u/Jalbwakkolnaji4756

In the Vālmīki Rāmāyaṇa, Sundara Kāṇḍa 48, Hanuman deliberately allows himself to be captured after Indrajit uses the Brahmāstra. Hanuman reasons that if Ravana becomes curious and decides to see him, he will gain the opportunity to speak directly to the king of Lanka. The text says: “कौतूहलान्मां यदि राक्षसेन्द्रो द्रष्टुं व्यवस्येदिति निश्चितार्थः” — he accepts the situation with the definite purpose of getting before Ravana.

Hanuman is then brought into Ravana's presence. This is important because his capture is not simply a defeat: he knowingly permits the Rakshasas to bind him so that he can meet Ravana and deliver Rama's message. The Sanskrit describes him as accepting the binding while intending that the king of the Rakshasas should see him: “परैश्च बन्धनम्… राक्षसेन्द्रो द्रष्टुं व्यवस्येत्” (Sundara Kāṇḍa 48).

Later, when Ravana considers what punishment to give Hanuman, Vibhishana objects to killing an envoy. Ravana agrees that killing a messenger is improper and instead orders punishment: “सम्यगुक्तं हि भवता दूतवध्या विगर्हिता । अवश्यम् तु वधात् अन्यः क्रियताम् अस्य निग्रहः ॥” He then orders Hanuman's tail burned, saying: “कपीनाम् किल लाङ्गूलम् इष्टं भवति भूषणम्”—and commands that Hanuman be paraded through Lanka with his burning tail.

Kirateshwar (Kirata) Avatar refers to Shiva appearing as a Kirata, meaning a hunter or forest-dweller. The best-known account occurs in the Mahabharata, when Arjuna is performing severe penance to obtain divine weapons before the great war. Shiva decides to test him and appears in the forest disguised as a powerful hunter, accompanied by Parvati in some traditions.

At that moment, a wild boar charges through the forest. Arjuna and the disguised Shiva both shoot arrows at it, and both claim to have killed it. Arjuna becomes angry when the hunter refuses to acknowledge his claim. The two then engage in a fierce combat, with Arjuna eventually realizing that this seemingly ordinary hunter possesses extraordinary divine strength.

Arjuna continues fighting despite being unable to defeat him. Realizing that the hunter must be no ordinary human, Arjuna creates a small image of Shiva and worships it with flowers. Miraculously, the flowers appear upon the hunter himself. Arjuna immediately understands that he has been fighting Mahadeva and bows before him, asking forgiveness.

Pleased by Arjuna's courage, determination, and devotion, Shiva reveals his true form and grants him the Pashupatastra, one of the most powerful divine weapons. The episode is important because Shiva does not simply reward Arjuna for praying—he tests his humility, courage, and perseverance first. The Kirata form therefore represents Shiva appearing in a seemingly ordinary disguise while concealing immense divine power.

In a later retelling, Ravana becomes so powerful that even the servants of Yama, the god of death, are said to fear his authority. Yamadutas—the messengers who carry out Yama’s commands—come before Ravana, expecting that his mortal existence will ultimately place him under Yama’s jurisdiction. Ravana, however, refuses to accept the authority of death and challenges the very order that governs mortal beings.

Ravana then goes to Yama’s realm and confronts Yama himself. A tremendous battle is described between Ravana’s forces and the forces of death. Yama prepares to use his terrible divine weapon, the Kala-danda, the staff representing the irresistible power of Time and Death. But Brahma intervenes, because Ravana’s boon creates a complicated divine restriction. Yama therefore withdraws rather than violating Brahma’s word.

The story is essentially meant to emphasize Ravana’s extraordinary arrogance and power: he becomes so convinced of his invincibility that he challenges even Yama and death itself. However, this does not mean Ravana literally becomes immortal. His protection has limits, and those limits ultimately allow Rama to defeat him. The Yamaduta episode is therefore best understood as a later traditional elaboration rather than a major episode of Valmiki’s Ramayana.

When Thanos said he reduced the infinity stones back to atoms and destroyed them we know that Ant man goes back to the quantum realm where atoms which is a sub atomic dimension or realm so could it be that these screenshots were the stones? I mean obviously again this could be a stretch as I really do not have a answer for how they were able to pick weapons or attack if they were just stones but yeah.

I know a lot of people around here do not like Ant man 2 and the wasted Kang potential but when Paul rudd framed with the Russo brothers for the shoot BTS start he was wearing the same black shirt that he did during the end of Ant man 2 could this possibly be that Doomsday begins with a connection to Quantumania? And possibly a hint towards Kang is included in the movie? I know this could be an exaggeration too it could literally be a normal shirt from his wardrobe but yeah.

Also the throw glitch at the end