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The iconic cover art was inspired by a charming 1928 photograph of some young women dressed as angels and smoking madly.

The cover of the Pavement fan-favourite Wowee Zowee featured a painting by American artist Steve Keene based on a photograph entitled ‘The Arab World’, originally published in Life magazine in 1972.

David Bowie seemingly borrowed his outfit for The Thin White Duke, complete with strategically placed Gitanes, from then-Faces guitarist and good friend Ron Wood of all people.

The Press celebrates the legendary Irish singer/songwriter’s 81st birthday by unearthing a reggae-driven version of one of his best-ever songs.

Nick Cave & The Bad Seeds documented a period of tremendous artistic growth with the heart-bearing balladry of The Good Son.

The original Black Sabbath line-up not only gave us the finest stretch of albums in the band’s immense catalogue, but remains an unparalleled lesson in the mastery of riff-crunching rock.

Photographer Al Clayton was present during the last session for Bob Dylan’s Self Portrait (1970). 

Bowie’s ‘tash album, or Bowie’s trash album? 

Exposure was conceived as part of a trilogy alongside the Peter Gabriel II LP and Daryl Hall’s first solo outing, Sacred Songs (RCA, 1980). 

After Roxy Music, Brian Eno created four wildly experimental solo albums of synthesiser-infused glam rock. Eno Masterworks: 1974-1977, covers the best 20 tracks from those early rock-vocal albums.