u/AboveAverage33

Since Mogwais were small furry creatures, they found it difficult to move and mobility was a serious issue. I mean, they could hardly mess up a town as Mogwais. And eating after midnight was the solution which helped them grow and become vicious creatures. It plays into the problems the crew had with the actual animatronics and puppets and how they couldn’t find ways to make the Mogwais walk until the sequel.

Since Mogwais were small furry creatures, they found it difficult to move and mobility was a serious issue. I mean, they could hardly mess up a town as Mogwais. And eating after midnight was the solution which helped them grow and become vicious creatures. It plays into the problems the crew had with the actual animatronics and puppets and how they couldn’t find ways to make the Mogwais walk until the sequel.

Since Mogwais were small furry creatures, they found it difficult to move and mobility was a serious issue. I mean, they could hardly mess up a town as Mogwais. And eating after midnight helped them grow and become vicious creatures. It plays into the problems the crew had with the actual animatronics and puppets and how they couldn’t find ways to make the Mogwais walk until the sequel.

Since Mogwais were small furry creatures, they found it difficult to move and mobility was a serious issue. I mean, they could hardly mess up a town as Mogwais. And eating after midnight helped them grow and become vicious creatures. It plays into the problems the crew had with the actual animatronics and puppets and how they couldn’t find ways to make the Mogwais walk until the sequel.

Having watched both The New Batch and the original Gremlins (1984), I now have a much deeper appreciation for the film and Joe Dante’s direction. While his style is more evident in the sequel than the original, I still enjoy and appreciate how he crafted the story and its structure. Dante didn’t compromise the film’s tone or atmosphere for a more zany approach. The horror and tension in the story remain strong, and the film still packs a punch.

There are scenes where Joe goes full force ‘Dante’ like the Pub sequence and the theatre sequence but they don’t feel overwhelming, they’re just right.

If Warner Bros is aiming to make Gremlins 3 “for kids” and young adults how will it work since things shown in the first two films were pretty mature for kids of that time and still are to this day. The creatures themselves are mischievous and get up to no good outside the bounds of the animated series, is far more mature than the usual movie that is made for young adults.

And there’s a lot of things in those original films that wouldn’t be appropriate even for a Gremlins movie if made today.

Smoking.
Drinking.
Gambling.
Body horror.
Bodily harm.

The animated series dabbled in establishing modernised Gremlins media and it showed how boring and less inspired the creatures were once they lost their ‘human-like’ actions.

I dare say reviews glazes Gizmo in the sequel more than the first film but I believe Gizmo has a bigger role in the original, as most of his screentime in The New Batch is his either getting tortured or him prepping to end Mohawk but he definitely goes missing for most of the sequel and isn’t as much of a presence like the original.

When Gremlins 3 comes out, to watch the entire franchise as a whole would be a treat but The New Batch ending is so bizarre to then watch Gremlins 3 which is set to return to the orignnal’s darker tone will be rather jarring. It’s an exciting time to be a fan as anything can happen.

Looking at Chris Columbus, Zach Lipovsky and Adam B. Stein’s filmography reveals their typical tones, characters and storytelling styles. Considering this, how might a third Gremlins film be perceived? It could be a legacy story slightly closer to the original than the New Batch but still acknowledge and reflect the current world.

If you were in the writers room with these factors:

1. Must be a legacy sequel.
2. Must have a self-contained story.
3. Can’t have too much comedy.

- Gremlins 3 - what’s the story?

I wonder If we will see in-universe canon callbacks to the first two films in Gremlins 3.

For example:

1. News paper clippings of the so-called Kingston Falls Riots as a reference to what the news anchor called the events of the original film.

2. Characters being related to older characters.

3. Returning characters from the previous films.

4. Gremlin/Mogwai designs directly calling back to Walas’ and Baker’s models with a mix of modern day designs.

5. Kate having another bad holiday story.

6. More Flasher Gremlin.

7. Clamp Corners actually being a new built town in reference to Kingston Falls.

8. Mention of Greta ‘the last remaining Gremlin’ potentially being alive somewhere.

I’m so intrigued by the potential of this new film.

Finding a copy of Gremlins on VHS at a local shop, the poster of the main Gremlin instantly piqued my interest. Watching it, I discovered it was surprisingly captivating. While it presented itself as a family-friendly film like ET, its tonal shift resonated with me in a unique way, unlike any other film I’d seen at my young age. It was bizarre yet enjoyable, strange yet very different from anything I’d experienced before. The monsters weren’t special effects they were convincing in the way they were used, still are slightly.

The music also resonated with me. Initially, the depressive undertones went unnoticed but recently I realised I was simply sitting on a powerful message about anti-Christmas or anti-holiday, embodied by the character of Kate.

Gremlins is everything. It truly shaped who I am today – someone who enjoys a wide range of genres and films that transcend single-genre boundaries.

If Gremlins 2 still remains canon I wonder how they’ll deal with the appearance of the Gremlins and Gizmo since the versions of the creatures and Giz look very different compared to the original film’s designs.