u/Dense-Giraffe372

This piece features a carved jade butterfly paired with brushed gold ginkgo leaves and sparkling diamond accents, set within a black octagonal frame that mimics a miniature framed painting.

The design blends natural elements with classic East Asian aesthetics, focusing on delicate craftsmanship and tranquil artistic atmosphere.

[effacé]

Just finished this detailed heart‑shaped amethyst pendant with hand‑formed gold wire.

I added hand‑crafted flowers and butterfly accents around the stone to build a soft, vintage‑inspired design.

Loved working on all the small decorative details for this piece.

I made this traditional Chinese‑style jadeite pendant recently.

The main stone is high‑transparency jadeite carved into a lucky bean shape, symbolizing peace and good fortune.

I designed hollow cloud and leaf patterns around it, with small jadeite dots as embellishments, showing classic oriental aesthetics.

Love the soft glow and vintage vibe it brings.

Hope you guys like this piece of handmade jewelry.

Beautiful celestial‑inspired pendant crafted with top‑grade icy jade cabochons.

Two‑tone gold‑silver setting accented with natural blue sapphires and brilliant diamonds, featuring delicate star‑moon celestial motifs.

The rectangular silhouette and open‑work design give it an elegant, timeless aesthetic.

3D design and finished part of a progressive stamping die for automotive sheet metal brackets.

Showcasing mold structure design and stamped component forming process.

[ Removed by Reddit on account of violating the content policy. ]

[ Removed by Reddit on account of violating the content policy. ]

This is the formability simulation result of an automotive sheet metal stamping part using AutoForm R10.

After full forming simulation analysis, the part shows no cracking, wrinkling or material thinning risks during the stamping process.

The material flow is stable, the forming quality is reliable, and the stamping process is feasible for mass production.

I provide professional automotive sheet metal stamping die design, AutoForm forming simulation, springback compensation and technical consulting services.

If you have stamping project needs, feel free to contact me.

Hand‑sculpted natural turquoise grim reaper carving, paired with cross and thorny rose accents.

Dark vintage gothic style with fine hand‑polished texture, a unique handcrafted custom piece.

Finished this pink tourmaline pendant recently.

I hand‑carved the intricate rose frame around this long rectangular tourmaline, and I love how the pink‑red hue complements the floral design perfectly.

Just sharing my latest gemstone craft piece with the community!

Sharing my hand‑crafted gemstone cabochon polishing and silver inlay craftsmanship.

Focus on precise dome shaping, mirror‑smooth surface polishing, and hand‑textured metal setting.

Enjoyed creating this soft‑toned pink gemstone jewelry piece.

Hi everyone! Today I’d like to share my hand‑drawn designs and finished stone‑carving works.

I’d also like to talk about common challenges in stone carving. I mainly work with four popular carving stones: crystal, agate, malachite and lapis lazuli, which many of you may have seen before.

Each stone has unique features and processing difficulties:

1. Crystal: It has a transparent structure, yet often contains natural internal cracks that may cause breakage mid‑carving. Coarse, dry crystal grains make it fragile, bringing high processing risks.

​

2. Agate: Hard but brittle. Tiny fragments splash easily during cutting and polishing, so goggles and masks are required for safety. I mainly use high‑quality agate with stable texture that rarely chips.

​

3. Malachite: Soft with layered textures. Uneven temperature or pressure during rough‑shaping will cause layered cracking and crumbling.

​

4. Lapis lazuli: It has natural mineral inclusions and uneven texture, which easily leads to edge chipping in the rough‑shaping stage.

Internal cracks, dry fragile materials, and chipping caused by high‑temperature machine processing are all normal in stone carving.

A complete carving requires a strict full workflow: rough stone selection & cutting, structural conception, layout planning, hand‑drawn design, rough shaping, fine finishing and final polishing. Every step matters.

Design concepts, overall layout and aesthetic planning are critical, as they directly define the final beauty of each piece.

If you love stone carving art too, feel free to connect and exchange ideas with me.

Below are my finished works. I will share the full step‑by‑step carving process from rough stone to finished piece next time.

Hi everyone! Today I’d like to share my hand‑drawn designs and finished stone‑carving works.

I’d also like to talk about common challenges in stone carving. I mainly work with four popular carving stones: crystal, agate, malachite and lapis lazuli, which many of you may have seen before.

Each stone has unique features and processing difficulties:

1. Crystal: It has a transparent structure, yet often contains natural internal cracks that may cause breakage mid‑carving. Coarse, dry crystal grains make it fragile, bringing high processing risks.

​

2. Agate: Hard but brittle. Tiny fragments splash easily during cutting and polishing, so goggles and masks are required for safety. I mainly use high‑quality agate with stable texture that rarely chips.

​

3. Malachite: Soft with layered textures. Uneven temperature or pressure during rough‑shaping will cause layered cracking and crumbling.

​

4. Lapis lazuli: It has natural mineral inclusions and uneven texture, which easily leads to edge chipping in the rough‑shaping stage.

Internal cracks, dry fragile materials, and chipping caused by high‑temperature machine processing are all normal in stone carving.

A complete carving requires a strict full workflow: rough stone selection & cutting, structural conception, layout planning, hand‑drawn design, rough shaping, fine finishing and final polishing. Every step matters.

Design concepts, overall layout and aesthetic planning are critical, as they directly define the final beauty of each piece.

If you love stone carving art too, feel free to connect and exchange ideas with me.

Below are my finished works. I will share the full step‑by‑step carving process from rough stone to finished piece next time.

Hi everyone! Today I’d like to share my hand‑drawn designs and finished stone‑carving works.

I’d also like to talk about common challenges in stone carving. I mainly work with four popular carving stones: crystal, agate, malachite and lapis lazuli, which many of you may have seen before.

Each stone has unique features and processing difficulties:

1. Crystal: It has a transparent structure, yet often contains natural internal cracks that may cause breakage mid‑carving. Coarse, dry crystal grains make it fragile, bringing high processing risks.

​

2. Agate: Hard but brittle. Tiny fragments splash easily during cutting and polishing, so goggles and masks are required for safety. I mainly use high‑quality agate with stable texture that rarely chips.

​

3. Malachite: Soft with layered textures. Uneven temperature or pressure during rough‑shaping will cause layered cracking and crumbling.

​

4. Lapis lazuli: It has natural mineral inclusions and uneven texture, which easily leads to edge chipping in the rough‑shaping stage.

Internal cracks, dry fragile materials, and chipping caused by high‑temperature machine processing are all normal in stone carving.

A complete carving requires a strict full workflow: rough stone selection & cutting, structural conception, layout planning, hand‑drawn design, rough shaping, fine finishing and final polishing. Every step matters.

Design concepts, overall layout and aesthetic planning are critical, as they directly define the final beauty of each piece.

If you love stone carving art too, feel free to connect and exchange ideas with me.

Below are my finished works. I will share the full step‑by‑step carving process from rough stone to finished piece next time.

Hi everyone,

I love hand‑cutting and polishing rough crystals and jade in my spare time.

Sharing some of my DIY lapidary work here!