and Gao Siji resembles Guan Yu. Some passages are copied almost verbatim. If Luo Guanzhong really wrote it, he was far too lazy, plagiarizing his own work.
2. Second Generation: Li Cunxu, Zhu Youkui, Li Cunxiao, Li Siyuan. Zhu Wen once remarked: "If you have a son, he should be like Li Yazi"—Li Cunxu was already of the generation after Zhu Wen. The second emperor of Later Tang, Li Siyuan (an adopted son of Li Keyong), naturally belonged to the same generation as Li Cunxu.
3. Third Generation: Shi Jingtang, Liu Zhiyuan, Guo Wei, Liu Chong. These figures founded the final three dynasties of the Five Dynasties. Shi Jingtang was Li Siyuan's son-in-law, placing him in the next generation. Liu Zhiyuan and Guo Wei previously served under Shi Jingtang, making them contemporaries. Liu Chong, founder of Northern Han, was Liu Zhiyuan's younger brother, belonging to the same generation.
4. Fourth Generation: Chai Rong, Zhao Kuangyin, Liu Jun, Yang Ye, Zhao Guangyi. Normally, a story should wrap up after three generations. But Shi Jingtang was a disgrace who ceded the Sixteen Prefectures of Yanyun to the Khitans. The era demanded heroes of a new generation, and Emperor Shizong of Later Zhou (Chai Rong) emerged to meet the moment. Zhao Kuangyin and Old Commander Yang (Yang Ye) belonged to his generation; at that time, Yang Ye was still serving Northern Han. Emperor Taizong of Song, being Zhao Kuangyin's younger brother, was also of this generation.
5. Fifth Generation: Chai Zongxun, Liu Jiyuan, Yang Yanzhao. Zhao Kuangyin seized power in the Yellow Robe Mutiny, forcing the young emperor Chai Zongxun to abdicate. The Chai family was subsequently treated with great respect under the Northern Song. Zhao Kuangyin nearly unified the country but failed to destroy Northern Han; his brother Zhao Guangyi finally accomplished it. The last emperor of Northern Han, Liu Jiyuan, was already the grandson of Liu Chong. In his generation, Yang Yanzhao's story crosses into the Generals of the Yang Family fighting the Liao.

Thus, although it is called the Five Dynasties (referring to five political regimes), the founders of Later Jin, Later Han, and Later Zhou were actually contemporaries of the same generation. Nevertheless, telling the story completely requires spanning five full generations.

Compared to Romance of the Three Kingdoms, which tells its story in just three generations, this is far more complicated.

Ask people around you: many know Cao Cao (first generation), quite a few know Cao Pi (second generation), but very few know Cao Rui (third generation)—almost exclusively hardcore Three Kingdoms fans. If three generations already push the limits of reader engagement, how can five generations succeed?

The Five Dynasties narrative requires telling a five-generation progression: Zhu Wen / Li Keyong → Li Cunxu / Li Siyuan → Shi Jingtang / Liu Zhiyuan → Chai Rong / Zhao Kuangyin → Chai Zongxun / Liu Jiyuan.

To tell this story completely, one must cover all five generations. Who has the stamina to follow it all the way through?

Therefore, the only option is to slice the story up. Why are there so many standalone works about the Thirteen Princes? Because they focus exclusively on the first half.

The three-generation arc of Zhu Wen/Li Keyong – Li Cunxu/Li Siyuan – Shi Jingtang/Liu Zhiyuan could be told as a complete narrative centered on Li Cunxu or the Thirteen Princes—much like the classic Hong Kong film The Thirteen Princes.

The problem, however, is that this section lacks a satisfying conclusion. The Shi Jingtang/Liu Zhiyuan generation failed to unify China and offered no hope of reunification—audiences simply don't enjoy stories that end like that.

Alternatively, one could take the second half: Shi Jingtang/Liu Zhiyuan – Chai Rong/Zhao Kuangyin – Chai Zongxun/Liu Jiyuan, with Chai Rong as the protagonist. But Chai Rong was a short-lived figure whose momentum was cut short; the one who ultimately opened the 300-year Song dynasty was Zhao Kuangyin.

Thus, it makes more sense to just make Zhao Kuangyin the protagonist, which gives us the historical romance novel The Legend of the Flying Dragon (Fei Long Quan Zhuan).

Simply put, the Five Dynasties narrative is difficult to tell unless split into two parts: the first being the Thirteen Princes, and the second being Zhao Kuangyin's miraculous rise. It practically has to be done this way.

The Three Kingdoms period remains beloved because it satisfies this fundamental narrative logic. When writing fiction, we should pay close attention to this principle. Writing a ten-generation family saga like Liang Yusheng did is completely unnecessary.

I read somewhere on the sub saying that Noble had more reactions to his background, but based on what I'm seeing on my next playthrough, barely anyone comments about my background as Noble, while Commissar has quite a lot, and everyone basically treats me as if I'm already a celebrity from the Imperium arriving in their backwater. Cassia and others will mention my background and how it's a huge honor for them to meet such a famous person whose face is on the propaganda advertisements, while a few other minor NPCs are even secretly fans of my rogue trader due to his accomplishments. In terms of roleplay as someone with authority that is feared and recognized by his talents, which one has more interactions - Noble or Commissar?

