I think Choirgirl might be my new fave Tori album.
For a while, it was Pele, but I think I've come to prefer Choirgirl for its consistency and for how absolutely thick with atmosphere it is.
For a while, it was Pele, but I think I've come to prefer Choirgirl for its consistency and for how absolutely thick with atmosphere it is.
"Raspberry Swirl"
"Hotel"
"I I E E E"
"Spark"
"Cruel"
The two are commonly seen as "sibling albums", but in the album rankings I've seen, people tend to have Earthquakes above Pink, whereas I see the latter as a bolder, slightly more experimental version of the former. The piano-and-strings songs feel richer and more atmospheric, and the rockers feel punchier and beefed-up.
I can almost hear the theme playing after "It's a picture of Hitler!"
The verses are absolutely mesmerizing, and that chorus is like a vast wall of gorgeous purple sound.
Vespertine by Björk
Homogenic by Björk
Hounds of Love by Kate Bush
The Dreaming by Kate Bush
Heaven or Las Vegas by Cocteau Twins
Ys by Joanna Newsom
Real Gone by Tom Waits
When the Pawn... by Fiona Apple
Boys for Pele by Tori Amos
Rid of Me by PJ Harvey
async by Ryuichi Sakamoto
Songs in the Key of Life by Stevie Wonder
You Want It Darker by Leonard Cohen
Love Deluxe by Sade
Electric Ladyland by The Jimi Hendrix Experience
Wild Is the Wind by Nina Simone
Dots and Loops by Stereolab
Third by Portishead
HEY WHAT by Low
Hejira by Joni Mitchell
Sign O' the Times by Prince
Blackstar by David Bowie
Rumours by Fleetwood Mac
Disintegration by The Cure
My top 10 is probably
"Beauty Queen / Horses"
"Spark"
"Pretty Good Year"
"Crucify"
"Bliss"
"Shush"
"Amber Waves"
"Addition of Light Divided"
"Reindeer King"
"Shattering Sea"
Some of mine are Björk, Kate Bush, Cocteau Twins, Joanna Newsom, Tom Waits, Fiona Apple, Tori Amos, PJ Harvey, Ryuichi Sakamoto, Stevie Wonder, Leonard Cohen, Sade, Jimi Hendrix, Nina Simone, Stereolab, Portishead, Low, Joni Mitchell, and David Bowie.
The Red Shoes is easily Kate Bush's most underrated album, and I've never understood the antipathy so many fans seem to have towards it. It has some of her most candid songwriting and liveliest arrangements, and even if some of it sounds dated for 1993, that only adds to its charm for me.
Stylistically, it feels like an even grander extension of Ocean to Ocean.
Here are mine:
"Hello Earth"
"Watching You Without Me"
"Jig of Life"
"Waking the Witch"
"Cloudbusting"
Little Earthquakes - "Winter"
Under the Pink - "Icicle"
Boys for Pele - "Blood Roses"
From the Choirgirl Hotel - "Hotel"
To Venus and Back - "Datura"
Strange Little Girls - "'97 Bonnie & Clyde"
Scarlet's Walk - "Carbon"
The Beekeeper - "The Beekeeper"
American Doll Posse - "Bouncing off Clouds"
Abnormally Attracted to Sin - "Give"
Midwinter Graces - "Star of Wonder"
Night of Hunters - "Shattering Sea"
Gold Dust - "Flying Dutchman"
Unrepentant Geraldines - "Oysters"
Native Invader - "Reindeer King"
Ocean to Ocean - "Addition of Light Divided"
The Music of Tori and the Muses - "Building a Mountain"
In Times of Dragons - "23 Peaks"
Midwinter Graces
Gold Dust
Unrepentant Geraldines
Abnormally Attracted to Sin
The Beekeeper
Night of Hunters
American Doll Posse
Native Invader
Ocean to Ocean
In Times of Dragons
Strange Little Girls
Scarlet's Walk
To Venus and Back
Under the Pink
Little Earthquakes
From the Choirgirl Hotel
Boys for Pele
Even though it can't match that 10 year stretch of albums from Little Earthquakes to Scarlet's Walk, it's still her strongest and most cohesive set of songs in ages. "23 Peaks" in particular is outstanding.