
u/A-J-Zan

Które książki fantastyczne dobrze się słucha jako audiobooki?
Szukam czegoś do słuchania podczas grania, sprzątania etc.
EDIT: Interesują mnie audiobooki po Polsku. Z Angielskim miałam tak dużo do czynienia w ostatnim czasie, że podczas pisania prozy nieświadomie stosuję anglicyzmy.
How I can imply in the very first chapter (or prologue) that Migdard from the universe of my story isn't our Earth? [Norse mythology-inspired fantasy]
It's not an isekai story but the reader has to somehow know right away that they are reading about another human world and not some AU Earth.
I have tried to come up with something but the best things I can think of are either a list of all the realms or a map at the very beginning of the book. I want this to be explained ASAP so the readers won't be inclined to point out historical innacuracies, like adjusted to medievalcore modern innovations like metal piping with faucets, liquid soaps and other self-care products
Just calling the human realm Midgard isn't enough in my opinion as Earth would be sometimes called that in works with Norse myth elements. Mentions of some fictional kingdoms or creatures as well as the existence of magic also won't work alone I'm afraid, because tropes of them on Earth also aren't anything new. Infodumping about whole realm's history or geography also is a no-go for me either.
This must've happened at least once
I headcanon that when drinking Thor goes from drunk but coherent straight to knocked out dead weight without any other stage in between.
BTW, is it said in the myths tha Thor was, like, very heavy and that's why he would not step on Bifrost (in fear it might break under him)?
Critique my take on the Norse god Loki and the item associated with him [mythology-inspired high fantasy]
Originally I wrote the text below for this post: https://www.reddit.com/r/worldbuilding/comments/1s84rq3/what_are_examples_of_a_mace_made_from_the_sword/
Recently I’ve decided to update it.
For context: my book is set in a universe based on the Norse myths. All characters mentioned here are my own takes on gods that are more or less accurate to the original lore. This includes Loki being presented as the sympathetic (albeit flawed and still fully responsible for his actions, not misunderstood) anti-hero. I'm mentioning this here because I'm aware similar takes on the Trickster aren't popular in some circles.
TW: >!mentions of gore and torture later in the text!<
***
Unlike in the myths, Lævateinn wasn’t made by Loki but his father, Farbauti, who was a very skilled artisan specialized in crafting and enchanting objects.
From a very young age the Trickster had seemingly impossible to deal with issues with keeping attention on one thing for very long, even if he genuinely wanted to lock in. This was a problem because strong focus was necessary for anyone learning magic. Despite that Loki still had potential, given his natural ability to shapeshift, healing factor and even the rare skill to regrow missing body parts.
Not wanting for his child to suffer from the belief that they are the hopeless failure, Farbauti made an enchanted staff he called Lævateinn. Its wielder could cast powerful spells without the need to focus - a simple thought and clear intent were enough to do it. The artifact also could change into many forms, including that of a knife made completely out of wood and mistletoe, which became Loki’s favourite.
Farbauti knew that such a powerful item could be dangerous in the wrong hands, so he put on Lævateinn some additional protective enchantments. If anyone except Loki would try to grab the staff, they wouldn’t succeed because of how hot to the touch and impossibly heavy it could be, regardless of one’s heat immunity and strength. Even the lightest caressing might leave horrible blisters on one’s fingertips.
Lævateinn wasn’t sentient by any means but thanks to eitr (the energy that is the base of all magic in my world that works like the conduit for the thoughts) could pick up intentions of others’ within close radius. If it sensed that the surface it was laying on was moved by someone who wasn’t Loki and who did this to move the staff specifically, it would fall through the carrier onto the ground. Even trying to pick it up with magic could, well, set mages’ nervous system on fire… the real one if they somehow continued to resist.
Lævateinn quickly became Loki’s most cherished possession. He was using it to cast both basic and advanced spells, pull pranks on others, get himself out of trouble and later survive after his whole family was killed by Jotnars from a different clan.
