u/Obvious_Shoe7302

And this is why he is the GOAT

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TIMESTAMPED TRANSCRIPT

– note there is a delay of 3 seconds in audio and video sync. The audio stamps are for this video file.

[0:01] Corporator Ramesh Mhatre confronts a male doctor (checkered shirt). Says in Marathi: “what are you looking at, you mother***.” Abusive language directed at him. A female voice is heard saying "ek minute, ek minute, ek minute" ("one minute, one minute"). Mhatre is seen hitting the doctor in the throat.

[0:06] An associate arrives asking "what did he say, what did he say" and begins hitting the doctor. Two more associates in white shirts join and assault the male doctor.

[0:17] While associates continue assaulting the male doctor, Mhatre is seen pushing the female doctor. The male doctor is heard saying, "I am just a doctor here, man — what have I done, bhai."

[0:23] A woman is heard shouting at the doctors, accusing them of insolence (Marathi: "angaat layi kide ahet" — roughly, "you've gotten too bold/arrogant").

[0:26] A woman in an orange dress is heard telling the female doctor, "I told you, I told you — don't make my dada [Mhatre] talk, don't make him angry." Further shouting from her is inaudible.

[0:40] Mhatre, pointing and shouting, threatens: "I will threaten your sister, you mother******." The female doctor is visibly in distress, backed into a corner, defensive.

[0:52] Mhatre points at the male doctor: "Look at his face clearly, you come outside — I will f*** your mother outside. Why didn't you pick up the phone? Why didn't you give me [CMO] Shukla ma'am's number?" He then turns to the female doctor with further gendered abuse.

[1:12] Mhatre is seen snatching the female doctor's phone: "Keep the phone away, you mother******." The abuse is constant in Marathi.

[1:18] Mhatre shouts: "In this condition you're sending the patient to Mumbai — are you sending my patient to die?"

[1:30] Mhatre states: "It's been 30 years, I'm a Nagarsevak [corporator] — this is a hospital in my ward." When the doctor attempts to respond, he cuts in: "Don't you talk, mother******, listen to me."

[1:42] Mhatre hits the female doctor's hand and forcibly turns her, shouting: "Who are you talking to, who are you talking to?" The doctor calmly states she is speaking with the CMO. The woman in orange threatens her, demanding to see the phone, framing it as a favour: "We won't break it, just show us who it is." The frightened doctor says she will hang up.

[2:03] The woman in orange again threatens the doctor: "Don't take risks with this guy — you don't know him yet. He's been Sabhapati three times." Mhatre corrects her, asserting it was four times.

[2:18] Mhatre begins abusing administrative staff.

[2:22] Mhatre hits the male doctor again; the doctor is in visible distress, head down.

[2:25] Mhatre shouts: "Are you their, bhadwa [pimp], are you their, bhadwa?"

[2:29] Mhatre shouts: "Do not look at me — you're looking at me in khunnas [with anger/resentment]" — then strikes the doctor with a hospital file.

[2:37] The female doctor, frightened, is heard pleading: "Don't, please don't."

[2:40 onward] Associates outside are heard shouting.

Like, it's good, but there's nothing extraordinary about this movie. Even the concept isn't that original—there are many movies like this. At times, it felt boring and could have been told in a better way. For example, they should have spent more time at the beginning building up . The way the male lead just accepted everything and started living with her all of a sudden, barely 15 minutes into the film, even after seeing all those batshit crazy things, felt unrealistic. Also, the male lead actor wasn't that good, but the female lead absolutely killed it. I guess the hype is mostly because this movie was made on an extremely small budget, which is commendable. Still, I feel the movie had the potential to become something even better. It's still a good movie, especially for a first-time director.

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Prompt:

Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.

Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity.

Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.

Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.

00:00–00:02

Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus.

00:02–00:04

The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up.

00:04–00:06

She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead.

00:06–00:08

Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead.

00:08–00:10

On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift.

00:10–00:12

Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late.

00:12–00:15

Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.

Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on concrete, fabric moving on clotheslines, subtle residential ambience. No music. No sound design. No narration.

Goal: Authentic Korean neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.

Madhya Pradesh Chief Minister Mohan Yadav's family and their real estate firms acquired at least 137 plots spanning 168 acres in Ujjain for ₹45 crore in two years since December 2023 — mostly in areas benefiting from road projects and land-use changes his government announced. Here is a quick look at how much land each of his family members own

people like him keep throwing shade at Dhurandhar while crying about how nobody is watching their supposedly superior movie. These people should understand that you can't force the public into watching your movie. Keep this attitude, and even fewer people will watch your movie next time

This is frustrating af. Like, I get it— you want me to upgrade, and I will when I feel the need to. Literally, all I need is ad-free music; that's it. I don't care about lossless audio or any other shitty features they can keep

I mean This has to be awkward af for the actors in those days , right ?