





Just a tiny detail in "Zuko Alone" that I love. When he's helping the family fix their roof, he's REALLY bad at it. He bends multiple nails out of shape on one tile because he swings a carpentry hammer with two hands like he's a prisoner breaking rocks instead of holding a nail steady with one hand and precisely hammering it in with the other. Which makes perfect sense because he's a prince, OF COURSE he doesn't know anything about manual labor. And there's no dialogue or anything that deliberately draws your attention to it, it's just a bit of characterization through the art that's on screen for a few seconds. Don't know how I never picked it up before.
Y'know, the old-looking dingy ice cream truck that's always parked near the Ranch? I'm assuming it's not a functional ice cream vendor unless the crew at Warner Bros really love tetanus flavor. I think I see it parked in different spots sometimes, so someone's driving it, but what's the deal? I've been seeing it for years and finally realized SOMEONE in town has to know.
Feels like this game's roster doesn't really have a joke character. I get there's a bunch of much cooler picks people would like as playable characters first, but right now I just can't shake what a fun out of left field addition something like Hallucination Samurai Appa would be. You could even use other characters from the hallucination as his back-ups, like Ronin Momo, the cheering sheep, and the Ozai Tree target.
Does Peter Milligan hate women or something? His run closing it out isn't like, the worst comic I've ever read or anything, but I can see why people don't like it. What bugs me the most is his portrayal of EVERY female character. You've got:
-Phoebe Cliffton: Good and normal except for the part where she's kind of fucked in the head chasing something that's bad for her in John until it gets her killed by a jealous shapeshifting demon. Also John basically tries to rape her which is just too far of being a bastard even for Constantine himself.
-Epiphany Greaves: YIKES YIKES YIKES YIKES YIKES. A woman less than half John's age who saw him once when she was a teenage girl and decided he'd be hers forever, then they wind up getting married even with all the shit with her crime lord dad.
-Gemma Masters: Dear fucking god, poor Gemma. I hoped from the very first time the character was introduced back in Delano's run that she wouldn't fall into the old family habits. When other writers portrayed her as doing just that, I accepted it as the cyclical tragedy of the Constantine family that it was. But having gone through therapy to get over the magic mad world she followed her uncle into, only to get RAPED by his evil demon twin!? And then it sends her down this path of madness that has her obsessed with John, trying to make him jealous by making out with his wife who's even younger than her, trying to get some witches to kill him, sleeping around with a grody gangster to get revenge on him who beats her when he realizes he's not in love with her, and possibly murdering him as the finale? WHAT THE HELL?
-Angie Spatchcock: What a bizarre choice to bring a cool character back just to go "she's fat now, she's not over John, and she's jealous and bitter about his marriage".
-Sia Brady: So she was magically manipulated by her husband's stepbrother to betray him, curse him, and also have sex with him, I guess? So another rape victim?
-Cheryl Masters: John's sister in Hell who we find out had a baby boy she abandoned when she was 14, and because John crosses his fingers while making a promise to her as part of his deal with the First of the Fallen to get her out of Hell, she's still technically trapped there? Even after he both ultimately fulfills that promise AND his second deal with the Devil to free her in the final issue? We never get any confirmation that she actually gets to move on to Heaven where she belongs. She just keeps suffering when we see her.
There's more I could list, but I think the ONLY female characters in Milligan's run who aren't portrayed as making bad choices or being a victim are Chas's wife and Phoebe's other doctor friend who tells her Constantine is no good for her. Oh and maybe Kit whose brief appearance before the wedding felt especially pointless. So I gotta know: Was Milligan going through a rough divorce or something? Does he always write women like this? What the actual fuck?
Presented with his normal look for comparison. He's a dwarven forge cleric who's trying to invent an extra-powerful Big Wand™ so I had to keep that instead of the gun.
He's the Commander-in-Chief of the World Government but I don't fully get what that means. I think at some point I got the impression that he was like, equal in power to the Five Elders but more directly connected to the Marines? But he doesn't do anything ever, at least not that I can recall. Aside from stopping Sengoku and Garp from resigning after Marineford, which I feel like the Five Elders could've commanded on their own. In both an in-story sense and meta sense, considering how littlle this character has been used/done, I feel like there's no point to him existing at all.
And honestly, it was worth it.
Recently it occurred to me that I don't think I've ever suffered an autistic meltdown. But also, I think my view of what one can look like is pretty narrow. It seems like in my head, "autistic meltdown" is either an adult throwing a temper tantrum like a toddler, or just a complete shutdown where they become uncommunicative. And while there are times when I've expressed anger very readily or not wanted to talk to people, I don't feel like I've ever experienced those to the point where it's like, pathological and debilitating and I can't control myself in a public setting. At the very least I've always been able to remove myself from a situation on my own volition. But also that view might just be incredibly myopic? Do you ever have meltdowns? What's it like?
Look I know this is a stupid thing to gripe about but it's been bugging me for a while now. Like either I have a fundamental misunderstanding of what this thing is or the entertainment industry has forgotten the true meaning of it.
A "teaser trailer" is supposed to be not much at all. It's in the name. Just a little tease of a thing that is coming. It's not supposed to tell you much. I feel like historically these have been a couple images, some music, maybe like one actual shot from the final product, but mostly it's more proof of concept material. What also might be the contents of a reveal trailer. And companies still do this. The recent teaser for the video game Persona 6 is a perfect example. It's creepy, it's a mood, it lets you know this will be the sixth Persona game, but it gets you asking a lot of questions about what this thing will be. Or the Toy Story 5 teaser from late last year. That was a solid little build-up that hints at the movie's core concept but isn't giving too much away. These shots might be from the actual movie, they could also just have been made for the teaser. It works as an actual tease.
Then you've got Disney calling this first trailer for their upcoming movie Hexed a teaser, even though it's a full two minutes of footage from the film that actually tells you a fair bit of what the story will be about. Or the new Shrek 5 trailer, which -- ok, at this point, I can't tell you what exactly the movie is ABOUT -- but is definitely like, a collection of scenes from the movie and more than just a conceptual introduction. The thing is, the cast announcement trailer from last year felt like a proper teaser. It's clearly not an actual scene from the movie. So I don't know why they insist on slapping the label on this one.
This is very dumb and pedantic but it bugs me and I had to post about it somewhere.
One of my favorite thing about reading old comics in single issues is seeing them as a time capsule. What they were promoting at the time, what the big stories were, the phases of the shared universe, etc. I totally forgot DC ran these promos at the beginning of the lockdown during the pandemic. Wild to be reminded of this.