One of the most important events in my story that is tied to this artifact happened decades later when the Trickster was already living in Asgard, working as king Odin’s errand boy for miscellaneous, often personal and petty tasks, like stealing Freyja’s necklace as the revenge for publicly making fun of the Allfather when she got drunk. After the theft and almost getting choked and drowned by Heimdall that he had turned into a seal earlier, Loki was spending some time in Midgard. While there, he saved a young demigoddess (Sigyn as he later have learned) from being mauled to death by a beast. With Lævateinn he was able to keep her alive, despite severe injuries that would kill her instantly otherwise until she could be transported safely to Asgard. There she was placed under the care of Eir, the best healer in the whole nine realms, who succeeded in stabilizing and patching up Sigyn. The demigoddess would live but with body and face missing some parts, like one leg up to the knee, the foot on the second, one lung, whole hand, most fingers on the one remaining, a few teeth, tongue and both eyes.
Upon seeing her like that, Loki knew that Sigyn’s life from now on will be a never-ending nightmare for her and that was all his fault because he didn’t arrive fast enough to safe her. Filled with guilt and determination to fix as much as possible, Loki transformed himself into what Sigyn could look like before the attack, down to the identical blood, and offered himself as the organ and body parts donor due to his ability to regrow them. Transplantations were possible in Asgard but rare, and not yet at the scale so big as this one, but with good planning and Eir’s skills, one by one Sigyn was regaining what she had lost with some time between surgery to let Loki recover enough and be ready to give away another piece of himself.
Some time after the last surgery and the Trickster turning back into himself, Sigyn was still unconscious but was able to dream. During a particular;y bad nightmare she started to thrash violently in her sleep. Both Eir and Loki tried to calm her down but in the schuffle the latter accidentally dropped Lævateinn (in the form of a wooden knife) on her. To the great surprise of him, Eir and Odin, who happened to also be there and who knew the whole ordeal, Sigyn did not get burned or crushed and even managed to swipe the knife away from her chest in her sleep.
After the demigoddes finally calmed down all three gods discussed what just happened as it shouldn’t be possible. The king concluded that the reason why Lævateinn didn’t hurt Sigyn was the body parts, organs and blood Loki had given her. According to him, because of them Lævateinn considered her as its second wielder and it was something that even a skilled artisan like Farbauti couldn’t predict when he was placing the protective charms on the staff.
With such a loophole found out, Odin decided it would be best to keep the whole surgery a secret, especially this event with Lævateinn. According to Allfather, if the enemies enemies of Asgard found out that a staff that makes casting powerful spells effortless can be used by anyone if the original wielder’s body parts are sewn onto the new user, Loki might end up kidnapped, tortured and turned into an unwilling donor that could be harvested for organs by someone not as skilled and considerate as Eir, then kept locked up in dungeons until the new possible wielder would come to get his piece.
Loki agreed to this idea and also to not let Sigyn touch Lævateinn ever again. But he did not care that much about the possibility of becoming some mad butcher’s meat. In truth, he thought that Odin might have been a bit paranoid, jumping to such grim conclusions right away. For the Trickster it was more about not wanting to face Sigyn when she fully recovers, because he still had conflicting feelings about his role in saving her life.
Is it just me or Grace Auvergne gives out strong Lady Oscar vibes? [From Bureaucrat to Villainess: Dad's Been Reincarnated!]
I think that's because of the combination of long blonde hair, rather masculine facial features and uniform-syled clothing.
Also, it isn't helped by the fact that the story, as its title suggest, is about a middle aged man being reincarnated as her and his failed attempts at acting like a villainess from a otome game due to his politeness and dad instincts.
The story of Lævateinn and its wielder (reworked)
Originally I wrote the text below for this post: https://www.reddit.com/r/worldbuilding/comments/1s84rq3/what_are_examples_of_a_mace_made_from_the_sword/
Recently I’ve decided to update it.
For context: my book is set in a universe based on the Norse myths. All characters mentioned here are my own takes on gods that are more or less accurate to the original lore. This includes Loki being presented as the sympathetic (albeit flawed and still fully responsible for his actions, not misunderstood) anti-hero.
TW: >!mentions of gore and torture later in the text!<
***
Unlike in the myths, Lævateinn wasn’t made by Loki but his father, Farbauti, who was a very skilled artisan specialized in crafting and enchanting objects.