Having been reading Chinese history, I understand that friends will soon become enemies once they start getting in the way of each other's ambition and even family members would turn on each other to get more power, like Emperor Taizong of Tang, who killed his brother mercilessly to secure his throne. For Cao Cao and Yuan Shao, how did Cao Cao really view Yuan Benchu when they turned on each other and after Yuan Shao died? After all, they were childhood friends, comrades, and allies, so I don't think hatred would be likely here. Did Cao Cao ever have any regret about how things had gone that made him have to destroy his old friend?

I know the show is not historically correct like the 1994 version, but I really wonder if Cao Cao had an eunuch beside him who would always announce in his stead when someone was coming. Because I always have the impression that eunuchs only serve the royal family and even though Cao Cao holds all the power, there are customs that I don't think he will change, especially when he was just a Prime Minister. Did Cao Cao have a eunuch next to him, like most emperors who would be accompanied by a eunuch?

It's normal for subordinates to sometimes disagree with their boss because that's just a way of life. But Kong Rong really gives me the vibes that he is hostile to Cao Cao on purpose to ragebait him. Like that time Cao Cao banned alcohol because of crop shortage, which totally makes sense but Kong Rong said "Since the kings Jie and Zhou were overthrown due to their desire for women, why don't you ban marriage as well?" or after Cao Pi married Yuan Xi, he wrote a letter to Cao Cao falsifying a parallel in ancient history, claiming King Wu of Zhou arranged marriage between his brother and Daji. When Cao Cao asked for the source, he said, "I saw what happened in our day and thought it must have been so."

What is the reason for such hostility that would cost him his life? Given his situation, he sought refuge with Cao Cao after losing to Yuan Tang. I thought even if he did not like him, he would still lay low and maybe trash talk on him in private. In feudal China, doing these kinds of actions is one-way ticket to hell because there was no democracy or human rights allowing you to trash-talk the elite without consequences. With the marriage between Cao Pi and Yuan Xi, I understand the hosility but the ban on alcohol really makes sense, and it's not like Cao Cao decides that he wants to convert his whole province into Muslim either (which also did not exist around this era). Why such hostility?

I heard famine had always been an issue in ancient time and the 1994 Three Kingdoms also gave a general picture of how life was back then for soldiers and people, where everything was lacking and even among the elites, their dishes were not outlandish like how they are depicted in the Advisor's Alliance. But how severe was the situation compared to the Five Dynasties Ten Kingdoms, which was so shit to the point even dramas about that era was not shy away from the cannibalism due to famine and that was how the first episode started- people being massively killed and smashed into meat; something I don't think any 3 Kingdoms adaptations would ever do either. In terms of the desperation and severity, which era was more fucked up that drove people to be more extreme to survive?

Is there any good historical dramas like Nirvana in Fire or Legend of Zhang Hai which the ML purely focuses on his revenge or has a goal to accomplish and does not let the side quest romance distract him? It's ok to have a romance subplot but I want to see the political intrigue where things are serious and ML is forced to continuosly plotting to achieve his goal. Any recs?

When I first played the game, I was very hyped with how they built up the Cult of Final Dawn, and I expected there would be separate boss fights for Kunrad, Uralon and other villains from the Cult, each of them has their own chapter dedicated to it. Yet, starting from act 3, it starts to feel diverging from the main narrative and the entire act in Commograph feels like a filler that is still lacking somehow, And in act 4, 3 major villains- Kunrad, Uralon, the Edge are put in a single fight and then the Cult's fate is already sealed because their patron is kicked in the ass. Then somehow, the Necrons appear out of nowhere and Theodora's shard somehow is connected to C'tan not the Edge like I thought in act 1. The story is not bad and it's not disconnected or nonsense, but the whole Cult of Final Dawn somehow just went to oblivion in 1 single fight, which kind of makes me feel like they should have hyped the C'tan from the beginning and ignored the entire Edge of Daybreak. Originally, I thought Theodora was a secret worshipper of the Edge and we would have some secret boss fight where we would have to face both the Edge and "Theodora" that appeared in the prologue and Idira's chapter. What do you think?

I read on the wiki which said "They were forbidden to return to Terra, for in His wisdom the Emperor sought not to just rid Himself of powerful rivals, but to ensure that even in their deaths they might serve Mankind. Many vanished alone and unheralded; slain, consumed or enslaved by nameless xenos abominations far from the light of Terra.". These Rogue Traders were the first ones that were anointed by the Emperor during the Great Crusade and the Emperor was still around kicking. But with the current timeline of the game, as the Emperor is not himself and the first von Valancius was dead ages ago, does this rule still apply or can our Rogue Trader return to Terra?

&gt;!Gathering its bleeding worlds together again, the Rogue Trader restored order in the Expanse without compromise, protecting the faith and leaving behind any notion that the region could ever be beyond His righteous justice. An expansion began that would slowly turn the sector into a new province of the Imperium, where Rogue Traders were no longer needed!<

According to this slide, does this mean my Rogue Trader will lose his role in Koronus Expanse because it's not necessary for people like him? Or would he get sent somewhere else to explore further, just like when his predecessors came to Koronus Expanse?