From a very young age the Trickster had seemingly impossible to deal with issues with keeping attention on one thing for very long, even if he genuinely wanted to lock in. This was a problem because strong focus was necessary for anyone learning magic. Despite that Loki still had potential, given his natural ability to shapeshift, healing factor and even the rare skill to regrow missing body parts.
Not wanting for his child to suffer from the belief that they are the hopeless failure, Farbauti made an enchanted staff he called Lævateinn. Its wielder could cast powerful spells without the need to focus - a simple thought and clear intent were enough to do it. The artifact also could change into many forms, including that of a knife made completely out of wood and mistletoe, which became Loki’s favourite.
Farbauti knew that such a powerful item could be dangerous in the wrong hands, so he put on Lævateinn some additional protective enchantments. If anyone except Loki would try to grab the staff, they wouldn’t succeed because of how hot to the touch and impossibly heavy it could be, regardless of one’s heat immunity and strength. Even the lightest caressing might leave horrible blisters on one’s fingertips.
Lævateinn wasn’t sentient by any means but thanks to eitr (the energy that is the base of all magic in my world that works like the conduit for the thoughts) could pick up intentions of others’ within close radius. If it sensed that the surface it was laying on was moved by someone who wasn’t Loki and who did this to move the staff specifically, it would fall through the carrier onto the ground. Even trying to pick it up with magic could, well, set mages’ nervous system on fire… the real one if they somehow continued to resist.
Lævateinn quickly became Loki’s most cherished possession. He was using it to cast both basic and advanced spells, pull pranks on others, get himself out of trouble and later survive after his whole family was killed by Jotnars from a different clan.
One of the most important events in my story that is tied to this artifact happened decades later when the Trickster was already living in Asgard, working as king Odin’s errand boy for miscellaneous, often personal and petty tasks, like stealing Freyja’s necklace as the revenge for publicly making fun of the Allfather when she got drunk. After the theft and almost getting choked and drowned by Heimdall that he had turned into a seal earlier, Loki was spending some time in Midgard. While there, he saved a young demigoddess (Sigyn as he later have learned) from being mauled to death by a beast. With Lævateinn he was able to keep her alive, despite severe injuries that would kill her instantly otherwise until she could be transported safely to Asgard. There she was placed under the care of Eir, the best healer in the whole nine realms, who succeeded in stabilizing and patching up Sigyn. The demigoddess would live but with body and face missing some parts, like one leg up to the knee, the foot on the second, one lung, whole hand, most fingers on the one remaining, a few teeth, tongue and both eyes.
Upon seeing her like that, Loki knew that Sigyn’s life from now on will be a never-ending nightmare for her and that was all his fault because he didn’t arrive fast enough to safe her. Filled with guilt and determination to fix as much as possible, Loki transformed himself into what Sigyn could look like before the attack, down to the identical blood, and offered himself as the organ and body parts donor due to his ability to regrow them. Transplantations were possible in Asgard but rare, and not yet at the scale so big as this one, but with good planning and Eir’s skills, one by one Sigyn was regaining what she had lost with some time between surgery to let Loki recover enough and be ready to give away another piece of himself.
Some time after the last surgery and the Trickster turning back into himself, Sigyn was still unconscious but was able to dream. During a particular;y bad nightmare she started to thrash violently in her sleep. Both Eir and Loki tried to calm her down but in the schuffle the latter accidentally dropped Lævateinn (in the form of a wooden knife) on her. To the great surprise of him, Eir and Odin, who happened to also be there and who knew the whole ordeal, Sigyn did not get burned or crushed and even managed to swipe the knife away from her chest in her sleep.
After the demigoddes finally calmed down all three gods discussed what just happened as it shouldn’t be possible. The king concluded that the reason why Lævateinn didn’t hurt Sigyn was the body parts, organs and blood Loki had given her. According to him, because of them Lævateinn considered her as its second wielder and it was something that even a skilled artisan like Farbauti couldn’t predict when he was placing the protective charms on the staff.
With such a loophole found out, Odin decided it would be best to keep the whole surgery a secret, especially this event with Lævateinn. According to Allfather, if the enemies enemies of Asgard found out that a staff that makes casting powerful spells effortless can be used by anyone if the original wielder’s body parts are sewn onto the new user, Loki might end up kidnapped, tortured and turned into an unwilling donor that could be harvested for organs by someone not as skilled and considerate as Eir, then kept locked up in dungeons until the new possible wielder would come to get his piece.
Loki agreed to this idea and also to not let Sigyn touch Lævateinn ever again. But he did not care that much about the possibility of becoming some mad butcher’s meat. In truth, he thought that Odin might have been a bit paranoid, jumping to such grim conclusions right away. For the Trickster it was more about not wanting to face Sigyn when she fully recovers, because he still had conflicting feelings about his role in saving her life.
[Otome Isekai trope] "I've been reborn as the story's original main female lead, so i this timeline I'll be a villaines with horrible main character complex"
* "....in this timeline I'll be a villainess"
Otome Isekai manga, anime, light novel series etc. where the main female character is reborn as (or just is) a side character or original story’s villainess while the original heroine not only turns out to be the real villain in this new retelling but also a fellow reincarnator who wants to achieve her happy ending by acting sweet and innocent on the surface but in reality cunning and manipulating others.
Heronia Inderon (An Observation Log of My Fiancée Who Calls Herself a Villainess) - the second person, after the titular villainess to be reborn in a world of the otome game. Unlike the original, pure good Heronia, this one is delusional, selfish and thinks she deserves affection from the capture targets (a. k. a. possible romance candidates). To get their attention she tries to enact key scenarios from the game, not realizing that this world is real and doesn’t work the same way as a dating sim.
Lilia Reinoise (I'm the Villainess, So I'm Taming the Final Boss) - like Heronia, she’s a reincarnator in the body of otome’s original protagonist, who doesn’t believe the world she found herself in is real and instead operates on the same rules as the game. She even believes that other people in this world are NPCs who can respawn after death.
Terenezza Hopkins (May I Ask for One Final Thing?) - her case is a little bit different, because the land she’s been reborn in isn't the setting of an in-universe novel or game, but an original another world without seemingly any other reincarnator around. Still, her behaviour is similar to the previous two cases: on the surface presents herself as sweet and innocent, but in reality she’s a vengeful, cruel and manipulative psychopath. Suffering from a serious main character complex, despite the world, again, not being a fictional setting, she still considers herself the heroine of a story.
Just unsubbed from isthisAI
I don't know how to put it, but the constant influx of posts questioning every picture and viral short video started to feel dystopian to me.
Hot take: I don't endorse AI dominance, but I don't want to be paranoid about it and treat every instance of the use of and every non-negative interaction with AI content as the 8th deadly sin. Not to mention avoiding it at every cost, even if it will seriously affect my lifestyle.
I even sometimes doubt the validity of some claims against AI, like the wasting of the huge amounts of water to run the servers, if they are not exaggerated to make the issue look far more serious than it really is.
Azz, Clara and Ameri
Even before the ;atest chapter I speculated that Azz and Clara might team up with Ameri and go together to Earth in order to find Iruma.
Not only miss Azazel was for the longest time aware that Iruma is a human* but also was with him in the gate. Not to mention that whole, several chapters long "How I met your mother" arc. I don't think it was put there just to explain in detail Demon World's politics towards humans in preparation for the current mess.
I bet that if Ameri and 2/3 of the Love Trio end up on Earth, she wiill have her own subplot of not only looking for Iruma but also Merize. And after her and Iruma reunite, they might start their investigation, centered around that manga Ameri had the whole collection of and Iruma worked on at the publishing house.
*I wonder how Clara and Azz will react if they learn that.
What do you think about a possible cozy game (of any genre) set during a zombie apocalypse?
I know it's possible to create a light hearted game set in a post-apocaliptic world, focused on rebuilding. For example Dinkum, a Australian themed Animal Crossing clone, takes place sometime after an uspecified cataclysm. The land is littered with broken pieces of our modern technology, but the game implies people in Dinkum don't know what any of them are and local scientist has to study a lot of old CDs to be able to recreate several vechicles.
But what about a setting during zombie virus outbreak- a horrific scenarion often being portrayed, if not as dark scenario then at least as a brutal gore fest, both warping surviving humanity's morals?
The best kind of not as dark cozy zombie apoc. game I can think of is a sttlement bulding, gathering and farming sim where:
- we can craft the cure for the zombie virus and use it on the infected,
- instead of killing the players chase the zombie away with fire, electricity, light and loud noises pf certain frequency,
- getting bitten enough times will either lower all of the player's stats until they take the cure or will send them to the base with some items lost and the cure applied of screen,
- not all of the NPC humans in the settlement won't happy, nice and optimistic, but none of them will be a backstabbing d*ck towards the player,
- people that the player cures from trom the zombie virus can either join our settlement and take a certain role (gatherer, guardian, farmer, cook etc.) or be send away with some supplies to form their own stronghold outside the game's map.
Do you have any other ideas?
Story idea:
MC, an orinary guy, starts training along with other students as green as him about the subject. Soon, however, those guys start rapidly excelling, leaving MC far behind, still getting through the basics. At first he is worried he might be inept, but it turns out his proggression is actually very good for an average person like him. He just had the misfortune of ending up in a group of exceptional prodigies.
What kinds of dinosaurs could be the best working farm animals in a fantasy setting based on the viking era (so early medieval)?
This is how I want to introduce dinos in my fantasy story.
Since their Latin-based names won't be fitting for this setting, in-universe the whole clade will be called hofodrekis, (or hofodreks, I still need to decide). If roughly translated from Old Norse that would mean something like "the dragon head". Names of specific kinds of dinosaurs would be based on translations of their Latin names (something like Triceratops - Trihorn).
But back to the question in the title, I don't know what dinosaurs could be the best for the work on a medieval farm alongsize humans, aside from maybe some horse-sized ceratopsians. The climate that dinos would live in IRL is not important as hofodrekis won't be 100% accurate (maybe 80%) to IRL dinosaurs due to creative liberties. Still I want to have some accuracy or beliefability anyway, so no T-Rexes pulling merchant's cart here.
Co sądzicie o takim blurbie?
Tytuł książki na ten moment: Żołnierz, Szachraj i Duch Wiedźmy
Będę szczera: nie jestem w stanie stworzyć dobrego blurba (takiego na tył książki) do całej mojej powieści. Odkryłam natomiast, że łatwiej mi tworzyć je dla poszczególnych części., które zawierają po kilka rozdziałów.. Ponieważ to jest projekt na Wattpada, myślałam każdą "księgę" poprzedzić postem będącym czymś w rodzaju strony tytułowej, zapowiadającej o czym ta część będzie.
Nadal jednak muszę wymyślić coś dla całości...
What's your opinion on what this comic is saying?
Me personally, on one hand I agree on what this comic is trying to say that kids and teens should read about characters they can resonate. On the other I think it seems to bash the trope of hero discovering they are something more, regardless of how it is written, good or bad.
Maybe I am reading it incorectly, but the comic implies that upon discovering who she really is, all of Theofilia past expieriences as a Poo Person and how they affected her are retconned out of her character arc and she becomes a snobby royal who looks down at Poo People with disgust for any good reason (assuming that her life in poverty wasn't full of abuse from other Poo People).
I am firm believer in the idea that every trope, with a bit of creativity, can be well written, without resorting to subverting it or making the fun of. If the book from this comic was well written, Theofilia wouldn't forget her family and friends she lived with as a Poo Person and get corrupted by the royal life of luxury. Instead she would use her new position to call out the injustice and fix what's wrong with the society and ensure that the quality of Poo People's lives will increase significally and there won't be any societal barriers between them and the Specials.
The revelation that Theofilia is Special, shouldn't change or erase what happened before, that she lived in poverty and had to work hard in the dirt for food, that she knows about things any Special would not know because of their high status.
EDIT: I've been made aware that the correct message should be that it's bad when someone could achieve something not because of their hard work towards it but because of their bloodline or some other "cheat". Still, I think using having literal magic powers as an allegory wasn't a good example for the "everyone can be like/achieve this" lesson because having any superpower feels like something genetic. It feels like saying "you're growing taller than anyone else in this family not because of you drinking milk and your healthy lifestyle, but because you're actually adopted and your biological parents are both over 2 meters tall".